What are the 12 rhythms of ancient Chinese rhyme?

The Twelve Laws [Twelve Laws] The twelve tones of ancient music. The term of ancient music rhythm is the ancient method of fixing tone. That is, use the three-point profit and loss method.

A rhythm system that divides an octave into twelve semitones that are not identical. The laws from low to high are: Huang Zhong, Da Lu, Tai Tuan, Jia Chong, Gu Xi, Zhong Lu, Rui Bin, Lin Zhong, Yi Ze, Nan Lu, Wu Cai, Ying Zhong.

The twelve laws are divided into two categories: yin and yang, and the six laws that belong to the odd number are called yang laws, which are even numbers.

The six kinds of laws are called yin laws. In addition, the odd number of laws is called "law", and the even number of laws is called "Lu", so the twelve laws are also referred to as "Lu Lu".

Yang Law Six: Huang Zhong, Tai Tuo, Gu Xi, Ruibin, Yi Ze, Death Shot; Yin Law Six: Da Lu, Jia Zhong, Zhong Lu, Lin Zhong, Nan Lu, Ying Zhong.

There are 12 laws. "Zhou Li, Chunguan, Diantong": "All musical instruments are measured by two laws out of ten."

Lü's Spring and Autumn Ancient Music": "The second system of twelve cylinders, under Ruan Huang, listen to the Phoenix Emperor."

The song of the Twelve Laws. Its male sound is six, and the female song is also six, which is suitable for the palace of the yellow bell. "Zizhi Tongjian: The Six Years of Later Zhou Shizong Xiande": "The Yellow Emperor in the past.

Blowing the nine-inch pipe, the yellow bell is sounding, half of it is a clear sound, twice it is a slow sound, and three points of profit and loss are born of twelve laws. Hu Sanxing notes: "One-third of the profit and loss, the upper and lower born and the twelve laws are prepared." See Hanshu Chronicles I.

Traditional linguistics in China, also known as primary school, includes phonology, philology and exegesis, especially phonology. The study of phonology is divided into two parts, namely the ancient rhyme part and the ancient sound class. The ancient initials were classified as follows:

1. Labial sound: pong, and, bright.

2. Tongue sound: short, head, top, you.

3. Tooth sound: please, from, new, load, mountain.

4. Tooth sound: construction, department, group, art.

5. Guttural sounds: small, shrimp, zhang.

Music is an ancient Chinese doctrine about ** and its trade-offs, and it is believed.

Rhythm is the foundation of everything. In ancient times, the rhythm was divided into five tones and twelve rhythms. The five tones are the palace, Shang, horn, sign, and feather, of which the palace belongs to the guttural sound, and the five lines are earth, which is the first of the five tones, and its sound is extremely long and extremely voiced;

Shang belongs to the tooth sound, the five lines are gold, and its sound is second and second voiced;

The horn belongs to the tooth sound, the five lines are woody, and its sound is long and short between high and low voice.

It belongs to the tongue sound, the five lines are fire, and its sound is high and short;

The feather is a labial sound, and the five lines are water, and its voice is extremely short, extremely high, and very clear;

The five tones are divided into yin and yang, and they change into ten, namely: Taigong, Shaogong, Taishang, Shaoshang, Taijiao, Shaojiao, Taizheng, Shaozheng, Taiyu, Shaoyu;

Among the twelve laws, Huang Zhong, Tai Tuo, Gu Xi, Ruibin, Yi Ze, and Wu Shot are the yang, which is called the six laws; Take the forest species, Nanlu, Yingzhong, Da Lu, Jiazhong, Zhonglu as the yin, called the six Lu. The two are collectively known as the Twelve Laws.

The five tones are divided into yin and yang, and they change into ten, namely: Taigong, Shaogong, Taishang, Shaoshang, Taijiao, Shaojiao, Taizheng, Shaozheng, Taiyu, Shaoyu;

The above five tones, the following twelve rhythms).

Among the twelve laws, Huang Zhong, Tai Tuo, Gu Xi, Ruibin, Yi Ze, and Wu Shot are the yang, which is called the six laws; Take the forest species, Nanlu, Yingzhong, Da Lu, Jiazhong, Zhonglu as the yin, called the six Lu. The two are collectively known as the Twelve Laws.

