What is the writing background and central idea and appreciation of Wei Zhuang s Taicheng . Please

The poet relied on the monuments of the hanging platform city to review the old things of the Six Dynasties.

system, it is inevitable that there will be the present to look at the past, and the future will look at the present.

Sense. The ominous premonition of the death of the country haunted the poet when he wrote this poem. If Li Yi's "Bianhe Qu" also contains the desire to avoid repeating the story of the Sui Dynasty in the strong sigh of "pedestrians do not go up to the embankment, and the wind rises and Yang Huachou kills people", then this article reveals a strong sentimentality in a dreamlike atmosphere, which is a refractive reflection of the reality that the fall of the Tang Dynasty has become a trend and the repetition of the tragedy of the Six Dynasties is inevitable in the ancient poems.

This poem alludes to the vicissitudes of the world with the "still" of natural scenes.

The "ruthlessness" of things is used to reflect people's pain, and in the historical emotion, it implies the meaning of hurting the present. Although the thoughts and emotions are inevitably a little negative, this kind of artistic expression of the void is expressive.

It can still be learned.

The poet actually wrote about Taicheng Willow as a sentient object. From the perspective of the traditional use of objects, "willow" is indeed related to human feelings: at the time of parting, folding willow to give the meaning of the word "stay", after parting, I saw the sadness of willow, and the decline and fall of the "Six Dynasties" is the farewell of an era.

In Wei Zhuang's eyes, the willow who witnessed the parting of the Six Dynasties should also be "old", but it is "still a smoke cage ten miles of embankment", and the branches are luxuriant. It should be noted that the word "still" in this sentence forms a contrast between the past and the present, and contains the poet's deep sense of "the changes of the world". I am afraid that it is precisely because of the special function of "willow" in traditional objects that the poet uses the word "most".

The normal order of "ruthless is the most" is "the most ruthless", the intention of the inversion is self-evident, while strengthening the "ruthlessness" of Taicheng Liu, it also highlights the image of a poet who looks back on history with a little "resentment". The poet Wei Zhuang relied on the monuments of the hanging platform city to review the old things of the Six Dynasties, and inevitably had the sigh that the present looks at the past as well as the future looks at the present. The ominous premonition of the death of the country, when he wrote the poem "Taicheng", haunted the poet Wei Zhuang's heart.

1. "Taicheng" is a poem composed by Wei Zhuang, a poet of the Tang Dynasty, who hangs the monuments of the Six Dynasties.

2. Wei Zhuang (c. 836, c. 910), the character Duanji, Han nationality, a native of Duling, Chang'an (near present-day Xi'an, Shaanxi Province, China), a poet and lyricist in the late Tang Dynasty, and the former prime minister of Shu in the Five Dynasties. The seventh grandson of Wenchang right Xiangwei and the fourth grandson of Suzhou Thorn Shi Wei Yingwu. Wei Zhuanggongshi, together with Wen Tingyun, is a representative writer of the "Flower School", and is called "Wen Wei".

The long poem "Qin Women's Yin" reflects the misfortune of women in the war, which was quite famous at the time, and "Peacock Flying Southeast" and "Mulan Poem" are called "Three Uniques of Yuefu". There are ten volumes of "Huanhua Collection", and later generations have compiled its words as "Huanhua Words". "All Tang Poems" recorded 316 of his poems.