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Lyric poetry. A type of Chinese near-style poetry. The discipline is tight.
Originated in the Southern Dynasty Qi Yongming period Shen Yue and other new style poems that pay attention to sound rhythm and duality, to the early Tang Dynasty Shen Yan period, Song Zhiwen period formal formalization, mature in the Tang Dynasty period. Lyric poetry requires the number of words in the poem to be uniform, and each poem is five, six, and seven words, referred to as five rules, six rules, and seven rules, of which six rules are rare. The usual lyric verses stipulate 8 verses per poem.
If there are only 6 lines, it is called a minor or tri-rhyme poem; If there are more than 8 sentences, that is, more than 10 sentences, it is called a row or a long law. Usually with 8 sentences of the end of the poem, every 2 sentences into a couplet, counting four couplets, it is customary to call the first couplet as the breaking of the topic, the second couplet as the jaw couplet, the third couplet as the neck couplet, and the fourth couplet as the final sentence. Every song.
The upper and lower sentences of the second and third couplets (i.e., jaw couplets and neck couplets) must be dual sentences. In addition to the first and last two couplets, the middle couplets must be dual. The dual requirements of the minor law are wider. Lyric poetry requires a rhyme throughout the poem, and the rhyme is limited to flat sound; Clause.
Two, four, six, and eight sentences rhyme, the first sentence can be rhymed or not, and the words used in each sentence of the poem are evenly matched. The level in the upper and lower sentences is opposite, and there are two forms: "仄起" and "平起". In addition, the metrical requirements of the lyric poems also apply to quatrains.
In the Tang Dynasty, there were variations in the process of stereotyping and after the stereotype, and some lyric poems were not written in full accordance with the format, such as Cui Hao's "Yellow Crane Tower", that is, the first half of the poem is in ancient style, and the second half is in rhythm. This variation of the lyric is known as the Stylist.
Quatrains. Chinese poetry. It is also known as truncated sentences, broken sentences, and absolute poems.
Each poem has four sentences, usually five words and seven words. It is referred to as five uniques, seven uniques, and occasionally six uniques. It originates from the ballads of the Han and Wei and Jin dynasties and the Northern and Southern Dynasties.
The name "quatrain" originated around the Southern Dynasties. Liang and Chen Shi have generally used quatrains to refer to four short poems, and their rhymes are relatively free, or ancient quatrains. After the Tang Dynasty, near-quatrains prevailed, and the rhythm was the same as the first, second, or middle four sentences in the eight-sentence poem.
Therefore, some Tang people attributed quatrains to legal poems in poetry collections. Later, some scholars believed that the quatrain was composed of half of the poem. Flexible and lightweight, suitable for expressing fleeting thoughts and feelings, quatrains are widely used by poets, and their creation flourishes more than any other form of poetry.
In the Song Dynasty, Hong Mai once compiled 10,000 quatrains of the Tang Dynasty, accounting for about 1 5 of the total number of extant Tang poems. In addition to Li Bai, Wang Changling, Du Mu, and Li Shangyin, who are good at quatrains, there are also many famous articles through the ages, which are not necessarily from the hands of famous artists. In addition, most of the Tang quatrains are sung with music, such as Wang Wei's "Weicheng Song", Li Bai's "Qingping Tune", Liu Yuxi and Bai Juyi's "Bamboo Branches", "Willow Branches", etc., so the quatrains are also regarded as Tang people's music.
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Eight verses of the poem.
Four quatrains.
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Lyric poetry is a genre of traditional Chinese poetry, which belongs to the category of near-style poetry, and is named because of the very strict requirements of the metrical style. Lyric poetry has strict rules in terms of words, rhymes, evenness, and antiphons. Quatrains, also known as truncated sentences, broken sentences, short sentences, and quatrains, belong to a form of near-body poetry.
1. The origin is different. Lyric poetry began in the Northern and Southern Dynasties and took shape in the early Tang Dynasty, and was famous for its strict rhythm of ancient poetry; Ancient poetry quatrains began in the Han Dynasty and the Northern and Southern Dynasties.
