Sketch color painting method for teaching, about the drawing method of sketching

Sketching is a long-term process, you need to constantly compare, observe, the distance between the points, to have a momentary feeling, look at the model, and then look at their own paintings, and then find the inaccurate place, for a long time, naturally, will be more and more accurate, as for the proportion, each model is a different characteristic, can not be rote memorization, otherwise the painted characters have no sense of vividness, look at the teacher to know that you are not like the painting, so, or to exercise eyesight.

In terms of color, you should look at the master's paintings, after a long time, you will find a lot of beautiful colors, and you can also copy more, once one of our professors at Tsinghua University said, if you want to take the Tsinghua exam, you will go to Monet's paintings in terms of color, more than a dozen, each painting will take 9 hours, then your color will not be a problem. This is a matter of perception, a matter of feeling, and the accumulation of quantity must have a qualitative change, so it is better to broaden your own eyesight.

Sketching is to keep the pen in your hand, the tip of the pen does not leave the paper, don't use an eraser, if it's wrong, it's wrong, you must not use an eraser, and exercise the accuracy of the line. If you are drawing lines, then copying must be accurate to see the beginning and end of each line, and which lines are to have, which lines are useless, the clothes on the joints of the transition, and some miscellaneous lines on the sleeves, to learn to choose, and, draw sketches to pay attention to speed, pay attention to details, the line should also have a relationship between black, white and gray, insist on drawing every day, know that you don't paint when you are uncomfortable, it means that you are half successful.

In my opinion, there are two ways to paint gouache, one is oil painting and the other is watercolor. I don't know if you can understand this analogy. I'm used to the way of oil painting, i.e. dry painting.

For your description, I think your problem can be solved by understanding, and your understanding of color is not enough. First of all, you have to learn to "see" the colors, and it is wrong to assume that the mixing of colors of two objects is the dark color. Sometimes a proper exaggeration is needed.

Don't talk about the details specifically, for example, you have a good grasp of the amount of gouache, the amount of water is definitely not in place, for the dark gray color, first of all, it can't be evenly adjusted! Remember!. Again, what to do, what to do.

You can directly mix the "high-grade gray" with raw materials without adding water. That color is not completely mixed, and the effect is very beautiful. It is also the embodiment of the painter's color palette, decisiveness, boldness and self-confidence.

Also, why is it gray, because you have a similar proportion of the two colors, so they will be gray when they are mixed. In other words, there is no color tendency.

Paint should be willing to be adjusted, gouache is not watercolor painting. It is necessary to bring out the heaviness of the pigment. Less water.

Distant interlinings or objects can be appropriately watered. Limited to placements with strong depth. This is also the reason why some people like to paint gouache on sketch paper, because the texture and texture of sketch paper absorbs water quickly.

The texture is also good-looking.

Also, here's a way to teach you that isn't a way, a red apple, with a blue cloth underneath. You can use violet to add a little bit of white to the fast-drying dark color on the palette (to reduce the brightness of the primary color), slightly tone, and lightly go up on the bottom edge, up to 2 strokes. Looking back from a distance, the effect is good.

In fact, there is a quick way to do it, the key is the accumulation of quantity, and it is necessary to rely on continuous practice to quickly and well tune out good-looking colors, and the amount of accumulation to a certain extent, the so-called perceptual ability is naturally there, I don't know what method you use to practice sketching, I can recommend a book to you "Think Like an Artist" This book teaches the method if you can understand that sketching is very fast. In addition, you say that you can't afford to sketch and draw, I don't know if it's a character sketch, if you can't draw a character sketch at first, it should be because you don't understand the structure of the human body and various perspective forms, you must know that clothes are attached to the human body, and the change of folds is with the change of the structure of the human body. Good luck with your learning and progress.

I think the most critical reason is that I am not skilled, only more painting, more practice, the proportion of the avatar can be directly determined, color, first of all, the color should not be dirty, high-grade gray should be used more, such as yellow and purple, I feel that these two colors are very good-looking, pay attention to cold and warm, space. And no matter how good you are painting, you have to have a color tendency, sketching, that is, painting more, and the most important thing is to practice more

These things still rely on oneself, and learning art depends on one's own observation, and the five senses speak of three courts and five eyes.

Pencil selection.

H means hard and B means soft. 6h is the hardest, 6b is the softest. Sketching is generally enough with 3 pencils.

Use an HB pencil to outline, a 2B pencil to outline, and a 4B pencil to line the shadows. In actual drawing, as long as you have an understanding of the performance of the pencil, you can grasp the strength of use, and you don't have to stick to it, you can flexibly grasp it.

