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Anonymous users2024-02-12It's not a problem, of course, it's the face. It is called a pie, of course, there is a law, and the law exists in the body.
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Anonymous users2024-02-11The first characteristic of Yan Zhenqing's calligraphy is that it is large. It refers to the fact that its calligraphy is bold and does not make people feel small and beautiful. Heroic and magnificent, a manly spirit.
The second characteristic of Yan Zhenqing's calligraphy is that it is heavy. It refers to the strength of his calligraphy. This feeling is caused by the heavy force of the pen when writing.
The third characteristic of Yan Zhenqing's calligraphy is Pu. It refers to the feeling that its calligraphy gives people a simple and unpretentious feeling, without clever ornamentation.
The fourth characteristic of Yan Zhenqing's calligraphy is thickness. It refers to its mellow calligraphy charm, such as vintage old wine, resistant to taste, not light.
The fifth characteristic of Yan Zhenqing's calligraphy is strictness. It refers to its calligraphy with a solemn appearance, mighty and upright, and awe-inspiring justice, and dare not infringe.
Personal works: Yan Zhenqing's hand-me-down works are engraved with the most inscriptions, including "Duobao Pagoda Induction Tablet", "Magu Immortal Altar Record", "Dongfang Shuo Portrait Tablet", "Yan Qinli Tablet", "Yan's Family Temple Tablet", etc., the book has "Fighting for the Seat Draft", and the handwriting has "Self-Written Confession" and "Sacrifice Nephew Ji Ming Manuscript".
Among them, "Yan Qinli Monument" is more dignified and vigorous, but the strokes are thin and thin, and other inscriptions are not quite the same. "Gan's Family Temple Stele", calligraphy is rich, is one of his proud works in his later years, compared with his early works are more vigorous and atmospheric, is the representative work of his later years.
Yan Zhenqing is the author of "Yunhai Jingyuan", "Lile Collection", "Wuxing Collection", "Luling Collection" and "Linchuan Collection", all of which are unknown. Later generations compiled his poems and essays into 15 volumes of "Yan Lu Gongwen Collection". His works are also included in "All Tang Poems", "Supplement to All Tang Poems" and "All Tang Literature".
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Anonymous users2024-02-10Yan Zhenqing's calligraphy, with dignified and rich glyphs, heavy and vigorous brushwork, wrote the grace and grandeur of the Tang Dynasty and the atmosphere of the times. So, today I will introduce what are the characteristics of Yan Zhenqing's calligraphy font.
1. "Yan Ti" is for Yan Zhenqing's regular script, which is characterized by a square and dense structure, horizontal and vertical strokes, strong pen power, upright, open and majestic.
2. "Yan Ti" was created by the Tang Dynasty calligrapher Yan Zhenqing, and Liu Gongquan is collectively called "Yan Liu", which has the saying of "Yan Muscle and Willow Bone". Yan Zhenqing has created a unique realm of calligraphy in the history of calligraphy with "Yan Ti". With excellent spirituality, the realm is naturally magnificent; It is cast with a strong soul, and the realm is naturally strong; and with its abundance of procreation.
The realm is naturally broad and majestic.
The above is an introduction to what are the characteristics of Yan Zhenqing's calligraphy font.
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Anonymous users2024-02-09When Yan Zhenqing was young, his family was poor and lacked paper and pen, so he used the pen to practice calligraphy on the wall. Yan Zhenqing calligraphy beginner Chu Suiliang, after learning Zhang Xu, after the age of 50 to form a strong, majestic and significant style.
Calligraphy achievement. His books fit well with his character. The Song people admired Yan Zhenqing's character and was eager to learn Yan Ti. In the eyes of Su Shi and Huang Tingjian, Yan Zhenqing inherited the spirit of Wang Xizhi's reform and was a reformer of calligraphy in the Tang Dynasty.
The positive is dignified and majestic, and the momentum is opened; The book is strong and powerful, known as "sleepy and simple face", and Liu Gongquan is called "Yan Liu", and has the reputation of "Yan muscles and willow bones". Su Shi once said: "As for Du Zimei in poetry, Han Huizhi in literature, Wu Daozi in painting, and Yan Lugong in his book as for Wang Wang, and the changes of ancient and modern times, the world can do everything."
His works include "Self-Written Confession" and "Manuscript for the Sacrifice of Nephews". Later generations compiled the "Collection of Yan Lu Gongwen".
Yan Zhenqing's works are relatively large, and the famous ink is said to have 138 kinds.
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