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Jiang Xue" Tang Dynasty Liu Zongyuan.
Thousands of mountains and birds fly away, and thousands of people disappear.
Lonely boat, fishing alone in the cold mountains and snow.
Notes: 1. Trace: Footprints.
2. Demoiselle: A fisherman wearing a hat and a hat.
This is a picture of the snow scene in Jiangxiang. The mountains are snowy, and the roads are white. The birds are extinct, and the traces of people are gone.
The scenery is vast, and the scenery is lonely and cold. The artistic conception is secluded, and the mood is bleak. The image of the fisherman is meticulously crafted, clear and clear, complete and prominent.
The poem adopts the rhyme into the sound, the rhyme promotes the taste of eternity, and is strong and powerful. Poets throughout the ages have praised each other. The ancient Danqing skillful hands also competed with this as the theme, drawing a lot of moving pictures of the snow scene of the river and the sky.
In this poem, everything is covered and encompassing snow, the mountains are snow, the roads are also snow, and the "thousand mountains" and "ten thousand paths" are all snow, which makes "birds fly away" and "people disappear". Even on the canopy of the boat, on the fisherman's hat, of course, there was snow. However, the author does not explicitly associate these scenes with "snow".
On the contrary, in this picture, there is only Jiang, only Jiang Xin. Of course, the river does not contain snow, it is not covered by snow, and even if the snow falls into the river, it will immediately turn into water. However, the author uses the words "cold river and snow" to link the two images with the farthest relationship between "river" and "snow", which gives people a feeling of being relatively empty, distant and relatively narrow, which forms a long-distance lens.
This makes the main objects described in the poem more concentrated, more dexterous, and more prominent. Because even the river seems to be full of snow, and even the places where there is no snow are full of snow, which completely writes the situation of the snow falling big, dense, thick and thick, and completely highlights the atmosphere of the water and the sky, and the vast upper and lower areas. As for the use of the word "cold" on it, it is of course to point out the climate; But the poet's subjective intention is to write quietly about the fisherman's spiritual world.
Imagine, in such a cold and silent environment, the old fisherman was not afraid of the cold, not afraid of the snow, forgot everything, concentrated on fishing, although the body was lonely, but the character seemed to be lofty and arrogant, and even a little awe-inspiring and inviolable. This illusionized and beautified image of a fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen that the three characters of "cold river and snow" are the "finishing touch", which organically connects the two parts before and after the whole poem, not only forming a condensed and generalized picture, but also shaping a complete and prominent image of the fisherman.
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Lonely boat, fishing alone in the cold river and snow.
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a.The brick is stuffy and wide, and the plum is like snow, and the body is still full.
b.You don't see the high hall mirror chaotic sad white hair, like green silk twilight into a ant to accompany the bright snow.
c.Suddenly, like a night of spring breeze, thousands of trees and pear blossoms bloom. (Correct answer) dThe hills overlap and the gold is extinguished, and the sideburns and clouds want to be fragrant and snowy.
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This poem was written by Liu Zongyuan when he was demoted to Yongzhou, describing a picture of a cold river in the ice and snow, no pedestrians and birds, only an old man alone in a lonely boat, silently fishing. Political frustration and ups and downs in the world dealt a heavy blow to Liu Zongyuan's spirit. Therefore, he sketched a picture of the artistic conception of being far away from the world and transcending the outside world, showing the traces of the heart and placing the ideal.
The world is full of vitality. Thousands of mountains and birds flying, thousands of paths and people trails - what a lively scene! But, with a twist of the author's pen, he tells us:
None of this existed at this point. The words "absolute" and "extinguished" are like drinking sticks on the head, and the lively scene when you open your eyes is gone.
Jiang Xue is a five-character quatrain composed by the Tang Dynasty poet Liu Zongyuan in Yongzhou.
The original text is as follows: Thousands of mountains and birds fly away, and thousands of people disappear.
Lonely boat, fishing alone in the cold river and snow.
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The poem describes the scenery of thousands of mountains, birds flying away, thousands of paths, people disappearing, and lonely boats.
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"Jiang Xue" Bai is a Tang Dynasty poet Liu Zongyuan.
Du's five-character landscape poem describes a cold river with ice and snow, and there are no pedestrians or birds in it.
There was only one old man who was alone in a lonely boat, fishing silently. This is a picture of the snow scene in Jiangxiang. The mountains are snowy, and the roads are white.