2. The number of sentences is different. Ancient poetry quatrains are usually four sentences, five-character quatrains are twenty words, and seven-character quatrains are twenty-eight words; Lyric poems are usually eight sentences, five-character poems have a total of forty words, and seven-character poems have a total of fifty-six words. If there are only six verses, it is called a minor or tri-rhyme poem; If it exceeds eight sentences, it is called a row or long law.
3. The pressure rhyme is different. Lyric poetry requires a rhyme throughout the poem, and the rhyme is limited to flat sound; Clause.
Two, four, six, eight sentences rhyme, the first sentence can be rhymed or not. Ancient poetry quatrains only.
Two or four sentences rhyme, the first sentence can be rhymed or not.
1. In terms of syntax, the number of words in each sentence of ancient style poems is different, and the number of sentences in each poem can also be different. There are only two kinds of rhythmic poems, five words and seven words, and rhythmic poems generally have eight sentences, and those with more than eight sentences are arranged or called long rhythms.
2. In terms of rhyme, each ancient style poem can use one rhyme, or two or more rhymes, that is to say, the rhyme can be changed in one poem. Each poem can only use one rhyme, and no matter how long the rhythm is, it cannot change the rhyme. Ancient poems can rhyme in even-numbered sentences, or they can rhyme in odd-numbered sentences and even-numbered sentences.
Lyric poems only rhyme on even-numbered sentences (except for the first sentence which can be rhymed or not), ancient style poems can be rhymed with flat sound or rhyme, while rhythmic poems can generally only rhyme with flat sound.
3. In terms of leveling, ancient style poetry is not exquisite. And the lyric poetry is very exquisite. In the lyric poem, the first.
The first and second sentences are the first couplet, the third and fourth sentences are the jaw couplet, the fifth and sixth sentences are the neck couplet, and the seventh and eighth sentences are the tail couplet. The jaw couplet and the neck couplet must have the same sentence shape, the parts of speech are opposite, and the flat is opposite. Very neat. As a matter of fact.
Three, four, five, and six are two excellent couplets.
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The distinction between quatrains and lyrics depends on their differences.
The differences between a lyric poem and a quatrain are:
1. The origin limb is different. Lyric poetry originated in the Northern and Southern Dynasties and was formed in the early years of the Tang Dynasty, and was named because of its strict rhythm; The quatrain originated from the ballads of the Han Dynasty and the Wei, Jin, Southern and Northern Dynasties.
2. The number of sentences is different. Quatrains are generally four sentences, five-character quatrains are twenty words, and seven-character quatrains are twenty-eight words; Lyric poems are generally eight sentences, five-character poems have a total of 40 words, and seven-character rhythmic poems have a total of 56 words. If there are only six lines, it is called a minor or tri-rhyme poem; If there are more than eight sentences, it is called a row or a long law.
3. The rhyme is different. The rhyme requires a rhyme for the whole song, and the rhyme of the cherry blossom hand is limited to the flat voice; Clause.
Two, four, six, and eight sentences rhyme, and the first sentence can be rhymed or not. The quatrain is all it takes.
Two or four sentences rhyme, the first sentence can be rhymed or not.
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1. The word count requirements are different.
Rhythmic poems are generally eight sentences, with a total of forty words for five-word rhythms and fifty-six words for seven-character rhythmic poems; More than eight sentences are long laws, and most of them are five words, and there are also seven words, but not too many. Quatrains generally have only four sentences, so the number of words is only half of that of a rhyme, a five-character quatrain is twenty words, and a seven-character quatrain is twenty-eight words.
2. The requirements for sound rhyme and plainness are different.
Rhythmic poems generally rhyme flat, and rhymed rhymes are very rare and can be basically ignored; There are rules for each sentence of the poem, which is a lot of exquisiteness, and it takes a lot of effort to learn; Each verse of the Psalm must have a battle, and there are also rules for the position of the battle.
