Who were the calligraphers of the late Ming Dynasty? How many calligraphers were there in the Ming D

Calligraphers in the early Ming Dynasty included Song Ke, Song Pu and Song Guang, as well as Zhan Xiyuan and Du Huan. In the middle of the Ming Dynasty, there were Li Dongyang, Wu Kuan, Shen Zhou, Zhang Bi, Zhang Jun, Zhu Yunming, and Wen Zhengming.

Wang Pet and so on. In the late Ming Dynasty, there were such as Xu Wei, Xing Dong, Zhang Ruitu, Dong Qichang, Mi Wanzhong, Huang Daozhou, Ni Yuanlu, Wang Duo, Fu Shan, etc. In addition, there are Zhao Huanguang who created the grass seal, Song Jue who worked on the book, etc.

The Ming Dynasty lasted 276 years, so the development of calligraphy in the Ming Dynasty can be mainly divided into three periods.

Dong Qichang, the word Xuanzai, the name Sibai, alias Xiangguang Jushi, a famous calligrapher and painter. In the seventeenth year of Wanli, he was awarded the Hanlin Academy for editing, and the official went to the Nanjing Ministry of Rites. Chongzhen nine years, died, and gave "Wen Min".

Dong Qichang is good at painting landscapes, learning from Dong Yuan, Ju Ran, Huang Gongwang, and Ni Zhan, and his brushwork is delicate and neutral, quiet and sparse; With ink bright and clean, Wendun light; The green color is simple and elegant. Calligraphy in and out of the Jin and Tang Dynasties, self-contained, can poetry.

The surviving works include: "Rock Dwelling Map", "Ming Dong Qichang Qiuxing Eight Scenes Album".

Dayjin Hall Map", "Bai Juyi Pipa Xing".

Cursive Poetry Book", "Yanjiang Stacked Peaks and Pictures", etc.

Author: "Essays on Painting Zen Room".

Rongtai Anthology", "Xihongtang Post" (carved post) and so on.

1. Ni Zan (1301-1374).

A native of Wuxi, Jiangsu, he was a painter and calligrapher in the late Yuan and early Ming dynasties. He is good at painting landscapes and ink bamboo, studied under Dong Yuan, and was influenced by Zhao Mengfu. In his early years, his painting style was moist, but in his later years, he changed his method, and he was plain and naïve.

Calligraphy from the official book, has the demeanor of the Jin people, but also good at poetry. Ni Zan and Huang Gongwang, Wang Meng, and Wu Zhen are collectively known as the "Four Yuan Families".

2. Jue Yin. The year of birth and death is unknown. The original name is Wencheng, the name is changed to Bencheng, the word Daoyuan, a Daoxuan, the later name Daoyuan, the word Jue Yin.

Self-proclaimed Auxiliary Mountain People, Datong Mountain Weng, Ning Shizi, Shu Yu Gong. Jiaxing (one said Sichuan) people, living in Wuxia. Lived in Xingsheng Temple, the heir of the law Xugu Ling Zen Master.

Also the main Honjue Temple. Living in an impermanent place, Ming Hongwu was still alive at the beginning of the world.

The product is high and clean, likes to be witty, good at calligraphy and painting, and the landscape is huge, and the feathered bamboo and stone have the rhyme of free and easy, and it is the one who has to get the Tao and play with the fine light between the pen and ink. Ziyun "writes orchid with joy and bamboo with anger", which is greatly appreciated by future generations. After each painting, the inscription is on it.

There are "Condensation Beginning Collection" and "Dream View Collection" in the world.

3, Gu Lu. At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, he was a native of Huating (now Songjiang, Shanghai) and a calligrapher in the Yuan Dynasty. Sanchun is rarely famous, drunk and poetic, talented and romantic, and has the reputation of "Dr. Xijing Poetry, a generation of wine fairies".

Good at official writing and grass. The calligraphy is neat, the body is neat, the penmanship is round and smart, thick and elegant. He is the author of "Tongqiao Yiyi Lu".