Pentatonic ......Feather .........Levy .........Horn .........Business .........Palace.

Five-note ......6………5………3………2………1

The Five Elements ......Water .........Fire .........Wooden .........Kim .........Earth.

Wuzhi .........I'm afraid .........Hi .........Angry .........Sad .........Think.

In joy, 5 is used for notes, and 2 is used for notes in sorrow.

4 and 7 are only semitones, and there are only five basic tones in the universe, namely Gongshang Jiao Zhengyu 12356.

The "Twelve Temperaments" is the division of an octave into twelve semitones. As early as 522 B.C. (i.e., the twenty-third year of King Jing of Zhou), King Jing of Zhou wanted to cast a bell, so he asked his musician named Zhou Jiu about the music and rhythm, and Zhou Jiu talked about the relationship between law and number, and listed the names of the twelve laws. This event is recorded in the book "Chinese Chinese", which was written at the beginning of the Warring States period, around the 5th century BC.

It can be seen that as early as more than 2,000 years ago, China's calculation of the twelve laws was quite accurate.

The specific names of the twelve laws are as follows. If we assume that the yellow bell is the "c" note on the current piano, the other rhythms will rise by semitones in turn.

Huang Zhong, Da Lu, Tai Tuan, Jia Zhong, Gu Xi, Zhong Lu, Rui Bin, Lin Zhong, Nan Lu, Yi Ze, Wu Shot, Ying Zhong.

The Twelve Laws were produced in the Spring and Autumn Period and the Warring States Period in China, which shows that the ** activities at that time have developed to a fairly high level.

In the long practice of life, the ancestors did not have the concept of pitch, and only later did they gradually establish the concept of superpitch and give each note a certain name in order of pitch. The so-called five tones (sounds) are palace, business, horn, sign, and feather. The five tones plus the change sign and the change of the palace are the seven tones.

Regarding the correspondence between the five tones, the seven tones and the modern roll call, the five tones Gong Shang Jiao Zheng Yu Seven Tones Gong Shang Jiao Change Yu Change Gong The so-called twelve laws refer to Huang Zhong, Da Lu, Tai Tuan, Ji Zhong, Gu Xi, Zhong Lu, Rui Bin, Lin Zhong, Yi Ze, Nan Lu, Wu Shot, and Ying Zhong. They are used to determine the pitch of the first note of a tone. 以現的話來說就是定調。

If the yellow bell is equivalent to c, then the ancient twelve rhythms correspond to the modern twelve semitones:

Generally, the twelve rhythms and the five tones are connected together, and they are called the five tones and twelve rhythms.

The five tones refer to: Gong, Shang, Jiao, Zheng, and Yu.

The twelve laws refer to: Huang Zhong, Da Lu, Tai Tuan, Jia Zhong, Gu Xian, Zhong Lu, Rui Bin, Lin Zhong, Yi Ze, Nan Lu, Wu Shot, and Ying Zhong.

Huang Zhong, Da Lu, Tai Tuan, Jia Zhong, Gu Xi, Zhong Lu, Rui Bin, Lin Zhong, Yi Ze, Nan Lu, Wu Ji, Ying Zhong.

In the long practice of life, the ancestors did not have the concept of pitch, and only later did they gradually establish the concept of superpitch, and gave each note in the order of pitch a certain name. The so-called five tones (sounds) are palace, business, horn, sign, and feather. The five tones plus the change sign and the change of the palace are the seven tones.

Regarding the correspondence between the five tones and the seven tones and the modern roll call, the five tones of the palace Shang Jiao Zheng Yu.

The seven-tone palace Shang Jiao changed the feather change the palace.

The so-called twelve laws refer to Huang Zhong, Da Lu, Tai Tuan, Jia Zhong, Gu Xi, Zhong Lu, Rui Bin, Lin Zhong, Yi Ze, Nan Lu, Wu Ji, and Ying Zhong. They are used to determine the pitch of the first note of the scale. In today's parlance, it's about setting the tone.

If the yellow bell is equivalent to c, then the correspondence between the ancient twelve laws and the modern twelve semitones: