What is the next sentence of I don t know what to do, go deep ?

I don't know what to do, go deep", the next sentence of "the living can die, and the dead can live." ”

I don't know what to do, and I go deep", which refers to the feeling that is unconsciously aroused, and it is getting deeper and deeper; "The living can die, and the dead can live" means that when you are alive, you can die because of love, and when you die, you can be resurrected because of love.

The whole sentence comes from the inscription of Tang Xianzu's "Peony Pavilion" in the Ming Dynasty.

The Peony Pavilion is one of the masterpieces of the Ming Dynasty playwright Tang Xianzu, created in 1598. The full name is "The Soul of the Peony Pavilion", that is, "The Dream of the Soul", also known as "The Dream of the Soul" or "The Dream of the Peony Pavilion", according to the Ming ** "Du Liniang Mu Se Soul Return", a representative work of the Ming Dynasty Nanqu, a total of 55 out. describes the love story of Du Liniang and Liu Mengmei.

Exactly: Mu Se returned to Du Liniang, and Liu Mengmei dreamed of the garden. It is called "Four Dreams of Linchuan" along with Tang Xianzu's other three works.

This sentence comes from Tang Xianzu. Tang Xianzu is a Chinese opera and literary scholar of the Ming Dynasty, and the meaning of the word is still the same, and he is called Hairuo, Ruoshi, and Qingyuan Taoist. Han nationality, Jiangxi Linchuan people.

Born in a scholarly family, he has long been famous, he is not only proficient in ancient poetry, but also can read astronomy and geography, medicine and divination books. At the age of 34, he successively served as a doctor of Taichang Temple, the chief secretary of the Zhan Mansion and the chief priest of the Ministry of Rites in Nanjing.

I don't know what to do, go deep, the living can die, and the dead can live. Those who are born and cannot be resurrected, and those who die and cannot be resurrected are not lovely. The love in the dream, why not be true, how can there be few people in the dream in the world?

will be married because of the recommendation of the pillow, and those who are to be hung up with a crown and become secret, are all the remains of the body. "From the inscription of "The Peony Pavilion" by the Ming Dynasty playwright Tang Xianzu.

I don't know what to do, and I go deep; I don't know where to end, and I laugh and laugh.

1. "I don't know where the love starts, I go deep, I don't know where the love ends, I go forward" means: I don't know when the relationship starts, and it gets deeper and deeper; I don't know when the relationship will end, and it is getting weaker and weaker, and even gone forever, the vicissitudes of life.

2. "I don't know what to do, go deep" comes from the inscription of Tang Xianzu's "Peony Pavilion".

3. The original text of the inscription "Peony Pavilion" in the Ming Dynasty's "Tang Xianzu's Poetry Collection":

Women in the world are affectionate, and they would rather be like Du Liniang! Dreaming of his person is illness, illness is healing, to the hand-painted description of the world and then death. After three years of death, he was able to recover and live in the middle of his dreams.

If she is like a beautiful girl, she can be said to have a lover's ear. I don't know what to do, go deep, the living can die, and the dead can live. Those who are born and cannot be resurrected, and those who die and cannot be resurrected are not lovely.

The love in the dream, why not be true, how can there be few people in the dream in the world? will be married because of the recommendation of the pillow, and those who are to be hung up with a crown and become secret, are all the remains of the body.

Translation:"The amorous women of the world, is there anything like Du Liniang? When I dreamed that my lover was sick, he fell ill and quickly became ill, so that he died after the portrait of himself was handed down to the world.

After three years of death, he was able to find the person he dreamed of in the dark and come back to life. Like Du Liniang, she can be called an amorous person. Her love is unconsciously aroused, and it is getting deeper and deeper, she can die for love when she is alive, and she can live for love when she dies.

If you are alive and don't want to die for love, and if you die and can't be resurrected, you can't be regarded as the pole of feelings. Why is the love generated in dreams not real, is there still a lack of such dream people in the world? You must be seated by men and women to be considered married, and you don't feel safe until you resign, it's all just a superficial statement.

I don't know what to do, and I go deep;

Love has come from dreams, and three lives are really found.

The living can die, and the dead can live. "I don't know what to do, and I always fall in love. The living can die, and the dead can live.

Meaning: love sprouts unconsciously, getting deeper and deeper, and the hatred that should have been there doesn't know where it goes**, and it passes with a smile, and no longer holds grudges. Go out.

Huai manuscript "I don't know what to do, and I am deeply in love." Those who give birth to the code can die, and the dead can live. Meaning:

Love sprouted unconsciously, getting deeper and deeper, and the hatred that should have been there was not lead material filial piety knew that it was gone, and it passed with a smile, and no longer held grudges. Go out.

Oh my God, you've said a great job! Can you elaborate on that?

