Who is the representative of the landscape idyll

The landscape idyllic school originated in the Wei and Jin dynasties and was formed in the Tang Dynasty, with representatives such as Tao Yuanming, Xie Lingyun, Wang Wei, Meng Haoran, etc. Among them, Tao Xie is considered to be the pioneer of landscape idyll, and Wang Wei and Meng Haoran are the main representatives of landscape idylls in the Tang Dynasty.

1. The poets of the landscape idyll school in the Wei and Jin dynasties mainly include Tao Yuanming, Xie Lingyun, Xie Wei, etc., among which Tao Xie is considered to be the founder of landscape idyll.

Tao Yuanming's poems are mainly based on the theme of pastoral life, and his representative works include "Returning to the Garden and Pastoral Home".

Five poems, "Drinking", "Words of Return", etc., among which the poem "Picking chrysanthemums under the east fence, leisurely seeing Nanshan" is a popular pastoral poem that has been passed down through the ages.

Xie Lingyun's representative works include "Stone Wall Essence House Returns to the Lake".

Ascending the Pond and Going Upstairs", "First Trip to the County" and so on.

2. During the Tang Dynasty, there were many poets of the landscape pastoral school, including Wang Wei, Meng Haoran, Liu Zongyuan, Chang Jian, etc.

Wang Wei, a poet of the Tang Dynasty, was known as the "Buddha of Poetry", and Su Shi of the Song Dynasty commented that Wang Wei's pastoral poems were "paintings in poems, and poems in paintings". His poems mainly describe the idyllic secluded life and natural scenery, and his representative works include "Birdsong Stream" and "Rain Rim River Village".

Mountain dwelling autumn twilight", "Luchai" and so on.

Meng Haoran was the first poet in the Tang Dynasty to write a large number of landscape idylls. Most of his poems are landscape poems, such as "Sujian Dejiang" and "Lindongting Lake Presents Zhang Chengxiang".

Jiangshang Sigui" and so on. His idyllic poems are mainly about the elegance and leisure of a secluded life. Such as "The Old Man's Village", "You Jing Siguan Hui Wang Baiyun is behind".

Wait. Liu Zongyuan's landscape idyll, good at expressing the lonely and noble realm, the spiritual deep pain, is very distinctive in art, such as "Creek House" and "Jiang Xue".

Chang Jian, poems to pastoral, landscape as the main theme, the style is close to Wang, Meng, the representative work is "the title of the mountain temple after the Zen Temple".

The famous poem "The winding path leads to the secluded place, and the flowers and trees in the meditation room are deep".

3. The famous poets of the Landscape Pastoral School in the Song and Song dynasties were mainly Yang Wanli and Fan Chengda.

Yang Wanli has a special sensitivity to natural scenes, has a unique vision and mind, observes carefully, comprehends profoundly, and describes it with unique interest and philosophy. Representative works include "Guo Songyuan Morning Cooking Paint Store".

Twilight in the Field" and so on.

Fan Chengda wrote the work "Four Seasons Pastoral Miscellaneous", which reflects rural life

A total of 60 poems, describing the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, his work is known as the masterpiece of ancient Chinese pastoral poetry.

Tao Yuanming, also known as Tao Qian, the character Yuanliang, the pastoral poet of the Eastern Jin Dynasty, the poet of Yinyi, the people of Eryang Chaisang call themselves "Mr. Wuliu" (because of the "Biography of Mr. Wuliu", nicknamed "Mr. Jingjie"). It was called "the lord of the countryside for a hundred generations, the sect of seclusion".

My grandfather and father used to be officials such as taishou and county magistrates. When he was young, his family was in decline and his family was poor. When he was young, he had great ambitions to make meritorious contributions, but he was not reused, and he became a petty official.

In the last years of the Eastern Jin Dynasty, the internal contradictions within the ruling class were sharp, the career was full of risks, and political corruption made Tao Yuanming very disappointed with the reality. He did not want to go with the flow in the chaotic and dark reality, and he went back and forth between officialdom and the countryside several times, and finally retired from Peng Zeling's post at the age of 41 until his death at the age of 63.

