How to practice the right and left hand coordination of the guzheng? Can t get up to speed

I'm the first. Practice slowly. For example, practice your right hand first, and then slowly add your left hand.

You have to be familiar with the strings, you can play them with your eyes closed, or you can play them empty, just like a performance without a physical object, you know? Even if you don't have a string, you know what sound it will make when you pluck it, and you're afraid that it won't be fast?

Playing with two hands in subsections, you are still practicing with two hands, the difficulty should not be very large, most of the same fingering will appear in multiple bars, and the guzheng must rely on practice, if you spend time, no matter how fast the song is played by people.

Practice makes perfect. Pay attention to the correct hand shape! You can practice it separately, first master the melody of the right hand, then practice the melody of the left hand, and then work with both hands.

Practice slowly, with your left and right hands separated. Strengthen the exercises of the left hand.

If you are really familiar with it, when you play it quickly, you should pay attention to the depth of the lower strings, and you need enough strength to play the strings, of course, you need to have enough strength to hit the strings, if you have just learned and are not proficient, these cannot be done.

Haha, I also learned Guzheng. I'm just going to practice slower. For example, practice your right hand first, and then slowly add your left hand.

Left and right hands, play slowly one bar at a time.

Play section by section, don't be fast.

Slow Practice: Slow practice is the fundamental obstacle to overcoming all technical obstacles and eliminating obstacles. Through slow practice, the player should be able to get on a correct track as soon as they come into contact with the piece. Slow practice is like a "magnifying glass", enlarging all the details in the music, so that the player can carefully notice every cell of the music.

Determine the fingering It is best to note down the correct fingering during the sight spectrum stage. Some paragraph-style passages require several fingering possibilities to consider; Refer to the fingerings noted by the editors in the different editions; Finalize your plan to be adopted. Don't change your fingering.

3.Determining the basic direction of the movement is the equivalent of doing slow motion and watching slow motion. The whole performance is exaggeratedly magnified. Slow practice promotes the coherence of the movement and allows the player to clearly understand the direction of the movement.

4.Determine the clause to take the loss clause is the tone, intonation, and breathing of **. Whether the clause is correct shows the level of the player's ** quality.

Since you know it's because the basic skills of your left hand are not very stable, it's easy to do. Because I usually only use my right hand when I start learning fingering, I will be more interested in it when I first come into contact with it, and even if I only practice fingering, I will be very serious. After a long time, the fingering skills began to feel boring, but this time it is time to start"Open the bow left and right"The left hand should also be practiced fingering, since most people mainly move with the right hand, then the left hand practice is more strenuous and boring.

Then you can choose some ways to arouse your interests, like I used to play some simple and shorter pieces with my left hand, and then change when I get tired of playing. This will not only improve the dexterity of the left hand, but also improve the basic skills, and it will not be so boring.

In addition, you can often use your left hand to do some simple things in your daily life, such as when using the remote control, when texting, when using keys, etc., so that you can slowly get used to the activities of your left hand and develop the cerebellum.

In addition, when your hands are idle, you can do finger exercises or move your finger joints. In short, as long as your left hand is not so stiff, your problem will not be difficult. Give it a try and look forward to your good news.

Empty-handed practice, that is, taking any free time, not practicing on the strings, but just practicing the hand shape, but in other words, it still depends on practice. Or move your wrist first, you can write calligraphy or something, and then it will be more natural.

There is a way to wood、、The left hand of the guzheng is to master the skills by practicing diligently.,Are you just learning the left hand?

If you're a beginner, it's going to be sore, but if you stick to it, you'll be proficient

You will always practice the music to be played with your left hand, until you are cooked, and then with your right hand, you can quickly achieve it. I've practiced like this before, and if you try it, maybe it will be useful to you. If you don't practice repeatedly, there is no quick fix.

Practice more, and you won't feel rare. If you don't master the basic skills well, the songs will basically be two-handed in the future, and at that time, you won't have so much time to master the basic skills. It's still too late to practice! ~

Try moving the fingers of your left hand more when you're fine.

Practice with both hands apart, and then slowly practice with both hands when you are proficient, and it is best to sing music while practicing.

If you are not proficient, it is natural to relax and practice more!

