How to deal with changes in spatial hierarchy in black and white paintings

To deal with the spatial hierarchy of black and white paintings, we can use perspective and the relationship between distance and reality to reflect the sense of hierarchy and visual effect.

Usually black and white paintings are divided into three elements, black, white and gray, gray is very important, and the difference in gray scale is also a key factor that reflects the relationship between distance and proximity, the main and secondary!

A picture that uses only one color, black (or white), and only presents a black and white effect, is called a black and white painting.

Black and white painting is a big concept, and it refers to any painting that is painted in black and white. Including black and white prints, prints.

Stamp patterns, black and white illustrations, sketches, white drawings of Chinese paintings, burnt ink, ink paintings, black and white patterns and black and white decorative paintings, etc.

It uses the contrast between black and white as a modeling means, and the theme of the picture is fully expressed by the ingenious combination of black and white shapes, which has highly generalized artistic characteristics. In the hearts of the Chinese, black is real, white is virtual, black is everything, and white is ethereal.

Black and white are like the mutual infiltration and infiltration of existence and non-existence, thus creating a vast world where there is reality in reality, reality in fiction, and existence and non-existence. Skillfully deal with the two extremes of black and white, condense everything in the picture of the clever combination of black and white, just like the melody, rhythm, orchestration and so on of the sound bring people auditory enjoyment. It is necessary to be good at grasping the main characteristics of the image, deleting the complicated and simplifying, as long as the image on the picture is extremely concise, and strive to achieve a strong and bright artistic effect of black and white contrast, and flexibly use the various forms of expression of points, lines and surfaces, so that the picture is rich in black, white and gray changes, the virtual and real levels are scattered, the dense blank is arranged appropriately, the image is exaggerated, trade-offs, and deformed, and strive to make the painting interesting, rhythmic, rhythmic, and decorative.

As for the contrasting color, the excess must be good.

Is it a complex black-and-white contrast? Then you have to pay attention to the level, black is not only pure black, black is also to have a relationship between light and dark, don't add shade because it is black, the black shadow part of the line is denser, if you can, paint a few more layers.

Through the contrast of black and white, the painting has a melody and makes your painting flow.

The following picture is a good water pattern diagram, which can expand your thinking.

I wish you a happy life and progress in your studies!

Black and white decorative painting is to create a black, white and gray picture effect with dots, lines and surfaces! If you want to highlight the main features, add more decorations to the objects with the main features, such as the simplest, the lines can be thickened, the small dots can be made bigger, etc.! In fact, the best learning is to draw different sketches repeatedly, see the effect, and you will summarize by yourself what situation to do!

Black-and-white printmaking refers to the engraving or etching of patterns on paper, woodblock, lithograph, copperplate, etc., with a carving knife or chemical reagent corrosion, and printing with black pigment on white paper or white cloth and other white substrates. Black-and-white prints can be divided into cut-and-paste prints, gravure prints, and letterpress prints according to the production method, and their creation steps are generally the same. First of all, the conceived design draft is drawn on paper, and the manuscript paper is attached to the board for engraving.

After the engraving is completed, the ink is printed on the plate with a rubber roller, and the final details can be unveiled and completed.

The biggest feature of black and white prints is that they only use black and white to express the connotation of the work. Black and white printmaking art can be said to be the art of studying black and white, and the artist expresses his understanding of the world through the artistic language of black and white. Mr. Lu Xun once said:

The study of woodcuts is authentic in black and white". Mr. Lu Xun's evaluation can be said to point out the characteristics of black and white printmaking: the expression of printmaking art has always been different from other painting arts, and black and white language is the most authentic and representative form of expression of printmaking language.

Comparing sketches with black and white tones, the sketches focus on the layering and structure of black, white and gray tones, and use simple black and white to depict complex relationships such as distance, lightness, and strength. Black and white prints, on the other hand, are completely different, without the cumbersome tones in sketches, only pure black and white. It's like the black and white keys of a piano, which are monotonous, but they can strike a powerful melody.

Black and white prints are adhering to the principle of eliminating complexity and simplification, omitting everything that is regarded as the foundation of other paintings, and only retaining the most primitive and authentic characteristics.

Therefore, in the creation of black and white prints, we should avoid falling into the misunderstanding of traditional painting methods. For example, a sketch can express a sense of space between objects through a change of shades of tone, which is not the case with black and white prints. Consideration should be given to expressing the subtle differences between black and white, so that the artistic originality of the black and white prints can be revealed.

Excellent black and white printmaking artists can properly handle the relationship between black and white, and skillfully arrange the position of black and white on the picture, so as to create a strong, bright and harmonious sense of black and white.

The impoverishment of form does not mean the roughness of the artistic value of black and white printmaking, the central idea of black and white printmaking is "less is more", "simplicity is better than complex". The black and white prints are characterized by a strong visual sense of simplicity, like a light chord sonata, which can be enjoyed with just one or two instruments. Through the organic combination of dots, lines and planes, black and white prints can create a rich and varied sense of black and white, so as to achieve a simple and simple and meticulous and elegant effect.

The spatial perception of gouache is mainly determined by three points: the contrast between cold and warm, the contrast of brightness, and the contrast of purity. The near real and the far virtual are strengthened by the contrast between these three points of the subject object (the object that is closer to you). In addition, the use of complementary colors is important.

Gouache is nothing more than a change of warm and cold tones. reddish, yellow is a warm color; Greenish and cool blue. Mastering the contrast between warm and cold is the key. With the contrast between warm and cold, the sense of volume will easily come out.

There is no absolute way to paint, whether it is cold and dark, warm and bright, or warm and dark. It's all decided by the painter after making a choice.

It is important to keep a relaxed mood and draw happily. Let's ask, I am resistant to gouache, how can I devote myself to painting gouache? Not to mention drawing hundreds.

Although my gouache is well shaped, the color is simple and the color relationship is weak, but it's still okay to look at it, I hope it can help you.

Pictured: (Professional gouache, non-test gouache).

The color of [Liu Longfei] is pasted with gouache. Thank you.

If you want to have a strong sense of space in the picture, you first need to lay a solid foundation for sketching, that is, the relationship between brightness in color performance, and pay attention to the real and the virtual! The objects in front are contrasting! The problem of color tone change can refer to the chromatographic ring to study the theory of contrasting colors and similar colors thoroughly.

If you want to cultivate a sense of color, it is recommended to watch more excellent color works! Don't worry, 4 months can improve a lot!

The relationship between black, white and gray in gouache painting is also a relationship of brightness, which is related to sketching. It is recommended to practice more black and white drafts, which will be of direct help to you.

Black, gray, and white pigments are used to express the relationship between black, white and gray of the object.

<> to make the sense of space in the picture stronger, the black and white contrast between the subject and the front object should be increased, and the secondary and back objects should be weakened by the black and white contrast.