Who are the idyllic poets? The pastoral school represents the poet who has

The poets who belong to the landscape pastoral school are Meng Haoran, Wang Wei, and Tao Yuanming.

The landscape pastoral school mainly reflects pastoral life and depicts landscapes. He inherited and developed Tao Yuanming's idyllic poems and Xie Lingyun, Xie Hao's landscape poems, etc. Representative figures include Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian, etc. in the Tang Dynasty, Wei Yingwu and Liu Zongyuan in the Tang Dynasty.

Their works mostly reflect the thoughts and emotions of leisure, the colors are elegant and light, the artistic conception is profound, and most of them adopt the form of the ancient style of five words and the rhythm of five words.

In terms of discovering the beauty of nature, they can not only describe the majestic scenery in general, but also depict the dynamics of natural things in detail. He has a special understanding in the observation of natural scenes, and can skillfully capture various images suitable for expressing his life interest, constituting a unique artistic conception, and pushing forward the landscape poetry after the Six Dynasties.

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The representative figures of the pastoral poetry school include Tao Yuanming of the Eastern Jin Dynasty, Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian of the Tang Dynasty, Wei Yingwu and Liu Zongyuan of the Middle Tang Dynasty.

The pastoral school represents the poet who has

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Their works mostly reflect the thoughts and emotions of leisure, the colors are elegant and light, the artistic conception is profound, and most of them adopt the form of the ancient style of five words and the rhythm of five words.

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The representative poet of the pastoral school is Tao Yuanming.

The representative figure of the pastoral poet is Tao Yuanming. In the history of Chinese literature, Tao Yuanming was the first to create a large number of poems on the theme of pastoral scenery and pastoral life, and his pastoral poems founded a new genre of classical Chinese poetry, the Pastoral Poetry School, which was highly respected by poets of all generations. ”

The Pastoral School is a genre of ancient Chinese poetry, and its most important representative is the poet Tao Yuanming of the Eastern Jin Dynasty. Throughout the ages, Tao Yuanming's poetry and art have had a profound impact on later generations.

In particular, pastoral poetry, it has become a genre of its own, has been influencing the development of later generations of poets' creation, Tao Yuanming's poems are mostly based on pastoral life, ** Tao Yuanming's deep feelings about pastoral life, some are close to spoken language, some are similar to ballads: some express their hearts directly, directly indicating the author's love for farming life, the language is plain and natural, simple and not lacking in color, giving people a fresh, pure feeling, poetic and picturesque feeling.

In the history of Chinese literature, Tao Yuanming was the first to create a large number of poems on the theme of pastoral scenery and pastoral life, and his pastoral poems founded a new genre of classical Chinese poetry, the Pastoral Poetry School, which was highly respected by poets of all generations.

If you only look at the literal part of his idyllic poems, the poet's transcendence and forgetfulness of things and self are extraordinary, and they really have an infinite charm like a fairy. However, the truth is far from the case, although Tao Yuanming's idyllic poems are based on the countryside and look like pastoral, its practical significance has long gone beyond the pastoral field. Only in this sense, and the essence of the people's nature, can we understand and explore its ideological content and artistic characteristics.

The inextricability is the same: the same because of both.

Tao Yuanming, Wang Wei, Meng Haoran, Wei Yingwu.

Tao Yuanming, Meng Haoran, Wang Weiwei should be in the matter.

The representative poets of the pastoral school include Tao Yuanming, Meng Haoran, and Wang Wei.

1. Tao Yuanming

Tao Yuanming (352 or 365 - 427), the character Yuan Liang, also known as Qian, private Jingjie, known as Mr. Jingjie. Xunyang Chaisang people. From the end of the Eastern Jin Dynasty to the beginning of the Southern Song Dynasty, he was a great poet and poet.

He once served as Jiangzhou sacrificial wine, Jianwei joined the army, the town army joined the army, Pengze County Order, etc., the last time he was the Pengze County Order, he abandoned his post for more than 80 days, and since then he has returned to the countryside.

He is the first pastoral poet in China, known as the ancestor of ancient and modern hidden poets, and has "Tao Yuan Ming Collection". Tao Yuanming's Yonghuai poems are represented by 12 poems of "Miscellaneous Poems" and 13 poems of "Reading the Classic of Mountains and Seas". The twelve poems of "Miscellaneous Poems" mostly express the political anguish of his ambitions after his retreat, and express the self-prudence of self-prudence and self-indulgence and self-indulgence.

It can be seen that the poet's heart is infinitely deep and wide.

Second, Meng Haoran.

Meng Haoran (689-740), known as Hao, was a native of Xiangyang, Xiangzhou (now Xiangyang, Hubei), and was known as Meng Xiangyang. Because he never entered the office, he was also called Mengshan, and was a famous landscape and pastoral poet in the Tang Dynasty. Meng Haoran was born in the Tang Dynasty, and in his early years, he had ambitions to use the world, and after the difficulties and pain and disappointment of his career, he was still able to respect himself, not kitsch, and was a hermit for life.

He once lived in seclusion in Lumen Mountain.

When he was 40 years old, he traveled to Chang'an Bridge, and he should not be ranked first. He once wrote poems in Taixue, and his name moved the minister, and he was convinced, and he put down his pen for it. In the twenty-fifth year of the Kaiyuan Dynasty, Zhang Jiuling was recruited by the shogunate, and then went into seclusion.

3. Wang Wei. <>

Wang Wei was a native of Puzhou, Hedong (now Yuncheng, Shanxi) in the Tang Dynasty, his ancestral home was Qi County, Shanxi, and he was a famous poet and painter in the Tang Dynasty. In the nineteenth year of Kaiyuan (731), Wang Wei won the first and first. The right of the officials has picked up the remains, supervised the imperial history, and made the judge of the Hexi Festival.

During the Tianbao period of Xuanzong of the Tang Dynasty, Wang Wei worshiped the officials and gave things. When An Lushan captured Chang'an, Wang Wei was forced to accept a false position.

After Chang'an was recovered, he was appointed as the crown prince. During the first year of Tang Su Zongqian, he was appointed as Shangshu Youcheng, so he was called Wang Youcheng. Wang Wei Shen Zen enlightenment, learn Zhuang Xindao, proficient in poetry, calligraphy, painting, **, etc., with the name of poetry in Kaiyuan, Tianbao, especially long five words, many landscapes and pastorals, and Meng Haoran together called "Wang Meng", known as "Poetry Buddha".

The calligraphy and painting are particularly exquisite, and later generations recommend it as the ancestor of Nanzong landscape painting.