The vocalist voice is not concentrated and has no emotion, so what kind of careful adjustments shoul

Don't let the brain strain you. You can memorize the lyrics and sing them with your eyes closed. Immerse yourself in the content and sing with your heart.

You should strengthen your lung capacity, you should go for a morning run in the morning, the voice you sing is not concentrated and there is no emotion, the main thing is that the voice is not concentrated, feelings are the soul of a song, but you can't master the vocal segment well, and it is not good to say that the feelings, you learn to be bel canto and popular should know the skills to a certain extent, you can also make the song have feelings, your current situation is not confident, singing is not with the throat, the beginner only uses the throat, a good voice should be from the lower abdomen to a kind of expansion to the throat, and then to the nasal voice Vibrato is the auxiliary, of course, the most important thing is the breathing method, to put it bluntly, it is the mastery of lung capacity qi.

This is the overall flow of a good voice, and your question should be learned to correct breathing and natural articulation techniques.

Breathing method, one has to exercise regularly, you see those who sing well, basically the body is more athletic, and fat people themselves are more dominant because of the natural lung capacity. The best way is to run in the morning, so that not only can strengthen the lung capacity, but also have a good spirit, in the process of running, you can sing properly, the front may be voice-controlled, it is difficult to grasp the high and low, at that time, slowly raise the speed of the morning run to an appropriate level, so that the singing voice slowly eases down, practice a few more times, you will find the trick, gradually you will find that your control of the voice has made great progress, based on this Other is the problem of skills, such as nasality, articulation. The strength of the voice, the control of the vocal segment, and more!

Close your eyes, listen slowly, feel the emotion of the song, and treat it as a treat.

In fact, whether singing is good or not is mainly pitch and rhythm.

With these two points, you can only sing, but feelings are the highest level.

Art is endless, for love is the shore.

Pitch is often the ear, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing out of our own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** sound overshadows their own voice, so out of tune).

Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.

Practice your ears first, and then talk about anything else.

Introducing several ways to practice singing:

Treble problem--- First of all, teach you a simple and easy-to-learn, high-pitched technique: hold a toothpick between the corners of your mouth and sing, don't fall off, it's easy to sing high notes. (That is, it is often said to open the inner mouth).

The vibrato --- is mainly through the control of the breath, so that the airflow passes through the throat like a wave, and the vibrato is produced, some people control the airflow through the voice, this kind of singing is very outdated, called vibratogram, the amplitude is very large, unnatural.

Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)

In fact, you don't have to be too concerned about pitch, find some songs that suit your vocal range to practice, or a little bit of struggle, but you can still sing high notes.

It is necessary to turn on the voice before singing, and drinking some boiling water can help to turn it on. When the sound is turned on, the throat will not be uncomfortable.

Take your time, scientifically know your voice, and everyone can sing good songs.

The reason why the voice is not mellow and flat is that the mouth is not open, and the sound produced by the squeezing of the vocal cords depends on it, so you will feel that it is not powerful! The right way to do this is to open your throat and add a full breath with a smile that will help your voice change! Give it a try!

Could it be that there is something wrong with your teacher's method? You can go to someone more professional to hear about it. Many teachers mislead their children. Some teachers don't teach at all.

Why don't you ask your vocal teacher?

Small breath: related to lung capacity, it needs to be strengthened by aerobic exercise.

Shallow source of breath: Be sure to carefully experience the relaxation of the entire torso, especially the spine, when inhaling will naturally straighten a little, with auxiliary movements will be conducive to the body's understanding and muscle memory.

Instability: It is because of the aspiration, which is assisted by the upward lifting of the diaphragm as a driving force, larynx, body belt, nasal cavity and oral cavity shape change, which may be due to insufficient strength of the diaphragm, or it may be caused by insufficient development of the muscles of the mouth, throat cavity, nasal cavity or vocal cords, or insufficient coordination, which needs to be exercised.

If there is a lack of oxygen: it must be a physical problem, strengthen aerobic exercise.

