Which dynasty did the wood carvings flourish in, and the origin of the wood carvings was

It should have flourished in the Ming Dynasty, and the landlord probably knew that the Ming Dynasty had a famous carpenter emperor.

China's wood carving art has experienced a long period of development, and the wood carving fish unearthed from the Hemudu cultural site is a wood carving artwork found in China. At that time, people did not have metal tools to make wood carvings, but simply relied on animal bones or hard stones to polish them, so you can imagine how difficult the production process was at that time.

In the Shang and Zhou dynasties, the art of wood carving has been included in the scope of state management, and there are also many kinds of decoration methods, such as: lacquer, inlay and carving. During the Warring States period, many different types of wood carving began to appear.

Architectural wood carving, religious statues, and wooden barrels were the more popular wood carving industries at that time. In the Palace Museum in Beijing, the Warring States woodcarving maid is a masterpiece at that time. There are more types of wood carvings unearthed in the Han Dynasty, and the wood carvings at this time are used by people to make ornaments, and the wood carvings of this era are mostly made of various animals, but there are also various wooden barrels, boats, earrings and other utensils.

Wooden equipment is relatively perishable, and it is not easy for wood carving crafts to be handed down to this day before the Han Dynasty.

After the Jin Dynasty, wood carving was used for a variety of different occasions, at that time began to appear puppets, Sui Dynasty to the Five Dynasties period, wood carving of various religious Buddha statues is the most eye-catching. During the Tang, Song, Yuan, Ming and Qing dynasties, woodcarving handicrafts were more and more used as architectural decoration, especially in the Tang Dynasty, woodcarving art was even more generous and brilliant, and there were many works of art that were transmitted overseas through the Silk Road during that period, and were deeply liked by overseas compatriots. In the Ming and Qing dynasties, the subject matter of wood carving was even more diverse.

Many of the works are life customs, mythological stories, such as auspicious celebrations, abundant grains, dragon and phoenix Chengxiang, peace and happiness, pine crane longevity and other wood carving works, which were deeply liked at that time. This also shows that the art of wood carving has developed to its peak at this time, and it also symbolizes the superb technology of our people.

After a long period of development, there are many kinds of wood carving art, which can be summarized into four categories: Dongyang wood carving, Dongqing boxwood carving, Fujian longan wood carving and Guangdong gold lacquer wood carving. After hundreds of years of development, these four types of wood carving have gradually formed their own unique style, which is deeply loved by people from all over the world.

China's wood carving art originated in the Neolithic period, more than 7,000 years ago in the Yuyao Hemudu culture in Zhejiang, wood carving fish has appeared. The wood carving technology of the Qin and Han dynasties tended to be mature, and the painting and carving techniques were exquisite and perfect. The appearance of Shi Cai wood carving marks that the ancient wood carving technology has reached a high level.

The Tang Dynasty was a period when Chinese craftsmanship flourished, and wood carving was becoming more and more perfect. Many of the wood carved Buddha statues that have been preserved to this day are masterpieces in ancient Chinese artworks, with the characteristics of concise modeling, skillful and smooth knife skills, clear and bright lines, and have become the "darlings" of today's art market at home and abroad. The theme of wood carvings in the Ming and Qing dynasties is mostly seen in life customs, mythological stories, such as auspicious celebrations, Wang Gu Fengdeng, dragon and phoenix Chengxiang, peace Ruyi, pine crane and other wood carving works, which are well received by the society at that time.

China's wood carving art originated in the new Elithic Stone Age, more than 7,000 years ago in Zhejiang Yuyao He's Zhaowumu culture, there has been a wood carving fish. The wood carving technology of the Qin and Han dynasties tended to be mature, and the painting and carving techniques were exquisite and perfect.

Wood carving is a type of sculpture and is often referred to as a "folk craft" in our country. Wood carving can be divided into three categories: three-dimensional round carving, root carving, and relief carving. Wood carving is a type of work separated from carpentry, which is called "joinery" in our country's classification of trades.

Folk art varieties classified by carving materials. Generally, the tree species with fine and tough texture and not easy to deform are selected, such as nanmu, red sandalwood, camphor wood, cypress, ginkgo biloba, agarwood, mahogany, longan, etc. The artwork of carving tree roots in a natural form is called "root carving".

Wood carving has round carving, relief carving, openwork carving or several techniques combined. Some are also painted to protect the wood and beautify.

On the contrary, Hao Hongmei got closer to Gu Yangmin.

The Tang Dynasty was a time when Chinese craftsmanship was flourishing.

Period, the wood carving process is also becoming more and more perfect. du

Many have survived to this day.

Zhi's wood carved Buddha statue is a masterpiece among the ancient Chinese dao artworks, with the characteristics of concise modeling, skillful and smooth knife skills, clear and bright lines, and has become the "darling" of today's art market at home and abroad. The theme of wood carvings in the Ming and Qing dynasties is mostly seen as life customs, mythological stories, such as auspicious celebrations, Wanggu Fengdeng, dragon and phoenix Chengxiang, peace and ruyi, pine crane longevity and other wood carving works, which are well received by the society at that time.

In the early Qing Dynasty, Kangxi and Qianlong emperors toured the south of the Yangtze River many times, for the need to arrange furnishings and give gifts, the production of mahogany ware was more prosperous, there were 62 mahogany workshops in Suzhou City, and the products had several, small dragon boats, bird cages, screen frames, plate boxes, etc., so that many famous wood carvers appeared.

In the Qing Dynasty, there is a saying in the woodcarving industry of Suzhou that "Wu Bao of Rotten Mud, Jinbao of Wood", which is said to be Wu Xiaopang, Bao Ziyin, Jinbao, the craftsmen of Suzhou Xiangshan, who are famous in all directions, each set up a door, and became the head of the skill.

One year, coinciding with the construction of the Xiyuan Precept Temple in Suzhou, four people in the joint production of the main hall of the third Buddha statue, the cooperation between each other is often out of coordination, and it is more difficult to distinguish the level of craftsmanship, so Wu Xiaopang and Jinbao each carved a Jigong and a mad monk as a competition.

The two have been working hard for a year, and after their debut, they caused a big sensation in Sucheng: Jigong's appearance is expressive, his facial expressions are changeable, he seems to be smiling but not laughing, he seems to be crying but not crying, and he has a kind, gentle, and amiable attitude. The mad monk wears a ribbon around his waist, the belt is fluttering, the lines are dense and dense, and the characters are lifelike, reaching the point of chaos.

It fully shows the wisdom, talent and creativity of Suzhou wood carving artists.

After that, the famous artists of Suzhou small wood carving were Zhao Zikang, Wu Lukun and Lu Hansheng.

Zhao Zikang has been in the art for 60 years, and has carved Buddha seats, architectural decorations, screens, long windows, flying covers, etc. in Suzhou Lingyan Mountain Temple, Lion Forest, Humble Administrator's Garden, etc., and has left many excellent works in his life. For example, the "Journey to the West" group carving on the Buddha seat in the main hall of Lingyan Mountain, the "Three Friends of the Cold Year" and the double-sided "Ming Carving Flying Cover" in the Listening Pavilion of the Humble Administrator's Garden, as well as the boxwood carving "Muskmelon Grape", "Magpie Plum Pen Holder", the ginkgo wood carving "Tiger Hill Scenery" ground screen and "Grape Squirrel" and so on.