What do you think of the calligraphy and writing of calligrapher Wang Xizhi?

His handwriting has been admired, and his writing is good, but I look at Lan Ting's writing very weakly, and then look at Wen Zhengming's writing, which is tall and powerful, and the knot is decent, very beautiful, of course, each has its own characteristics, but I still like the latter.

Wang Xizhi's calligraphy, in addition to neutralizing the beauty, also creates the beauty of fluency and speed, which is the fundamental reason why his calligraphy can become a model of calligraphy that we have learned so far.

For more than 1,000 years, almost no one has been unbenefited from Wang Xizhi's calligraphy, and has been regarded as the best model for copying by generations of people. Wang Xizhi is not only respected by the world, but also admired by the world.

Wang Xizhi is a famous calligrapher in the Eastern Jin Dynasty, known as the "Saint of Calligraphy", and his masterpiece "Lanting Collection Preface" is known as "the first line of calligraphy in the world", which can be said to occupy a very high position in the history of calligraphy! Some people even worship him, whose words are one between nature and man, chic, natural, and interesting. "Floating like clouds, like a dragon"; "The dragon jumps over the gate of heaven, and the tiger lies in the Phoenix Pavilion" This is everyone's calligraphy comment on Wang Xizhi, and the evaluation is very high.

Every era has its own aesthetics, and if Wang Xizhi lived today, his words would definitely not be famous. I once practiced Wang Xizhi's "Orchid Pavilion Preface", and I didn't feel very good about the overall effect of writing couplets in this font, so I changed the font! I like fonts that are strong, three-dimensional and full of pictures, so I have created a font that integrates fonts such as line, grass, li, seal, and Wei Bei, which feels great!

Wang Xizhi is good at both subordination, grass, Kai, and line, carefully studying the body, absorbing the strengths of others, and finally becoming a family of his own, which has a far-reaching influence. Its calligraphy characteristics are more flowing clouds, chic and elegant, delicate bones, beautiful dot painting, sparse and dense, white and ingenious, it can be said that the pen is to the extreme, expressive, vivid and vivid.

Although Wang Xizhi's calligraphy has a family law, it is not confined to one family, but the result of learning from others, inheriting traditions, and trying to innovate. It is the product of the combination of the fashion of the Wei and Jin dynasties and Wang Xizhi's personal temperament.

Wang Xi's book often changes due to the word, there are long picks, short picks, there are picks, there are straights, there are center to close the pen, there are exposed fronts, there are side strikers into the paper, there are strikers and the next pen echoes, there are strong and fast, fierce and sharp.

Wang Xizhi's classic work "Orchid Pavilion Preface", with the pen to the center as the bone, the hidden front and the front are subtle and exposed, connected with each other, large or small, casually out of the hand, containing the author's profound pen and ink skills and profound cultural heritage.

Wang Xi's book is very rich, according to the writing method of the pen, there are square up, round, hidden front, open front, reverse pen, smooth pen; According to the form of the pen, there are sharp skimming, knife skimming, hook skimming and pure skimming.

Unprecedented, the culminator. Whether it's skill or influence, it's impossible to surpass.

What else can you say besides being able to say good?

Wang Xizhi. Known as the "Sage of Calligraphy", it can also be said that he is the first calligrapher in the true sense of the word in Chinese history.

His level of calligraphy is only based on his "Preface to the Orchid Pavilion Collection".

For example, the magic of calligraphy can be seen. "The first book in the world.

It's not shouted slogans, it's really "invincible all over the world". Although its authenticity has been with Tang Taizong.

Accompanied by the funeral and missing, but the hand-me-down copy of the master who had been arranged in advance can be perceived. All calligraphy lovers who have studied Feng Chengsu's facsimile can feel: no one can surpass it, and the ingenious brushwork in its calligraphy is natural and smooth, both graceful and graceful, but also steady and powerful, full of strength, which is really a work of heaven.

Wang Xizhi was born in the Eastern Jin Dynasty.

The famous family of the times, who studied books since childhood, has extraordinary talents, and under the influence of that kind of rich scholarly home, he is full of poetry and literature, and loves pen and ink. His unparalleled talent did not make him practice harder than others, and according to legend, he used a large pond in his yard as a pen wash and practiced to the water in the pond.

exudes a strong fragrance of ink, and it is also rumored that the ink he used to practice is as much as a pond. In short, no one in history can compare with the word diligence, not to mention the aristocratic family background of the town, because of the pen, ink, paper and inkstone.