False midrange and weak ribcage: Excessive force or relaxation in the pharynx and larynx can lead to weakness in the low and mid frequencies of the sound quality. Weak thoracic resonance.

The explosiveness of the voice: It is related to the vocal cord muscles, and it requires the practice of skipping sounds.

Vocal roundness: Excessive force in pronunciation, resulting in incomplete vibration of the vocal cords.

Poor uniformity: The resonance points move too much.

Summary: You have a weak physique and need to exercise, running to strengthen. The laryngeal muscles need to be more developed. (Skipping, long note exercises).

It is often used to switch resonance points (you can appropriately use methods such as standing up, squatting, and raising your hands to assist the experience, and then slowly detach from the action assistance.) It can improve the degree of coordination between the various vocal functions).

You have only been learning vocal music for half a year, you can't rush at all, all these problems of yours are the problems faced by vocal beginners, your pitch is really good, but vocal music is an abstract whole, experience: the voice sits on the air, and the voice is sent out by the air, so feel it more, you will slowly sink the breath, so that when you sing, the alto area will be a little mellow, continue to work hard, only half a year, I only mastered the resonance in the second year of learning, and I was the same as you when I first learned. Start from the middle vocal area every day when practicing, ten minutes, and then slowly transition to the high note, and then down to the lowest note, just sing the high note to be comfortable, there is no need to deliberately pay attention to any penetration, that is after your vocal cord muscle group is exercised and developed, and after you can reasonably grasp the direction of the voice, you can naturally achieve your goal! Don't worry!

According to the situation you described, I feel that you still love to learn, but your problems almost all the problems in vocal music are said, learning vocal music is afraid of thinking too much, but you can't not use your brain, so you must grasp the key problems, solve the main problems first, and the others should be solved slowly in the future learning, vocal learning is also a process of accumulation, and it is often counterproductive to be anxious.

I feel that your main problem is still in the breath, because of the breath caused by the lack of sound width, resonance and a series of problems.

There are many ways to practice breathing, sit-ups are very helpful for breath exercises, but there is a disadvantage that the breath is not kept for a long time, so you can add a method of even breathing (take a deep breath, and then send si, see how long you can last, if you can be more than 30 seconds, you will be qualified to learn vocal music, you must practice every day), the two methods are used at the same time, the key is to insist, if you don't insist, it won't have much effect.

Get up every morning to practice the sound and open the sound, practice the breath every morning and evening, this is not a elixir, just eat it, this takes time, and then you have to check whether you are anemic.

You can try jogging and then increase the number of laps according to your condition. I'm in a similar situation to you, and the teacher found the song Iwaguchi Dripping Water as an etude. You can try!

Don't buckle your chest when practicing your voice and singing, and sing with it completely open; The voice must be erected;

The breath, the most important thing is to feel and practice, you can't just think about it overnight;

The alto is not false, indicating that you have not put your voice down, but you are still clasped to your chest;

Feelings are the most important, you must love vocal music to learn well;

Vocal music can't improve too fast, you have to learn slowly, not a year or two can learn well, I have been learning vocal music for 4 years, hobby learning, I hope it will help you!

Pay attention to the problem.

1) Practice more articulation exercises;

2) Pay more attention to your tone;

3) Don't methodize vocal learning;

4) Sound at its best.

Friends who study vocal music have had such doubts: follow the teacher.

After a week of serious practice, the teacher will ask for a different request from the previous class. For example, in the last lesson, it was required to sing backwards, and in this lesson, it was proposed to sing forward, and in the previous lesson, it was required to enter the head cavity in a high position, and this lesson required deep breathing and deep breathing. It made the students confused, they couldn't take care of the top, and they couldn't take care of the west, and they were afraid of learning vocal music.

The emergence of these doubts is an inevitable process that everyone has to go through in the process of learning vocal music. The process of vocal learning is the process of constantly adjusting and coordinating the harmonious movement of vocal organs, respiratory organs, resonance organs, and language organs. To correctly understand this learning process, we should have an understanding of the characteristics of vocal learning.

1. The singer is not only the maker of the instrument, but also the performer of the instrument. He will never be able to hear his real singing as objectively and accurately as the audience (listening to the recording is another matter). 2. Due to the differences in body, culture and education, personality, cognition of affairs, voice and timbre, the singers' experience of singing will also be very different.

3. In the process of learning vocal music, neither the singer nor the vocal teacher can intuitively see the movement of the vocal cords, and must judge and distinguish by hearing. The relationship between breath and vocal cords, voice and resonance, is controlled by the singer's feelings, and the teacher's judgment depends on the analysis and experience of the sound. Many of the requirements of a vocal teacher are clearly time-sensitive.

At the beginning of the article, I mentioned that the students' doubts about the teacher's request were because the teacher, after listening to the student's singing, put forward a new request to adjust the sound at that time. It is right for students to practice according to the teacher's instructions, and they should not be confused. The whole process of vocal learning is always in a process of constant adjustment and balance.

I think that's the beauty of vocal learning. 4. There is a big difference between the singer's own hearing and the objective sound when singing (especially for beginners). Subjectively hearing bright, solid sounds is often a squeezed out sound that lacks resonance; And the dull, empty sound that is subjectively heard is often objectively the correct sound that sounds good.

Don't format it too systematically, you should find your own characteristics in vocal learning, and you won't be brilliant if you don't have everyone.

1. Choose a teacher, the quality of the teacher determines the right or wrong of your path.

2. Habits, good living habits determine the quality of the vocal cords.

3. Thinking, diligent thinking is the source of vocal progress.

The practice of vocal music is long, and I am a vocal music student at Nantong University. I'm a senior now. In the first two years of learning vocal music, I sang small songs, such as Gao Gao Taizi Mountain, Gadamerin, and so on.

It is not clear whether you are a tenor or a baritone. Depending on the feeling you describe, it's like a tenor. When singing high notes, the cavity can be opened, you don't care too much about the tongue and the small tongue, the tongue is naturally square, the small tongue is open, remember that this is a channel!

The treble settlement is mainly in the breath and position! The main cavity of singing the nation is in the head cavity, that is, at the center of the eyebrows, this kind of singing is relatively bright, while bel canto singing and national singing are not comprehensible, and the direction of the voice is mainly to the back of the head. Both of these singing styles must have good breath support, and when singing the high notes, the lower abdomen and lower back are strained, and you can try to lift heavy objects while singing the high notes into a semi-squat position.

Don't rush when practicing the high note, the tenor is a voice change point when "4" or "4", and it is uncomfortable to sing it, so practice more. The above is just the correct way to sing and experience, and it depends on your own efforts! Hopefully!

Is that okay?

To keep your larynx steady, sing"u"It's woo, when you sing woo, the larynx is the lowest bit, sing more of this sound to find the feeling, "u" followed by "i" hey, when singing other notes also sing with this feeling, so that step by step is stable. It is important to note here:

First, the breath should be good, it should be inhaled in place, and the larynx should be kept relaxed. 2. The mouth should be relaxed, and all sounds are naturally produced.

The highlight of the sound, resonance is the problem of your words, the breath of the front of the mouth is done, the words are bitten in front, is to sing according to the correct pronunciation of Chinese pinyin, the mouth remains relaxed and open, the sound is sent forward to send the highlights and resonance to find, of course, this is a comprehensive problem is not done at once, it depends on the teacher's ears to listen, but also on practice, to tell you in person is no problem!

Learning vocal music is simple, you can sing a few words with your mouth open, but it is too difficult to sing well, you must first practice the breathing of singing, and then open your throat and other singing skills, all of which feel abstract, and you can only find singing methods and skills under the correct guidance of a vocal teacher.

1. No.

2. No, you can't. 3. Yes.

4. The method is wrong.

5. If you can perform a good song, why change your unique timbre?

6. Some people can get started in one or two classes, and they should know the answer when they know that the connection is endless!

Hope it helps.