Piano majors, finger strength and flexibility are not good, if you want to reach a high level, how c

Today's students are really happy, no matter how bad the level is, they can go to school, I was a child at that time, and I didn't dare to throw, if you want to improve, I suggest you start with Hanon, raise your fingers high, practice hard, practice slowly, and play the sound clearly. Strengthen finger strength and independence, you are an adult, stick to it yourself, don't feel bored, these are the things you left behind, chase slowly, maybe there is hope, as for music theory, listening, sight and singing, you just go to a training class, a sentence is not clear.

There are many ways to connect the dexterity of your fingers, and if you have the heart, it will be very effective. Take Hanon as an example, this book is actually very good, maybe you think it's boring, but have you ever tried to change the rhythm of the connection? If your four fingers are weak, you can increase the time value of the four finger sounds in each summary.

If the four or five fingers are not flexible enough, you can repeat the sound of the four or five fingers for each bar. The weak points of each person's fingers are different, so the change of rhythm will be more targeted. Finally, it should be noted that a metronome must be needed, and the piano level will be greatly improved when the rhythm is precise and stable.

Practice a lot, I hope it helps you!

How long have you been studying? Presumably your fingers are very vague when you play the piano now, right?

In this case, you have to practice more every day, and you have to slow down the song and practice it at a very slow pace, pay attention to practice Hanon more often, and raise your fingers high. It will work.

Slow work out of fine work classmates. The shape of the hand and the state of the whole body determine the strength, and the flexibility is solved by slow practice, first to solve the strength, and then to solve the flexibility. Now I mainly practice the basic skills, and the repertoire is secondary, so get familiar with it.

In the third year of high school, you can set the repertoire for the exam, and then practice the relevant basic skills according to the content of the repertoire.

Classmate: In addition to Hanon, which is to exercise basic skills and improve finger dexterity, I really can't find the second book, and I also study **Education, and we can exchange ideas in this regard.

Big finger exercises: 1. Hang your hand in the air to relax your hand, and the second root of the big finger should be relaxed and prominent, and then, let the big finger gently move up and down, and the second root should be prominent. Pay attention to the big finger to do it independently, not to affect the other fingers and palms, to do it relaxed.

2. To do the exercises on the piano, move the exercises done in the air to the piano, first lift your fingers lightly, and gently press down the keys slowly. Pay attention to relaxation and independence. Pay attention to the shape of your hands. Fingers can be clicked without one finger.

3. On the basis of the second article, do the quick touch of the big finger practice, which is also to gently lift the finger first, and then quickly lower the key. The power should not be too great, relax quickly after the sound, the hand shape should be in a good state, and the lower key must be agile.

Buy a piano and come back, practice every day, see a person's piano level depends on her gestures and hand shape, so this is very important, everyone is not born omnipotent Not everyone will be very flexible, just like some piano artists can not be very flexible when they first contact the piano, they may be stupider than you, they are all based on practice, you don't understand the skills of hand placement, you ask some teachers to teach you how to feel that you will not feel awkward to play, feel very relaxed method, and then keep it in mind, go home and take your time, I wish you success.

First of all, pay attention to the hand shape every time you play the piano.

Secondly; Practice Hanon etudes more.

It's a boring exercise, but it's also fun to have. It's up to you.

Hand shape can be practiced by holding the egg. The hand shape of gently holding an egg is relatively standard. When I first started learning piano, my teacher told me.

As for the dexterity of the fingers, it will gradually increase with practice. You need to practice a lot and don't get discouraged. A man who has been learning piano since he was 5 years old Sincerely...

Practice Hanon, scales, arpeggios, chords, practice more fingers will be flexible, hand shape to slowly correct by yourself, it is best to find a teacher to help make a plan.

You can first practice the hand shape, first put the correct hand posture on the piano, the bones in the hand should protrude out of the place, after the placement can be held in the hand of a table tennis ball, hold, do not let it fall, this is more important to maintain the hand shape, this is how the teacher taught me when I first started learning the piano. Secondly, if you practice your fingers, you can play Hanon to practice fingering, which is very boring, but as long as you keep practicing every day, it will be effective

Practice more, hold more eggs to practice hand shapes, bend your hands towards your palms, slow ten times, twenty fast times, and practice flexibility.

Finger flexibility, hand shape, are built on the basis of consciousness, the first step you have to have a standard awareness, your current finger state is very nervous, but through a period of practice will improve, as for your hand shape, remind you to protrude the joints of the 5 fingers, you practice for a period of time to try it.

Move your fingers more to make your fingers more flexible!

Let's practice Hanon slowly. Helpful.

1. First of all, we should practice slowly, so that each finger is active and flexible, and each sound is clear and elastic, and then gradually speed up.

2. Fingers, arms, wrists and fingers should be coordinated and cooperated, so that the arms and wrists should be flexibly adjusted to ensure that the fingers are in the best position in the playing of each note.

3. Feel the grouping of clauses according to the lines and clauses marked on the score, and make a natural and reasonable crescendo and weakening expression tendency according to the ups and downs of the tone, so as to increase the flow of the tone and the tone.

Bend your lower arm and rotate your elbow to the third fingertip. Hold the chord posture with the palms extended, and the movements should be soft and slow, with a rotation equivalent to one-eighth of the circumference. Keep your arm movements around the imaginary axis at all times.

Take turns with both arms. The palms of the hands are inward, and the wrists move up and down (compassion movement).

Gently clench your fist and then stretch your fingers back so that they can be extended back dozens of times at the beginning, and gradually increase the number of times later, using equal force to stretch and hold your fingers.

This exercise can also be done by using force when stretching the fingers, while holding only by inertia, and vice versa. Care should be taken to keep the action from dividing the atmosphere into two parts.