How do you feel after watching Cantonese opera? What are the classic Cantonese operas?

Cantonese opera fully embodies the regional cultural traditions of the Cantonese ethnic community, radiating all over the world, and has cultural cohesion among the Chinese people in the world. The first appearance of Cantonese opera was the exquisite opening performance of the actors, watching the actresses with long sleeves fluttering, and the male actors being able to perform all kinds of difficult movements on the chairs, I couldn't help but sigh: Cantonese opera is so exciting!

Here, you can see the jealous and hateful boss lady, the infatuated scholar who misses his deceased wife, and the official who bullies the soft and is afraid of the hard, and other characters with distinct personalities, which are fascinating. During the performance, the effects of **, scenery, smoke, lanterns, etc., cooperate with the actors, adding a thick ink to the interpretation of ancient myths and legends, making people feel immersive.

Before watching Cantonese opera performances, the impression left by Cantonese opera is nothing more than the "babbling" singing and noisy gongs and cymbals. The fascinating plot, as well as the various difficult actions of the characters, are impressive. Cantonese opera is Lingnan culture.

It is not easy to pass down from a long time ago to the present. Cantonese opera is the work of our ancestors, and we should cherish, protect and pass on it.

The historical origins of Cantonese opera

1. Formed in the Southern Song Dynasty.

Chen Feiyi pointed out in his "Sixty Years of Cantonese Opera": "At the end of the Southern Song Dynasty, Southern Opera.

It was introduced to Guangdong and became the earliest Cantonese opera. Leung Pei-kam also believes: "In terms of the development of Cantonese opera, it has a long and far-reaching history, in short, it has a history of more than 700 years. ”

2. Formed in the middle and late Ming Dynasty. The "History of Cantonese Opera" co-authored by Lai Bojiang and Huang Jingming believes that the Qionghua Hall in Foshan was established in Wanli in the Ming Dynasty.

During the period (1573-1620), it was the guild organization of the early Cantonese opera troupe, and "Cantonese opera has basically become a major opera genre by now".

3. Formed in the early Qing Dynasty. Wang Zhaochun's article "The Formation and Development of Cantonese Opera from the Perspective of the Locality of Chinese Opera" regards the emergence of the "broad dialect" in the Yongzheng period (1723-1735) as the first stage of the history of Cantonese opera.

4. It is formed in the middle of the Qing Dynasty or after the middle leaf. Ouyang Yuqian.

In "Trying to Talk about Cantonese Opera", it is believed that when the local class in Guangdong and the Waijiang class stand side by side, it can be seen as the time when the foundation of Cantonese opera is laid. The gradual withdrawal of the Waijiang class from the Guangdong stage was in Tongzhi in the Qing Dynasty.

During the Guangxu period (1862-1908), Ouyang Yuqian believed that Cantonese opera was formed after the middle of the Qing Dynasty.

He Guojia believes that Cantonese opera was produced during the Daoguang period of the Qing Dynasty (1821-1850). Some scholars believe that the history of Cantonese opera should start from the Qing Dynasty.

The view that the period (1851-1861) began with the Li Wenmao Uprising (or a little earlier) also falls into this category.

The history of Cantonese opera began with the singing of Bangzi, around the Qianlong period of the Qing Dynasty (1736-1795), the Qing Daoguang.

Twenty-two years later (1842) it absorbed Erhuang and became "Pi Huang."

system".

After watching Cantonese opera, I think those artists are not simple, as the so-called one minute on stage, ten years of work off the stage, every one of them on the stage, is put into a lot of sweat! Their lives are always on the go! And they're so resilient.

Every sentence is very rhyming and moving! Outstanding! Art is sublime!

After reading it, I felt that the female horn's headdress was gorgeous, and her voice was very bright and high-pitched. It's just that the language is not easy to understand. It's still possible! Because it's art!

1. "Eighteen Phases" of "Liang Shanbo and Zhu Yingtai".

Singing: Huang Draft, Ran Zhao Shaomei, Liang Yurong.

2. "Pinggui Farewell Kiln".

Singing: Luo Pinchao, Cao Xiuqin.

3. "Autumn Grave" and "Amorous Swallow Return".

Acting key rental singing: Little star.

Fourth, "Playing the Gong", "Lalang Matching", "Borrowing Boots".

Singing: Wen Juefei.

5. "Night War Ma Chao", "Wu Song Fights Tiger".

Singing: White Swallow.

6. "Willing to Walk Around the Lonely Grave for Butterflies".

Singing: Fang Yanfen.

Seventh, "Mandarin Duck Tears Sprinkle Mochou Lake".

Singing: Feng Gangyi, Wu Qiongyu.

8. "Comforting Wife" of "Hu No Return".

Singing: Peng Chiquan, Zeng Hui.

9. "Liu Yi's Biography", "Flowers and Full Moon", "Farewell to Dongting", "Shepherd's Lamentation".

Singing: Luo Jiabao, Lin Xiaoqun.

10. "Dream in the Garden" of "The Peony Pavilion".