The birds are extinct, and the traces of people are gone. The scenery is vast, and the scenery is lonely and cold. The artistic conception is secluded, and the mood is bleak.
The image of the fisherman is meticulously crafted, clear and clear, complete and prominent. The poem adopts the rhyme into the sound, the rhyme promotes the taste of eternity, and is strong and powerful.
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Thousands of mountains and birds fly away, and thousands of people disappear. Lonely boat, fishing alone in the cold river and snow.
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The sentence in the poem that depicts the snow scene is: Thousands of mountains and birds fly away, and thousands of paths and people disappear. Meaning: there is no trace of birds in thousands of mountains and mountains, and no footprints of pedestrians are seen in thousands of paths.
The poet only used 20 words to paint a quiet and cold picture: on the snowy river, a small boat, an old fisherman, fishing alone in the cold middle of the river. What the psalmist shows the reader is as follows:
Heaven and earth are so pure and silent, spotless and silent; The life of the fisherman is high, and the character of the fisherman is arrogant.
In this poem, everything is covered and encompassing snow, the mountains are snow, the roads are also snow, and the "thousand mountains" and "ten thousand paths" are all snow, which makes "birds fly away" and "people disappear". Even on the canopy of the boat, on the fisherman's hat, of course, there was snow. However, the poet does not explicitly associate these scenes with "snow".
On the contrary, in this picture, there is only Jiang, only Jiang Xin.
Use specific and detailed techniques to copy the background, and use long-distance pictures to describe the main image; Meticulous craftsmanship and extreme exaggeration are intricately unified in a poem, which is the unique artistic feature of this small landscape poem.
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Lonely boat, fishing alone in the cold river and snow.
Translation: A lonely boat on the river, a fisherman wearing a hat; Fishing alone, not afraid of snow and ice.
Jiang Xue's writing technique: In terms of artistic expression, in addition to the coexistence of fiction and reality, movement and stillness, the poem also has a characteristic, that is, the use of rhyme. The Five Absolute is the most delicate and clear sketch in the quatrain, which is rare to use rhyme, and it is also the most difficult to write Shen Yun, because the rhyme words are easy to cause a cramped and depressed psychological reaction, which is not conducive to the development of poetry.
However, this poem uses rhyme to achieve unexpected results. The feeling of coldness and sharpening caused by the crampedness of "absolute", "extinguished" and "snow" coincides with the atmosphere of the snow realm, reflecting the characteristics of Liu Shi's sharp strength and cold tones, which typically represents the basic style of Liu Shi. The structure of the poem is exquisitely arranged.
The title of the poem is "Jiang Xue". But the author does not point to the topic, he first writes about the quiet and desolate nature of thousands of mountains and paths. Perched birds do not fly, pedestrians are extinct.
Then the pen turned and launched the image of the man who was fishing in a lonely boat. It was not until the end that the word "cold river and snow" was written, and the topic was broken head-on. Read to the end, turn back and read the whole text again.
A sense of enlightenment arose.
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Thousands of mountains and birds fly away, and thousands of people disappear.
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Wrong, although the author is lonely, he also shows that he is proud and lofty.
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This question is wrong. The whole poem only describes the lonely mood of the cold winter, not the beauty of winter.
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That's right. A picture of fishing in the cold river can be called a beautiful scenery, cold and lonely, and the cold also symbolizes the poet's proud and unyielding spirit.
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The combination of movement and static, the selection of scenery is very distinctive. The scenery is very typical. The poet chose"Snow drifting in the monastic house""The song tower is densely sprinkled""The fisherman returns late"Three fine scenes. It not only highlights the scene of snow, but also shows the different lives of different characters in the snow scene.
There are different evaluations of this poem by the Song people, and some people say it"Amazing", some say it"Vulgar"Actually"Vulgar"In language, the language of the whole poem is popular and clear; "Amazing"In the writing of the scene, the selection of materials is distinctive and profound, especially"The fisherman was clothed"The scene is poetic and expresses the poet's reverence for the fisherman.
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"Bai Xue Ge Sends the Military Judge Back to Beijing".
Bai Xuege Sends the Military Judge Back to Beijing" takes "snow" as a clue to depict the four pictures of the bitter cold of the snow in August, the cold picture of the military camp, the sad farewell of the east gate, and the homesickness of the snow after farewell.
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