Is there a crash course or introduction to Turkish March for piano? 5

The Turkish March is hard, there is no crash board...

Mozart's piano piece "Turkish March" is a special piece of music for listeners, and the theme of the piece is simple and extremely rhythmic. The eighth-note uniform rhythm, plus the sixteenth note to enhance the liveliness, the whole piece shows a kind of virginity-like simplicity. Known for its lightness and rhythm, this piece was composed by Mozart in Paris, France in 1778.

In fact, Mozart's "Turkish March" is the third movement of his eleventh "Piano Sonata in A major", because he wrote "Turkish style" at the beginning of the third movement, so it is called "Turkish March". The Turkish style of this piece is not strong, and it is far from the rhythm and tone of the real Turkish.

Although this is not a very difficult piece, given the smooth flow and fast tempo of the piece, you need to have a good coordination with your left and right hands before you can try to play it. I don't dare to say exactly how many levels you can play to learn this piece, which needs to be judged according to whether the basic skills of the individual are solid or not. It is advisable to practice the two-handed piano piece with eighth and sixteenth notes to prepare for playing.

At level 5, you can play. But it's true that the hand should not be too small, especially the left hand. Let's play again when the foundation is stable! There's no need to rush.

Level 8 or so, this song has a certain degree of difficulty, the hands can not be small, the basic skills cannot be missing, and the relaxation and flexibility must be done.

An amateur piano grade 5 to 6 is fine, which is a simple subject matter in a huge library of piano songs.

According to the speed required by the beatmap, it is basically at level 7. Good granularity, but also speed!

It's about level 8, and I'm very familiar with it in two months at level 10.

Are you referring to the Turkish March by Beethoven or by Mozart? These two songs can basically be practiced to the level of amateur level 6 to 8.

The combination of the left hand and the right hand is very important. It is a bit difficult to express the ornamentation of the left hand in the first section. Although the Turkish March is only at the level of level 6, it is not easy to play it well.

In the second paragraph, the speed of the right hand is faster and the coherence is better. In fact, you can play as much as you want, everyone says to play slowly first, and then catch up with the speed.

The key to breaking down the octave problem:

1. The question of the octave. The little girl upstairs may have a small hand and a little struggling. The main thing is to put the handles in place (that is, the distance between 8 degrees).

And then it falls. At this time, your wrists and arms must be fixed, and if you continue like this, it will definitely be sore. What to do?

When you fall, you must have a natural force on your hand, and your hand will follow the trend, of course, you can't play as exaggerated as a jump, but you can borrow the moment's **force, your forearm is relaxed. Then proceed to the next octave. (Some like the so-called elbow skipping treatment).

This passage seems to be rather eloquent, and I don't know if I have made it clear. You can experience it yourself on the piano.

2. Break down the octave problem. This problem should be easier for his classmates to solve than the previous octaves. In the first subsection, 667711.

The first, using the big finger as the support point, the palm of the hand is raised, and then when the little finger falls, the center of gravity shifts to the little finger, and then the support point is transferred to the little finger. The palm of his hand was raised again.........When breaking up and practicing slowly, you must pay attention to the movement of raising the palms, and pay attention to the shift of the support point, and the center of gravity should also be shifted. Then, when it is fast, the action is reduced again.

Also, this broken octave, which is meant to highlight the high point, which is the note played by the little finger. So your little finger must be like a hook, hooking the high point note firmly. That note must be implemented thoroughly. Be prominent.

Don't be afraid to spend the sonic play, just play it carefully!

Teacher Shi 2005-7-7 22:31

1.Slow practice. Press again when you find it.

I don't know exactly which piece you're talking about. Is it the 16th note after 8 degrees? If yes. Or slow practice. It is recommended that you practice Hanon and arpeggios more so that you can exercise the dexterity of your fingers.

4.The thumb is pressed first and then quickly passed. You can't put your thumb down 8 degrees lower than the first 8 degrees. It also relies on the strength of the wrist.

I've practiced, but I'm just learning the electronic keyboard, but I hope it can help you. In the bomb "all ruai are all silasyla search. , use some force, of course, wrists, arms, do not force, fingers.

And use 5 fingers when crossing fingers. As for the back, it is easy to play, and it is also used to start with 5 fingers after crossing the fingers. That pull, a little break in the middle, not too obvious OK.

Or you can practice slower first, so that the effect is better!