Singing: Wen Chitose, Li Baoying.

Cantonese opera, also known as "Guangdong opera" or "big opera", is one of the traditional operas of Guangdong, derived from southern opera, and is popular in Lingnan and other Cantonese settlements. Since the Jiajing period of the Ming Dynasty, it began to appear in Guangdong and Guangxi, and it is a performing art that combines choral singing, music, stage costumes, and abstract shapes. Each Cantonese opera industry has its own unique costumes. [1]

Cantonese opera, Cantonese opera.

Cantonese opera, also known as Cantonese opera and Cantonese opera, is the largest opera in Guangdong and Guangxi Cantonese dialect areas. Originated in Foshan, sung in Cantonese dialect, one of the traditional operas of the Han nationality. Cantonese opera was formed in Guangdong, and later introduced to Guangxi, Hong Kong, Macao, Taiwan and other places, and has been performed in Southeast Asia and the Americas where overseas Chinese live.

The historical origins of Cantonese opera

There are four views on the formation of Cantonese opera

It was formed in the Southern Song Dynasty. Chen Feiyi pointed out in his Sixty Years of Cantonese Opera: "At the end of the Southern Song Dynasty, Southern Opera was introduced to Guangdong and became the earliest Cantonese opera.

Leung Pei-kam also believes: "From the origin of the development of Cantonese opera, Yu Chai's theory is long and far-reaching, in short, it has a history of more than 700 years. ”

It was formed in the middle and late Ming Dynasty. The History of Cantonese Opera, co-authored by Lai Bojiang and Huang Jingming, believes that the Qionghua Guild Hall in Foshan was established in the Wanli period of the Ming Dynasty (1573-1620) and was an early guild organization of Cantonese opera troupes.

It was formed in the early Qing Dynasty. Wang Zhaochun's article "The Formation and Development of Cantonese Opera from the Perspective of the Locality of Chinese Opera" regards the emergence of the "broad dialect" in the Yongzheng period (1723-1735) as the first stage of the history of Cantonese opera.

Formed in the middle or later of the Qing Dynasty. Ouyang Yuqian believes in "Trying to Talk about Cantonese Opera" that the time when the local class in Guangdong and the Waijiang class stand side by side can be regarded as the time when the foundation of Cantonese opera is laid. The gradual withdrawal of the Waijiang class from the Guangdong stage was during the Tongzhi and Guangxu periods of the Qing Dynasty (1862-1908), and Ouyang Yuqian believed that Cantonese opera was formed after the middle of the Qing Dynasty.

Cantonese opera was once known as Cantonese opera and Cantonese opera.

It is the largest opera in Guangdong and Guangxi Cantonese dialect areas. Originated in Foshan, sung in Cantonese dialect, one of the traditional operas of the Han nationality. Cantonese opera was formed in Guangdong, and later introduced to Guangxi, Hong Kong, Macao, and Taiwan.

Cantonese opera, also known as "Cantonese opera" or "Cantonese opera", is one of the traditional operas of the Han nationality, originated from southern opera, and is popular in the Pearl River Delta and other areas where the Cantonese people live in the coarse lineage. Since the Jiajing period of the Ming Dynasty, it began to appear in Guangdong and Guangxi, and it is a performing art that combines choral singing, music, musicians, stage costumes, and abstract forms.

Origins of Cantonese Opera:

Cantonese opera originated from southern opera, which was based on the Haiyan cavity, Yiyang cavity, Kunshan cavity, Bangzi cavity and other cavities that flowed into Guangdong during the Ming and Qing dynasties, and absorbed the folk ** of the Pearl River Delta. During the Xianfeng and Daoguang periods of the Qing Dynasty, the local class in Guangdong used "Bang Gong" (Xipi, Ergong) as the basic tune in the performance.

It combines high-pitched, Kun-dialect and Cantonese folk music and tunes, and uses "Theatre Mandarin" as the basic language, interspersed with Cantonese dialects, gradually forming Cantonese opera. Around 1912, Cantonese opera performances were basically changed to the Cantonese dialect, and the performance system became more and more perfect, and began to intersperse folk songs with minor tunes in the banggong, and changed the falsetto singing to "flat throat" singing.

Summary. Artistic characteristics of Cantonese opera: The lyrics of Cantonese opera are easy to understand, and the singing is interspersed with folk songs in the "Banggong" singing tone, and the singing method is changed from "falsetto" to "flat throat" (true voice).

If you listen to Cantonese opera, you may discover many of its mysteries. Please tell us a paragraph about Cantonese opera that you know.

The artistic characteristics of Yuebiqiao Opera: The lyrics of Cantonese opera are easy to understand and the number of slags, ** is interspersed with folk songs in the first cavity of "Bang Gong" such as Hui's first cavity, and the singing method is changed from "falsetto" to "flat throat" (true voice).

Cantonese opera, also known as Cantonese opera, is a cultural treasure of the Chinese nation and one of the world's intangible cultural heritages. It is like a kind and gentle mother's trouser beam, nourishing the soul of our generation after generation and improving our cultural literacy.