The quatrain is divided into ancient and lawless.
1) Ancient poetry is ancient poetry, that is, free poetry, whether it is rhyme or flat rhyme, it is not bound by the things of close poetry and plain poetry.
2) The rhythm is equivalent to one-half of the rhythm poem, because it is four sentences, only half of the normal rhythm poem, not only must rhyme with the rhyme, but also according to the rules of the close body poem.
3. The origin is different.
Lyric poetry is one of the basic forms of near-body poetry (the Tang people used to use lyric poetry as the general term for near-style poetry, and near-style quatrains were also included, and they were later divided). It sprouted in the Southern Dynasty Qi Yongming and other new style poems such as Shen Yue, which paid attention to sound rhythm and duality, was stereotyped in the early Tang Dynasty and matured in the middle and late Tang Dynasty.
4. The quatrain originated from the Yuefu short chapter of the Han and Wei dynasties, and its name may come from the "couplet" of the literati of the six dynasties. According to the literature, during the Six Dynasties, the literati feasted and collected the poems, and there was a custom of composing poems in conjunction with each person, each person composing four sentences and five words to form a whole poem. If each person's work is cut off and written separately, it is called "a quatrain", and the title of the quatrain is thus established.
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1. Different origins: the rhythm of poetry, stereotyped in the early finger burning or prosperous Tang Dynasty, matured in the middle and late Tang Dynasty, and the quatrain originated in the Yuefu short chapter of the Han and Wei dynasties.
2. The number of words and sentences is different: the quatrain is composed of four sentences, each sentence has a few words and a few words, and the quatrain is divided into the law and the paragraph.
3. Common quatrains are five-character quatrains, six-character quatrains, and seven-character quatrains, and rhythmic poems are usually eight sentences each, each sentence is five or seven words, which are respectively called five-character rhythmic poems and seven-character rhythmic poems.
4. Quatrains, also known as truncated sentences, broken sentences, short sentences, and absolute poems, are strictly regulated in terms of words, rhymes, flats, and battles, and quatrains do not have to be dual.
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Ancient poems are not divided into rules, and are mainly divided into two categories: five-word ancient poems and seven-word ancient poemsThe five-character sentence is the five ancients, and the seven-character sentence is the seven ancients.
Before distinguishing between a lyric poem and a quatrain, let's first understand the categories of poetry. Poems are divided into two categories, one is that ancient poems are not divided into rules, and are mainly divided into two categories: five-word ancient poems and seven-word ancient poems. The five-character sentence is the five ancients, and the seven-character sentence is the seven ancients.
In addition, if a poem, such as Li Bai's "Sleepwalking in the Sky and Leaving Farewell", it has both five-character sentences, seven-character sentences, and even one.
Three, four, six, eight, and nine-character sentences, which are called miscellaneous poems, are classified as seven-character ancient poems. The other is poetry in the modern style. Modern style poetry is a new type of poetry in the Tang Dynasty that is different from ancient style poetry, which requires poets to write with "tight acupoint mantras".
We should pay attention to the rules, which is what we call "Pyeongtaek", as well as the number of words, rhymes, etc. The rhythm poems and quatrains mentioned in this article belong to the modern style of poetry.
However, such poems are rare. Quatrains can also be divided into two categories: five-character quatrains and seven-character quatrains.
However, whether it is five sentences or seven sentences, there are only four sentences. The five-character quatrain is five words per sentence, and the whole poem is 20 words.
After having a general understanding of the classification of poems, this article will discuss the methods of distinguishing rhythm poems from quatrains. After reading a poem, it is necessary to distinguish between a rhythm poem and a quatrain poem to see how many sentences the poem has, generally eight lines are rhyme poems and four lines are quatrains. We can use associative memory and memory discrimination.