How to sharpen a pencil.

The nib of the pen is generally left 1 long, and it should not be sharpened too sharply.

The length of the nib also depends on the hardness of the pen, and the pen of H can be appropriately shorter, because the refill is relatively thin.

Sharpen the pen easily, with the wrist not moving, just use the big arm to drive. Because the wrist is too flexible, if you use the wrist to drive, it is easy to cut the wrong refill and break it.

For pens above 4b, you can boldly cut down, and the wood is sharpened together with the refill. Below 2b, it is best to cut the wood to expose the refill, and then sharpen the refill, when sharpening the refill, the nib is against the ground or desktop, and the pen body is best at an angle of 30 degrees with the horizontal plane.

1. Generally speaking, H-shaped pencils belong to high hardness and belong to hard pencils; Type B pencils have low hardness and are soft pencils. The common H-shaped pencil ranges from HB to 6H, and this type of pencil is suitable for drawing the bright side of the object, that is, the "white" side of the black-white-gray relationship of the still life; The B-type pencil is commonly from HB to 6B, which is more suitable for drawing the relationship between black and gray, that is, the backlight part of the still life, the boundary between light and dark, projection, reflection and other positions. The glass objects you are talking about belong to transparent still lifes, remember one thing when painting transparent still lifes, and paint whatever color you see (black, white and gray) (including when painting gouache).

The light-receiving part of transparent objects is often very heavy, and you can use 4b, 5b, or even 6b, while the backlight part uses 2b and hb because of the transparency and light tone, but this is not absolute, if you are a beginner, you basically draw it like this, when you draw more, you will naturally know how to draw. 2. The eighteen strokes are two completely different categories from your first question, and the question you asked above is the question of sketching in Western painting, and the eighteen strokes are the content of the gongbi technique in traditional Chinese painting. Next time to answer.

1.To put it simply, the harder the texture, use the harder the pen to draw H+, and vice versa, the softer the brush, use the softer pen to draw B+

2.Eighteen strokes are the name of Chinese painting techniques, and various depictions of the folds of ancient figures' clothes. It's only needed for general sketching, and it's also a line drawing.

You have to arrange the wiring according to the structure of the object, for example, there are many pieces of apples. Arrange the lines according to the direction of the block surface, and it is not necessary to use a complete straight line. Soft objects can also be used with curves. For example, interlining. Whatever.

In addition, you should be patient with the lines, and if you don't grasp it well, you must first lay out the big tone of the whole picture. Dig deeper! Detail, etc. It is not advisable for beginners to delve into the details of the portrayal at first.

Painting varies from person to person, everyone has their own sense of things, so they will use different techniques or techniques to express, but on this premise, we must lay a good foundation first, and look at the works of some masters at home and abroad, look at their forms of expression and some techniques, in the expression of different things (still life) but also look at their texture, paint plaster with a harder pencil, paint still life, the same must also control the hardness of the pencil, before we are controlled within 4b, But as I slowly got to know them, I became more casual......

B is used for the dark one, H is used for the bright one, and the glass is also like a painting glass, and the glass also has a dark part, but it is still dominated by the H model. Painting others like apples is best to use b.,If you want to paint this painting deeply.,It's a long time to combine the two.,The picture is more visible.,There's no routine for this.,Just grasp the black, white and gray of the whole picture.。

For beginners, I recommend that the line is still in the shape of a diamond, try to avoid the cross row, and the picture is not easy to mess up. If you can grasp the whole picture, you can draw it, and the effect will be good! Hope it helps.

Sketching is a basic skill, there are no shortcuts, just practice more!!

The pencil that depicts the object is not very important. It's about your strength.

1. Pay attention to the overall effect of the picture, and the three colors of black, white and gray are distinct.

2. When depicting details, it is necessary to pay attention to the fact that the circle can be drawn as a square, and the square can not be drawn as a circle. (If you draw a sketch, pay too much attention to the curvature of the object when depicting the details, it is possible to draw the object too greasy and lose the texture of the object itself, such as the hard painting becomes soft, the brittle painting becomes cotton, the loose and so on cannot be painted as it should be.) ）

3. The boundary between light and dark should be clear and affirmative.

4. The position of the intersection of the projection and the object should be clearly explained, and it should not be blurred.

5. Don't have too many highlights, and you should also distinguish between primary and secondary.

6. The pencil must be sharpened, and the nib should be left longer, so that the drawing effect is good and the feel is good.