There is a sentence in Yang Yuying s song about beating horses and walking three levels

"Riding a White Horse" is the title song of Taiwan's Super Avenue of Fame Season 3 champion Xu Jiaying's first **"Lala Creation**". The singing passages in the lyrics come from the story of Xue Pinggui and Wang Baochuan. The lyrics are Taiwanese operas.

Title: "Xue Pinggui and Wang Baochuan" Lyrics Description: Xue Pinggui received the blood letter and learned that Bao Chuan had an encounter, so he immediately beat the horse and walked three levels, just to rush back to the Central Plains to see Bao Chuan.

I love who I can't cross and never feel wrong.

I thought that if I grasped the pain, I would be able to hide in the memory.

Paranoid belief in the cursed crystal ball.

Blocking possible reasons for heartbeat.

And you're getting closer, forcing us to look at each other.

Stay still or walk forward and suddenly care about this minute.

The barren sand in front of me was filled with waiting, and there was a weak cry for help in my ears.

Catch up with what I love without reservation.

I rode a white horse and walked three levels.

I changed into plain clothes and went back to the Central Plains.

Put down Xiliang, no one cares.

I only want Wang Baochuan.

And you're getting closer, forcing us to look at each other.

Stay still or walk forward and suddenly care about this minute.

The barren sand in front of me was filled with waiting, and there was a weak cry for help in my ears.

Catch up with what I love without reservation.

I rode a white horse and walked three levels.

I changed into plain clothes and went back to the Central Plains.

Put down Xiliang, no one cares.

I only want Wang Baochuan.

I was scarred and I didn't have time to hurt.

That's the clear feeling that leads me to you.

Whether it's dangerous or not, I have to drop everything and go with you.

As long as you bear it together, as long as you don't let go.

I rode a white horse and walked three levels.

I changed into plain clothes and went back to the Central Plains.

Put down Xiliang, no one cares.

I only want Wang Baochuan.

Hey, I'll change into plain clothes and go back to the Central Plains.

Put down Xiliang, no one cares.

I only want Wang Baochuan.

The wind blows my sailboat, Yang Yuying.

Yang Yuying's song with "you see" should be the song "You Look at the Blue Sky", the original sentence is "You look at the blue sky, it is not far away......Look at the blue sky, it's innocent and ......You see, the blue sky is connected to the sea of hearts......Look at the blue sky with your smile].

And if it is connected, [you see, you see], it should be singer Meng Tingwei's "You Look, You Look at the Moon's Face", the original sentence is "I have to say to you, you look, you see".

ps: Yang Yuying has not sung "Look at the Face of the Moon".

In 1990, he signed a contract with Guangzhou New Era Audio-Visual Company and became the first generation of local singers in China; After the cover released a new horse song, Han Baoyi's popular ** "How Deep Do You Love Me" (90 Han Baoyi)** was well received after its launch. In 1991, he published his personal ** "Blessing for Love" and "Dream Flowers".

Song: Shake the Sun.

Singer: Yang Yuying.

Shake it around and shake it to a little bit of goldenness.

Reach out and bring a piece of dream glow.

The alleys of the south push open amorous doors and windows.

Young and we sing.

Shake around with gentle sunshine.

Gently hold up a dream garment.

The old city changes every day.

Young and unrestrained.

Let's shake the sun together.

Don't miss out on that good time.

The heart flies in the blue sky with the morning breeze.

Under the sun is hometown.

Let's shake the sun together.

Don't miss out on that good time.

The heart flies in the blue sky with the morning breeze.

Under the sun is hometown.

Shake it around and shake it to a little bit of goldenness.

Reach out and bring a piece of dream glow.

The alleys of the south push open amorous doors and windows.

Young and we sing.

Shake around with gentle sunshine.

Gently hold up a dream garment.

The old city changes every day.

Young and unrestrained.

Let's shake the sun together.

Don't miss out on that good time.

The heart flies in the blue sky with the morning breeze.

Under the sun is hometown.

Let's shake the sun together.

Don't miss out on that good time.

The heart flies in the blue sky with the morning breeze.

Under the sun is hometown.

Let's shake the sun together.

Don't miss out on that good time.

The heart flies in the blue sky with the morning breeze.

Under the sun is hometown.

Let's shake the sun together.

Don't miss out on that good time.

The heart flies in the blue sky with the morning breeze.

Under the sun is hometown.

It is divided into these stages:

90-92: Mintong singing method is the mainstay, with her own interview with CCTV is a more gentle song, the kind that should be comfortable after listening, like "Heart to Heart Hand in Hand", "Tea Mountain Love Song", "Wind with Love and Water with Laughter" is the representative, the content of the song is still mostly about love, I think it is better to add a playful evaluation. Mainly 28+ more mature listeners like it, these listeners are lovers of Taiwanese singers such as Teresa Teng, Han Baoyi, Feng Feifei, etc.

She was about 20 years old at the time.

92-96: From 92's "I Don't Want to Say" began to officially turn into pop singing, several ** title songs are mostly brisk + cute, like "Tell You Gently", "Waiting for You for 10,000 Years", "Red Spring", "A Sunny Day" as a representative, and **, in fact, there are more lyrical songs, the representative works "Moon Boat", "The Stars Are Your Eyes to See Me", "Because of You", "Red Dragonfly in the Sunset", "The Sky Separates", etc., there are also "I Don't Want to Say", "You Look at the Blue Sky" Such more in-depth lyrics, of course, are also interspersed with some covers of classic Hong Kong and Taiwan folk songs, the overall style is more comprehensive, family, love, friendship, inspirational sweet songs are available, there are basically few sad songs, even if there are, they are very subtle and poetic, not as heart-rending as Hong Kong and Taiwan songs, the audience is younger during this time period, and young people from primary school to under the age of 35 are the main listeners. At this time she was about 22-25 years old.

2000-02: The style of the first comeback is completely pop lyrical, like "Story", "Ring", etc., which is a relatively important transformation, after all, it is about 30 years old at this time, and it is impossible to sing the songs of little girls anymore.

12 so far: The second comeback, except for a ** "Yu Jiangnan", it can be heard that it has been completely transformed, and it is no longer like when I was young or the so-called "selling cute and sweet" style singing, I summarize it as intellectual style, elegant style, and poetic style. Of course, you can also cover songs of different genres in various programs, such as singing children's songs with children, such as occasionally singing "Loess High Slope", "Walking in the Quartet", such as covering some classic urban styles of Hong Kong and Taiwan, such as "When You Wake Up", "Song of Qianqianque", etc., and you can also make a guest appearance in singing Peking Opera Huangmei Opera is also familiar, in short, she is already a mature singer with strong comprehensive strength.

Of course, I feel that she personally loves Chinese style songs more during this time period. At the end of 11, he officially made a comeback at the age of 40, and he is also 46 this year.

She is beautiful and has a good voice.

The song is in line with the characteristics of the times, yearning for joy, the pursuit of beautiful things, and a little love.

Give food for thought.

Her song Woman Little Women.

I suggest you take a look at this post.

Mao Ning and Yang Yuying's "Heart Rain" sung together