Most of Tao Yuanming's works depict life after retirement, showing rural scenery and labor life, and expressing dissatisfaction with the dark reality.

His poems are emotionally real, the style is plain and natural, the poetry is mellow, and the language is fresh, which has a great influence on later generations.

Tao Yuanming created the integration of pastoral poetry and opened up a new realm for classical poetry. Since then, pastoral poetry has been continuously developed, and by the Tang Dynasty, the pastoral landscape poetry school has been formed. After the Song Dynasty, there were countless poets describing the countryside, Tao Yuanming's story:

Do not bend your waist for five buckets of rice.

Representatives of the Landscape Idyllic School: Wang Wei, Meng Haoran, Wei Yingwu, Liu Zongyuan.

1, Wang Wei

Wang Wei (693 or 694 or 701 - 761), the word Maha, the name Maha. He is a native of Puzhou (now Yongji, Shanxi) in the east of the river, and his ancestral home is Qi County, Shanxi. Tang Dynasty poet and painter.

2, Meng Haoran

Meng Haoran (689-740), the word Haoran, the name Mengshan, Xiangzhou Xiangyang (now Xiangyang, Hubei), the famous landscape pastoral poet of the Tang Dynasty, known as "Meng Xiangyang". Because he has never entered the office, he is also called "Monsanite".

3. Wei Yingwu

Wei Yingwu (year of birth and death unknown), the word Yibo, was a native of Jingzhao Duling (now Xi'an, Shaanxi Province). Tang Dynasty **, poet, known as "Wei Suzhou", "Wei Zuosi" and "Wei Jiangzhou".

4, Liu Zongyuan

Liu Zongyuan (773 - November 28, 819), the character is thick, Han nationality, ancestral home of Hedong County (now Yuncheng City, Shanxi Province, Yongji, Ruicheng area), known as "Liu Hedong", "Mr. Hedong". Because of the official end of Liuzhou Thorn History, it is also known as "Liuliuzhou" and "Liuyuxi". Tang Dynasty writer, philosopher, essayist, and thinker.

Idyllic style:

1. The harmonious pastoral landscape poems of feelings, scenes, events and reason do not pursue the resemblance of the scenery, nor do the narratives pursue the twists and turns of the plot, but through the things that everyone can see, ordinary things, express the feelings that are higher than the world, and write the truth that people may not be able to talk about.

2. See the police policy in the plain, see the beautiful in the simplicity The predecessors often used "plain and simple" to summarize the style of pastoral landscape poetry, but the pastoral landscape poetry is not only plain, its advantage is to see the police policy in the plain; It's not just simplicity, it's beauty in simplicity.

3. Fresh brushwork, delicate description, simple language and the popular image of the poetry at that time fuzzy, obscure, light and tasteless Xuanyan poems formed a sharp contrast, pastoral landscape poems depicting pastoral landscapes, never the pursuit of gorgeous language and surface similarity, but random dyeing, fresh and natural, and endless charm.

1. The representatives of the landscape idyllic school are: the representative of the Eastern Jin Dynasty pastoral poetry school: Tao Yuanming.

Representatives of the Southern Dynasty Landscape Poetry School: Xie Lingyun and Xie Hao. Representative of the Landscape Idyllic School of the Tang Dynasty:

Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian. Wei Yingwu and Liu Zongyuan of the Tang Dynasty.

2. Landscape idyll, one of the ancient Han poems. Xie Lingyun and Tao Yuanming of the Jin Dynasty originated from the Northern and Southern Dynasties, represented by Wang Wei and Meng Haoran in the Tang Dynasty and Yang Wanli in the Song Dynasty. This type of poem is known for its depiction of natural scenery, rural scenes, and a peaceful and tranquil life of seclusion.

The poetry is timeless and beautiful, the style is quiet and elegant, and the language is clear and beautiful, and the white drawing technique is mostly used.