Qu Yuan wrote long lyrical poems in the Chu poetry style

Tianwen", "Lamentation", "Lisao".

Nine Songs: Nine Songs, Great Priest, Nine Songs, Donghuang Taiyi, Nine Songs, Dongjun, Nine Songs, National Martyrdom, Nine Songs, Hebo, Nine Songs, Rite Soul, Nine Songs, Mountain Ghosts, Nine Songs, Shao Si Ming, Nine Songs, Mrs. Xiang, Nine Songs, Xiangjun, Nine Songs, Yunzhongjun.

Qu Yuan's works, according to the proofreading of Liu Xiang, Liu Xin and his sons, and Wang Yi's annotations, have 25 articles, namely 1 article of "Lisao", 1 article of "Tianwen", 11 articles of "Nine Songs", 9 articles of "Nine Chapters", and 1 article each of "Far Travel", "Buju" and "Fisherman". According to Sima Qianyu in "Historical Records: The Biography of Qu Yuan", there is also 1 article of "The Conjuring". Some scholars believe that "The Great Move" is also Qu Yuan's work; However, some people suspect that the following chapters of "Far Travel" and some chapters in "Nine Chapters" are not written by Qu Yuan.

Generally speaking, "Lisao", "Tianwen" and "Nine Songs" can be used as representatives of the three types of Qu Yuan's works. "Nine Chapters", "Far Travel", "Buju", "Fisherman", "Conjuring" and "Big Move", its content and style can be listed as a group with "Lisao", most of them have something to evidence, righteousness to show, and focus on expressing the author's inner feelings. "Lisao" is a magnificent poem forged by Qu Yuan with his own ideals, encounters, pains, passions and even his whole life, which shines with a distinct personality brilliance, which is the focus of all Qu Yuan's creations.

Tianwen is a poem composed by Qu Yuan based on mythological and legendary materials, focusing on the author's academic attainments and his view of history and nature. "Nine Songs" is a piece of music for the gods of Chu State, which has been processed and polished by Qu Yuan, and is full of a strong breath of life in the expression of the characters' feelings and the description of the environmental atmosphere. However, it is a generational or divine expression, not the author's self-lyricism, it shows more traces of the literary tradition of Southern Chu.

The group of "Lisao" and the group of "Nine Songs" constitute the basic style of Qu Yuan's works.

Qu Yuan's "Lisao" is a lyrical poem that shows Qu Yuan's inner pain and struggle through his autobiographical narrative, expressing his helplessness and pain over the fall of his motherland, the corruption of the royal family, and his own degradation. The main imagery in the poem is:

1. Natural scenes such as valleys, mountains and forests, and lofty mountains express Qu Yuan's loneliness, helplessness, and endless thoughts and sorrows.

2. The images of animals in myths and legends such as dragons, tigers, phoenixes, and cranes symbolize Qu Yuan's heroic image, the revival of traditional culture, and hope for the future.

3. Ancient music, new music, dance, line dance and other art forms reflect Qu Yuan's deep understanding and love for art and culture, as well as his exploration of cultural inheritance and innovation.

4. The images of the Yellow Spring, the underworld, the soul and other margins of life and death imply Qu Yuan's outlook on life and values, and also express his firm belief in struggle and self-transcendence.

5. Ancestors, rams, emperors, and other characters and images in almost all kinds of mythological systems add a dimension to his poems, and also give rich colors to his words, enriching Qu Yuan's narrative techniques and imagery structure.

Qu Yuan's character introduction

Qu Yuan (340 BC-278 BC) was a poet, cultural celebrity, politician, and patriot of the Chu State in the late Spring and Autumn Period. His representative works such as "Lisao", "Tianwen", "Nine Songs" and other poems are known as treasures of ancient culture and are listed as cultural classics. At the same time, he was also one of the early Chinese thinkers and political marketers, whose thoughts, theories and political propositions had far-reaching influence, and provided important ideological contributions to the history of Chinese culture.

Qu was born in the state of Chu, born in an aristocratic family, and his noble background and outstanding cultural qualities made him a representative of the politics and culture of the state of Chu. However, due to political dissent and dissatisfaction, Qu Yuan was repeatedly degraded, but he always maintained his patriotic feelings and strong spirit of resistance, and since then he has written many poems, expressing his deep thoughts on the immersion of his family and country, his desire for life and the pursuit of national rejuvenation.

In addition to more than 20 poems, Qu Yuan also left behind thoughts between man and country and man and heaven, and his political ideas and ideological theories are deeply respected and inherited by later generations, and have certain practical significance and practical value. His life and works are an important part of Chinese cultural and political history, and have irreplaceable significance.

Answer: Qu Yuan's poem "Lisao" expresses Qu Yuan's love for the country and the people, his dissatisfaction and unrepentance after the failure of the implementation of the US policy, and his firm belief in continuing to implement the US policy. The whole poem uses the metaphor of beautiful herbs, a large number of myths and legends, and rich imagination to show a positive romantic spirit, and creates the early form of "Sao Ti" poetry in the history of Chinese literature, which has had an important impact on the development of Chinese literature.

Express your own sorrowful and melancholy feelings.

The sun is like a cloud.

Qu Yuan, (c. 340 BC, c. 278 BC), a native of Chu during the Warring States Period, his name was Ping, and his name was Yuan; It is also from the cloud name regular, and the word is even. He is a descendant of Qu Yuan, the son of Xiong Tong, King of Chuwu, although Qu Yuan was loyal to King Huai of Chu, but he was repeatedly excluded, and after the death of King Huai, he was exiled because King Qingxiang listened to slander. In the end, he threw himself into the Miluo River and died.

Qu Yuan Hengzao is one of China's great romantic poets, China's first and greatest poet and statesman. He founded the literary style of "Chu Ci", broke the four-sentence system of "Poetry Zheng Pinjing", and created the "Sao Ti Poem" with long or short sentences, grand length and rich connotation, and created the tradition of "vanilla beauty".

In 1953, 2230 years after Qu Yuan's death, the World Peace Council passed a resolution to identify Qu Yuan as one of the four cultural celebrities in the world commemorated that year.