4. Zhao Lin (c. 1320-1374).

Zi Yanzheng, the grandson of Zhao Meng, the second son of Zhao Yong, and a calligrapher in the Yuan Dynasty. Regarding Zhao Lin's life, he once served as the provincial inspector of Jiangsu and Zhejiang, and the governor of Juzhou, which was the lowest level of the Yuan Dynasty. At the end of the Yuan Dynasty, Zhao Lin and his family Sakura disturbed the clan in order to avoid the war, and lived in seclusion in the Jiangsu and Zhejiang regions, and did not enter the Ming Dynasty.

5. Zhang Yu (1283-1350).

A native of Qiantang (now Hangzhou, Zhejiang). More than 20 years old, he abandoned his home as a Taoist priest, the Taoist name is true, and the Taoist name is Zhenjuzi. Erudite and well-informed, good at talking about fame and reason. Poetry, calligraphy, and painting are all work.

6, Bian Wu. The year of birth and death is unknown, the word Bojing, Chong Song is a native of Yanjing (now Beijing), and a native of Longxi (now Gansu). Xing grass is rarely in the pivot, sometimes there are chaotic people, good ink play flowers and birds, there are dead wood, bamboo and stone maps.

Zhu Yunming (1460-1526) was a calligrapher of the Ming Dynasty.

Wen Zhengming (1470 1559), the first name wall, the word Zhengming, later changed the word Zhengzhong, the number stopped the cloud, alias Hengshan Jushi, known as Wen Hengshan.

Xu Zhenqing (1479-1511), the word Changgu, also known as Changguo.

Tang Yin (1470 1523), the word Bohu, also known as Ziwei, alias Liuru layman, Taohua Nunnery Master, Lu State Tang Sheng, Escape Zen Immortal Official, etc.

At the beginning of the Ming Dynasty, there were Song Ke, Song Pu, Song Guang, and Du Huan; In the middle of the Ming Dynasty, there were Li Dongyang, Wu Kuan, Shen Zhou, Zhang Jun, Zhu Yunming, Wen Huiming, etc.; In the late Ming Dynasty, there were such as Xu Wei, Dong Qichang, Mi Wanzhong, etc.

In view of the fact that the Ming Dynasty is one of the best periods for the development of calligraphy art in China. Although the calligraphy of the Ming Dynasty was inferior to that of the Song and Jin and Tang dynasties in terms of law, it had something to catch up with and surpass in pen and ink. Among them, Dong Qichang, Wang Duo, and Zhu Zhishan have strong expressiveness in this regard.

The calligraphy of the Ming Dynasty should be capped by Dong Qichang in terms of skill, and Wang Duo should be in interest. But Zhu Zhishan, Wen Zhengming, Wang Chong, Shen Zhou, Fu Shan and others are also outstanding.

To explain the calligraphers of the generation, the most well-known is Tang Yin Tang Bohu, his font is familiar and free, and the structure is relatively loose. There is also Dong Qichang, whose calligraphy has the frank meaning of Yan Zhenqing's calligraphy, which embodies the essence of many calligraphers.

Calligrapher of the Ming Dynasty.

There are many, and the one with the greatest achievement is Dong Qichang in the late period.

At the beginning of the Ming Dynasty, there were three famous calligraphers, namely Song Ke, Song Pu and Song Guang, as well as Zhan Xiyuan and Du Huan.

Middle Ming Dynasty: Li Dongyang, Wu Kuan, Shen Zhou, Zhang Bi, Zhang Jun. Zhu Yunming, Wen Zhengming, Wang Chong, etc.

Late Ming Dynasty: such as Xu Wei, Xing Dong, Zhang Ruitu, Dong Qichang, Mi Wanzhong, Huang Daozhou, Ni Yuanlu, Wang Duo, Fu Shan, etc. In addition, there are Zhao Huanguang who created the grass seal, Song Jue who worked on the book, etc.

Among them, Dong Qichang,

Xing Dong also has the saying of "South Dong and North Xing".

Haozhong Four Talents: Refers to the calligraphers Tang Bohu (Tang Yin), Wen Zhengming, Xu Zhenqing, and Zhu Yunming who lived in southern Jiangsu.

Ershen: Indicates the two brothers Chu Shen Du and Shen Cang, also known as "big and small bachelors". The former wins with grace, and the latter wins with ease.

Dong Qichang, Ming 1555, 1636, Songjiang Huating (now Songjiang, Shanghai), Xu Weiming, 1521, 1593, Shanyin (now Shaoxing, Zhejiang).