Answer: "I don't know what to do, I always feel clear and deep" in the next sentence "The living can die, and the dead can live." "The sedan chair person does not know what to do, and goes deep", which refers to the feeling that is unconsciously aroused, and it is getting deeper and deeper; "The living can die, and the dead can live" refers to the fact that when you are alive in the world, you can die because of love, and when you die, you can die because of it.

I don't know what to do, I don't know where to go, I don't know where to end, I don't know where the relationship starts, and it gets deeper and deeper; I don't know when the relationship will end, and it is getting weaker and weaker, and even gone forever, the vicissitudes of life.

The source of these two sentences is "Dream in the Garden" in Tang Xianzu's Kunqu opera "Peony Pavilion".

I don't know what to do, and I mean that love sprouts unconsciously, getting deeper and deeper, and the hatred that should have gone I don't know it, and I laughed it off, and I no longer hold grudges.

Look in what direction you are asking, literally speaking, it is probably that feelings are always quietly generated between two people when we are unaware, and true love is often unforgettable, so that we can not forget it in our hearts for a lifetime.

This sentence means: love sprouts unconsciously, I don't know where it starts, but it gets deeper and deeper.

Yu Tang Xianzu's "Peony Pavilion" inscription:

..If she is like a beautiful girl, she can be said to have a lover's ear. I don't know what to do, go deep, the living can die, and the dead can live. Those who are born and cannot be resurrected, and those who die and cannot be resurrected are not lovely. ”

Feelings that do not know what to do mean that feelings are unconsciously aroused, and they are getting deeper and deeper.

This sentence comes from the inscription of the Ming Dynasty playwright Tang Xianzu's "Peony Pavilion".

The inscription of "The Peony Pavilion" from Tang Xianzu means that I forgot when and where I fell in love, and I only remembered that I loved you with all my heart! A deep and deep love is the same meaning, if you have time, it is recommended that the landlord go to see the full text.

Answer, I don't know what to do, it means that the emotion is unconsciously aroused, and it goes deeper, which means deeper and deeper.

The original sentence comes from the inscription in Tang Xianzu's "Peony Pavilion".

The meaning of the whole sentence is:

Feelings are unconsciously aroused, and they are getting deeper and deeper.

I don't know what to do, and I go deep; I don't know where it ends, and I go all the way" means: I don't know when the relationship will start, and it will get deeper and deeper; I don't know when the relationship will end, and it is getting weaker and weaker, and even gone forever, the vicissitudes of life.

I don't know what to do, I love deeply" comes from the inscription in the classic Kunqu opera "Dream in the Garden".

At the beginning of love, it is with the persistence of growing old with the son, and the direct teaching of life and death promises. It is normal for the world to be impermanent, but because each other no longer manages with their hearts, they can only go here after going deeper. But there is also a love that rests until death, life and death are broad, growing old with children, between thousands of mountains and twilight snow, who does the shadow go to?

May someone be waiting, this situation can be kept!

Brief introduction of the work. In "The Peony Pavilion", the most fascinating thing is the love story between Du Liniang and Liu Mengmei, which is both real and illusory. Because of the teaching, Mr. taught the "Book of Songs" in the "Guan Guan Ju Dove, in the River Island; My Fair Lady, Gentleman. After visiting their own back garden with the maid, they were even more sad, and when they came back, they had a dream of having a cloud and rain in the garden with a hand folding willow, and after waking up from the dream, they went into the back garden alone to find the amorous man in the dream.

As a result, there are several scenes such as Du Liniang's "Garden", "Dream" and "Dream Search" in the Kunqu Opera "Peony Pavilion".

I don't know what to do, and I go back to the forest" This sentence comes from?

1."The Peony Pavilion".

2."The Legend of the West Chamber".

Correct answer: "The Peony Pavilion".

I don't know what to do, go deep" This sentence comes from the inscription of Tang Xianzu's "Peony Pavilion" in the Ming Dynasty, which means that his love is unconsciously aroused, and it is getting deeper and deeper in spring.

I don't know what to do, go deep, the living can die, and the dead can fight to live. Those who are born and cannot be resurrected, and those who die and cannot be resurrected are not lovely.

The Peony Pavilion Resurrection of the Soul (referred to as "The Peony Pavilion", also known as "The Dream of the Resurrection" or "The Dream of the Peony Pavilion") is a legend (script) created by the Ming Dynasty playwright Tang Xianzu, published in the 45th year of Wanli in the Ming Dynasty (1617). The play depicts the love of Du Liniang, the daughter of the official family, who fell in love with the scholar Liu Mengmei in her dreams, and died of grief, turned into a soul to find her lover in reality, fell in love with people and ghosts, and finally came back to life, and finally married Liu Mengmei forever. The play is one of the outstanding works in the history of Chinese opera, and is known as one of the four major classical dramas in China together with "The Legend of the West Chamber", "Dou E's Injustice" and "The Palace of Eternal Life".

The play's dictionaries are empty and elegant, and the language is beautiful.