The cost is not affordable for ordinary people. and his incomparable talent and understanding, all of which created a genius.

Many folklore stories about Wang Xizhi, Shaoxing, Zhejiang, 2011.

It has also applied for approval as a national intangible cultural heritage. The idioms such as three points into the wood and sending goose feathers for thousands of miles all come from his calligraphy stories, which shows that he is not only as influential as a great calligrapher, but also a symbol of Chinese calligraphy culture. For more than 1,000 years, he has been followed by later generations of calligraphers, and has been studied and imitated, but there are only a handful of people who can compare with the level of calligraphy, and the possibility of surpassing it is of course almost zero.

As the saying goes: there is no first martial arts. Wang Xizhi's calligraphy is not surpassed, not entirely because his calligraphy works are so good that no one writes better, but more mainly because of his historical status and influence, and no one can compare with him.

In fact, he was also a link between the past and the future in his time. However, because of the large number of works circulated, and because of the inheritance of his children and grandchildren from generation to generation, he has achieved an unsurpassed influence and an unshakeable historical status of "book saint".

Of course, as a "book saint" revered by calligraphers throughout the ages, he has always been regarded as a god, and it is difficult for anyone to dare to surpass him. However, in order to grow your own morale and encourage yourself to persist and work hard, you can work hard with the goal of "surpassing Wang Yizhi", even if you definitely can't achieve it, but at least it adds a motivation for you to learn calligraphy well.

Wang Xizhi's calligraphy is self-contained, is the master of the Buli school in the opening sect, and is known as the book saint selling the lack of ears, has a very high status in calligraphy; Because in the past 1,000 years, there has not been such an influential character in the draft.

I think Wang Xizhi has reached a very high level in cursive and regular script, which is a monument in the history of Chinese calligraphy, and Wang Xizhi was also named a calligraphy saint by Tang Taizong; I don't think it's that no one has surpassed it, but that no one has surpassed his Lanting preface in the millennium, because Wang Xizhi's brushwork is very smooth, and the transition between the words is very perfect, and there is a feeling of flowing water. Sail Waiter.

Wang Xizhi's calligraphy level is very high, he can be the calligraphy of the high water old head Zaoqin this Ping master, Chinese calligraphy culture has developed for thousands of years, but until now, Wang Xizhi's calligraphy style has been praised by the majority of famous calligraphers, so it can be seen that his calligraphy style has been loved by many excellent calligraphers.

Because Wang Xizhi's calligraphy is relatively easy to copy, it is easy to use, and Wang Xizhi's calligraphy is particularly upright and looks very beautiful.

Because his calligraphy is vigorous. And it looks spectacular. Colors sketched out one stroke at a time.

Because Wang Xizhi's calligraphy is both artistic, the font has a special beauty.

Wang Xizhi demolished the Wei and Jin dynasties, is the official script to the regular script, chapter grass, the grass development and evolution period, Wang Xizhi is good at regular script, regular script has also achieved high artistic achievements, such as "Le Yi Theory", "Huang Tingjing" and so on. Compared with the regular script and the seal book, the middle section of the line is not as heavy and heavy as the seal book, but the beginning and end of the pen are more delicate, rich and strict than the seal book and the official book; In the treatment of horizontal folding, the regular script is mainly turned, compared with the seal script and the official script twisting penmanship, although it is less heavy, but a little more refreshing, especially the gesture of folding the pen downward for the line of cursive to open the structure of a single word, strengthen the joint formation of word combinations and word groups, so that the whole work of the coherence has played a key role, this turn pen in the seal on the basis of the pen habits, but also for Wang Xizhi's line cursive creation provides another rich reference and reference.

A very important reason why Wang Xizhi can become a book saint is that he can inherit the past and the future. The reason why he can push the line of cursive to a new height, is that he is good at traveling to praise the repentance of the seal Li Yingnai, fine script, is committed to the development of the line of cursive, the real grass is the seal of all the calligraphy of the penmanship he is proficient, so he can summarize all his previous book style with pen experience, advantages for his use, take its essence, discard its dross, so that his penmanship has become a collection of real grass Li seal line calligraphy penmanship. Drawing heavily on the habit of using the regular script, paying attention to the richness, delicacy and perfection of the penmanship of starting and closing the pen, and increasing the turning point when the horizontal fold is most fully expressed in Wang Xizhi's "Feng Tang Post".