Quatrains are generally five or seven words, and only four or eight sentences are rhythm poems, and the quatrains have very strict requirements for battle, and the battle sentences are very obvious. Generally speaking, ancient poems are not strict in terms of word count, periods, couplets, or tone. An easy way to tell the difference:
Before the Tang Dynasty, most of them were ancient poems, and after the Tang Dynasty, most of them were quatrains.
Rhythm and quatrain are both metrical poems, and the so-called scale refers to the fixed pattern and certain norms in phonologySpeaking of Pyeongtaek, it has the best rhythmic beauty in rhyme and timbre.
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4 quatrains, 8 quatrains In fact, quatrains are half of the truncated poems The quatrains are divided into 5 quatrains and 7 quatrains, and the lyric poems are also divided into 5 and 7 rhythms. That is, the number of words in each line is 5 or 7, but the quatrain is only 4 lines, which is 4 lines, and the rhyme has 8 lines.
The difference between a lyric poem and a quatrain is mainly in the number of sentences. There are only four quatrains, which can be fought against or not. There are eight sentences in the poem, one or two sentences are the first couplet, three or four two sentences are the jaw couplet, five or six two sentences are neck couplets, and seven or eight two sentences are tail couplets; The first joint and the tail joint can be opposed, but not not, and the jaw joint and the neck joint must be opposed; Whether it is a rhyme or a quatrain, there is a requirement for a flat voice.
Verses with more than eight lines are lined up.
Lyric poetry requires the number of words in the poem to be uniform, and each poem is five, six, and seven words, referred to as five rules, six rules, and seven rules, of which six rules are rare. The usual lyric verses stipulate 8 verses per poem.
If there are more than 8 sentences, that is, more than 10 sentences, it is called a row or a long law. It is customary to call the first couplet (the first couplet), the second couplet is the jaw couplet, the third couplet is the neck couplet, and the fourth couplet is the final sentence (tail couplet). Every song.
The upper and lower sentences of the second and third couplets (i.e., the jaw couplet and the neck couplet) are used to be battle sentences. In addition to the first and last two couplets, the middle couplets must be in the upper and lower sentences. Lyric poems require a rhyme throughout the poem, and lyric poems usually rhyme flat; Clause.
Two, four, six, and eight sentences rhyme, and the first sentence can be rhymed or not. The metrical requirements of the lyric also apply to quatrains.
Quatrain, also known as truncated sentence, broken sentence, quatrain, four sentences in one piece, according to the number of words in each sentence, quatrain can be divided into five-word quatrain, six-word quatrain and seven-word quatrain, among which.
Five- and seven-character quatrains are the majority, and six-character quatrains are rare.
The poem is divided into the first couplet, the jaw couplet, the neck couplet, and the tail couplet, each couplet is fourteen words (seven characters each in the upper and lower couplets) or ten words (five characters in the upper and lower couplets), divided into half broken sentences into a couplet, the jaw couplet and the neck couplet must be a pair (battle), and the first couplet and the tail couplet can be dual (battle) or not dual (not right), in most cases it is not dual (not right), therefore, in general, if the quatrain formed by the first couplet or the tail couplet is not dual (not fighting), on the contrary, if the quatrain intercepted from the jaw couplet and the neck couplet is dual (battle); If it is a quatrain that is intercepted from the first couplet or the jaw couplet, or a quatrain that is truncated from the neck couplet and the tail couplet, there is a situation of asymmetry (antithesis) and duality (antithesis).
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Four sentences are called quatrains, eight sentences are called five or seven rules, and more than eight sentences are called row rules.
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Lyric poems and quatrains are both metrical poems. The so-called rhythm means that there is a fixed pattern and a certain specification in the rhyme. Quatrains are four sentences each.
A few words in each sentence is a few quatrains, such as five words per sentence is called a five-word quatrain, referred to as five quatrains; There are seven words called seven-word quatrains, referred to as seven quatrains. These two appear more often, of course, there are also six words per sentence, eight words, the number is very small.
The lyric poems are eight lines each. Like quatrains, each sentence is a few words of poetry, which can be referred to as a few words.
1. The word count requirements are different.
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