What are the artistic pursuits and aesthetic ideals of traditional Chinese humanistic painters?

The value of traditional literati painting lies in the fact that it creates a quiet and elegant artistic conception, and the essence of its aesthetic value is to attach importance to the creation of artistic conception. "Artistic conception" refers not to a purely objective and limited realm, but to a meaningful realm that contains many subjective factors——— the painter's ideals, and the realm in the viewer's association with the work. This kind of realm often varies according to the aesthetic experience and subjective feelings of the individual creators and connoisseurs, which also makes the concept of "artistic conception" contain some meaning of infinite realm.

Poetry is the soul of the artistic conception of literati painting, and painting has no poetic meaning, that is, there is no "artistic conception" to speak of. A series of important aesthetic principles such as "subtle and concise" in poetry creation have naturally become the aesthetic principles of literati painting, requiring the works to be "intended beyond words", "words are not fully meaningful", "intended to be at the tip of the pen", "the pen is not thoughtful and quietly answered", "hidden but not revealed", etc., in short, the works are required to be subtle and attractive, leaving the audience with room for imagination.

Summary. A painter refers to a person who specializes in painting (such as drawings and patterns), and is a painting artist who specializes in painting creation and research, including Chinese painting, oil painting, gouache painting, watercolor painting, oil painting, lacquer painting and other painting art creators. Classified by country, such as Chinese painters and Western painters.

Hello very high Zi Fengxing back to Wang Chen to answer your question Your question is: What is the core pursuit and highest standard of Chinese figure painters in the past? The answer to your question is: The core pursuit of vivid charm The highest standard is the core pursuit of vivid charm.

A painter refers to a person who specializes in painting (such as pictures and patterns), and Tongbo is a painting artist who specializes in painting creation and research, including Chinese painting, oil painting, gouache painting, watercolor painting, oil painting Zhaozhu, lacquer painting and other painting art creators. Classified by country, such as Juchai Xiangguo painters and Western painters.

Summary. The core pursuit of Chinese character painters is the highest standard from realism to depiction: the pursuit of god-likeness rather than form-likeness.

The core pursuit of Chinese character painters is the highest standard from realism to depiction: the pursuit of god-likeness rather than form-likeness.

For many Chinese painters, the word era is like a high-hanging whip, constantly whipping them, making them exhausted on the road of rupture, innovation, and revolution. They only know that Chinese painting must be innovative and revolutionary, but they don't know that the fundamental law of Chinese culture and Chinese painting to deal with the "times" is "change".

The most important standard for dealing with "innovation" is "elegance and vulgarity".

Summary. The purpose of Chinese painting figures is only to show the characteristics of the figure's posture, but does not talk about the size and proportion of each part of the figure. Therefore, the man in the Chinese painting has a strange appearance and an unsymmetrical head.

The woman has eyebrows and cherry lips, and her shoulders are thin. If you take off the clothes of these figures, they will be terrible. But this is not only harmless, but it is the benefit of Chinese painting.

Chinese painting seeks a strong impression, so it expands the characteristics of the figures, so that the men increase the majesty and the women increase the beauty, and fully express their characters. Therefore, the symbolic method is not used for realism. Don't seek to resemble the form, but seek the resemblance of the god.

You are hungry and good, dear, the clan is happy to serve you through official inquiries: The core pursuit of Chinese character painters has always been to express the author's emotions and recognize the highest standard is Yipin.

The purpose of Chinese painting figures is only to show the characteristics of the figure's posture, but does not talk about the size and proportion of each part of the figure. Therefore, the man in the Chinese painting has a strange appearance and an unsymmetrical head. The woman has eyebrows and cherry lips, and her shoulders are thin.

If you take off the clothes of these characters, their shape is terrible. But this is not only harmless, but it is the benefit of Chinese painting. Chinese painting wants to have a strong impression, so it expands the characteristics of the difficult figures, so that the men increase the majesty and the women become more beautiful, and fully express their character.

Digging the gods, so they don't use realism but symbolism. Don't seek to resemble the form, but seek the resemblance of the god.

Dear, I am glad to answer for you: the aesthetic ideals and basic characteristics of traditional Chinese artA: Dear, hello:

One of the primary aesthetic features of Chinese art auction aesthetics; This pluralism includes cultural pluralism, or rather the collision of multiple cultures. For example, a work of art incorporates Chinese and Western elements; Secondly, fragmentation is the supernatural characteristic of contemporary Chinese art aesthetics. The deconstruction of tradition and the dissolution of traditional classics.

There are many more examples of this kind, firstly, copycats are popular, and secondly, postmodern paintings can all fall into this category; Thirdly, while pluralism and deconstruction, artistic aesthetics have a tendency to return, which is called neo-historicism in academic terms, which stems from the emptiness of the over-dismemberment of tradition, so that now we are looking for our own roots to dissolve this light texture. If you have any questions, you can give me feedback in time! I hope my reply can help you, if you have any questions in the follow-up, please feel free to ask the source, I will reply to you as soon as possible.

Summary. Hello, dear, very happy with your question, the beauty of neutrality in traditional Chinese art: Influenced by the Confucian philosophy of "moderation", ancient Chinese art regards "neutrality" as an important aesthetic principle.

The beauty of neutrality requires that the content of art should conform to the Confucian poetry of "gentleness and generosity", and the thoughts and feelings reflected should not exceed the traditional Confucian moral norms. The aesthetic concept of neutralizing beauty has played a positive role in promoting the development of ancient Chinese art in the direction of harmony and unity, but its negative impact cannot be ignored.

Hello, dear, very happy with your question, the beauty of neutrality in traditional Chinese art: Influenced by the Confucian philosophy of "the mean", the ancient Chinese art of Yin Brother Shoushu takes "neutralization" as an important aesthetic principle. The beauty of neutrality requires that the content of art should conform to the Confucian poetry of "gentleness and generosity", and the thoughts and feelings reflected should not exceed the traditional Confucian moral norms.

The aesthetic concept of neutralizing beauty has played a positive role in promoting the development of ancient Chinese art in the direction of harmony and unity, but its influence on the number of poles cannot be ignored.

Hello dear, I will help you find out the basic characteristics of traditional Chinese art: harmony, symbolism, spirit oak and auspicious trousers, natural interest, and ingenuity. I hope mine can help you, I wish you good health and a happy mood!