The three "white" characters in the post, the "mouth" on the right side of the word "such as", the lower right part of the word orange, and the horizontal fold of "hundred" fully reflect the characteristics and style of Wang Xizhi's regular script pen.

Wang Xizhi's "Aunt's Post" and "Early Moon Post" will find that the middle section of the line of each word is very full and heavy, especially the dot painting of the six characters of "November 13th" at the beginning of "Aunt's Post" is particularly solid, and the middle section of the line is full, thick and simple; There are also "early moon posts" in the "Twelfth Day Shanyin" five characters, "Tao melancholy", "Xi Zhi Bao" and other words of each dot painting with the pen sluggish, controlled, twisting and turning with the pen twisting action, so that the texture of the line is solid, the quality is very high, there is no pale and empty timidity.

Wang Xizhi's teacher and himself are both good at official scripts or chapter grass. Wang Xizhi learned Mrs. Wei's skills. From more than ten years old to twenty years old, he changed to his uncle Wang Xuan, and he won the wonder of the body.

After the age of 20, the teacher of the teacher, the main book, the book of the sect Shang Zhong Xuan, the grass law imitated Zhang Zhi. Whether it is Mrs. Wei or Wang Xuan, especially Zhong Xuan and Zhang Zhi, who were taught by Wang Xizhi in the later period, were respectively the top masters of Lishu, regular script and Zhangcao at that time, as well as the monuments of the teacher mentioned by Wang Xizhi himself, which shows that Wang Xizhi was deeply influenced by his predecessors Lishu, Zhangcao and Zhubei. Wang Xizhi's "Aunt's Post", the knot of many words in the post is directly taken from the law book, taking the momentum horizontally, the texture of the lines is simple and innocent, and it is ancient and ancient; With the pen on the dignified and heavy, not counting the delicate and rigorous pen pen, highlighting the beauty of the middle section of the line, the horizontal fold to make the main turn, showing the will of the seal.

Wang Xizhi's calligraphy is peaceful and natural, the gesture is euphemistic and subtle, just like a handful of wild geese, and like a dragon flying in the sky, look at Wang Xizhi's calligraphy has a light cloud covering the moon, the feeling of flowing wind and snow, Wang Xizhi's calligraphy is the most obvious feature of the structure is changeable, cursive and line of calligraphy was originally people in order to simplify the way of writing, in order to show their own casual evolution of the font, Wang Xizhi in this aspect of the font changes with a dripping exquisite, and then see his works when there is a happy feeling.

Wang Xizhi's calligraphy is inseparable from his Wang family, which is a master of calligraphy, and he first learned like his father Wang Kuang. He was studious, and he also stole the "Treatise on Writings", which his father regarded as a family heirloom, to study for himself. Later, he studied under Mrs. Wei, a famous female calligrapher at that time, and Wang Xizhi not only laid a solid foundation with Mrs. Wei, but also formed a charming style.

However, Wang Xizhi learned from Mrs. Wei that in addition to calligraphy, there is also a way of life outside the sky, and there are people outside the world. That's why Wang Xizhi is not satisfied with the status quo. With great ambitions, he visited places of interest and historic sites, and through observing the calligraphy seal carvings of the previous generation of famous calligraphers Li Si, Zhong Xuan, Zhang Zhi and others, Wang Xizhi learned from others and created a set of his own style.

Wang Xiyi changed the calligraphy of the Qin and Han dynasties to only pay attention to practical style, and he opened up a vast and majestic new world in the history of calligraphy on a historical level. Wang Xizhi saw the calligraphy of the Zhong family's flying birds, and he turned it straight into a curve, and the penmanship was resistant. After he learned Zhang Zhi's calligraphy, he changed it to a man dance, and then compromised.

Therefore, Wang Xizhi, who did not paint the gourd, integrated the strengths of his predecessors into his own grass, and created the most perfect posture when he was in trouble with Lu Dongjin with a different brushwork from his predecessors.

Wang Xizhi's calligraphy seems to be natural, and the structural changes and the transformation of penmanship are praised by later generations, although it has a unique ingenuity, but there is no pretentiousness. The written font is deep in muscles, rigid and soft, and the dots are concise and concise. In ancient times, Confucius advocated that being a man with good literary quality is the best, and Wang Xizhi's calligraphy is literary but not flashy, quality but not wild, and literary quality is just right.