The right hand is the main melody, you must practice the right hand first, the left hand is the auxiliary rhythm, the rhythm is relatively simple, heavy.

What I want to do is to memorize the changes in his rhythm, and then cooperate, which is not difficult.

You can practice blindly, from 1st string to 21st string by one, practice the fingering with the left and right hands, and then skip the strings...Practice to the point that you don't need to look at the strings, and the rest of the basic skills is to break up and play, and after getting acquainted, slow down to the extent that your hands will not be confused.

You can also practice playing 1 string with your right hand after the tone is closed, and the left hand can assist a few strings from 1 to 21 strings in each fingering as fast as possible, and when you are familiar with it, you can start to skip the strings, in order 123....135...147...

It is said that ** is a kind of art, but ** is also rigorous, the beat is very important, a beat can also be two 2 1 can also be a 3 2 a 3 1, the foundation should be solid, don't be afraid of boredom, accumulate little by little, persevere, and overcome psychological obstacles.

The biggest enemy is not the opponent, but oneself.

Break up and play, after getting acquainted, slow down, beat the beat and a while, the speed is so slow that your hands will not be confused, you can't be in a hurry, and when you get the slow practice, you will naturally be able to get up quickly Don't worry, you will definitely be able to practice

Wow, you can shake your fingers with your left hand, I usually practice the right hand (one hand) first, and then the right hand is very familiar, and then practice the left hand, you must practice it well, in the two hands together, under normal circumstances, I never look at the right hand, only look at the left hand.

The left and right hands are practiced separately a few times, and then together, and the speed slows down when the two hands are practiced at the same time, so that there will be no left and right hands in the same hand. When you get the most out of practice, you'll definitely be able to increase your speed. I also learned guzheng, and it was really unaccustomed and painful to practice my hands at the beginning.

As long as you practice more, you will naturally get used to it later.

Practice the right hand first, then practice the left hand separately after practice, and then put it together in sections after practicing separately, and don't separate the left and right hands too far apart.

This kind of problem can't be rushed, or break up and practice very well, and then slowly put together, thinking about how to play the left hand, but not in a hurry, to take it slowly, it will always be good. Come on!

Practice your right hand first, then your left hand, and then combine the two, but definitely slow at first, otherwise you will develop bad habits. And then it's time to practice pulling....

Practice the left and right hands separately, practice the left hand section first, and play it with both hands after the practice, the effect is better.

First play out one by one, and when you are proficient, speed up, and slowly you will be able to.

After practicing left and right with one hand first, and then put your hands together to slow enough to get used to it with a certain amount of practice.

Be sure to do one-finger exercises first. Which finger method.

Weak should focus on practice. Finally, go back and practice with both hands. Gradual.

I can't answer too quickly. The speed should be moderate, and when practicing, the mood should be relaxed, and don't always think that your left and right hands can't cooperate. Play yourself according to the melody.

As long as the effort is done, it will definitely be coordinated.

Most of the left-hand stringing techniques of the guzheng are performed on the left side of the zither pillar, and are shifted with the movement of the right big finger strings. The left-hand string pressing technique is mainly based on the index finger and middle finger of "groaning, trembling, pushing, slipping, kneading, pressing, pointing, and panning" as the basic method. It can be divided into four categories: "vibrato", "slide", "kneading" and "pressing the string".

Tremolo strings. After playing the string with the right hand, the left hand vibrates the string to beautify the aftermath of the macro. A vibrato is a slight up-and-down flutter on the base pitch that does not change the pitch of the string.

There are three types of vibrato: slow vibrato, vibrato, and fast vibrato. Slow trembling, the frequency of the flutter is slow, and the aftersound is melodious and rhymed. Vibrato, a medium-frequency vibrato, this is the basic vibrato that should be valued in basic training.

Rapid tremor, rapid frequency of tremor, nervous aftersound, often expressing agitated emotions.

Sliding strings. Play the string with your right hand and press the string with your left hand to change the tension of the string and produce a portamento sound. Glissandos are divided into two types: upward glissanda and glissand, and can be subdivided into sometimes uphill glides, decorative ascending glissands, and so on.

Kneading strings. After playing the string with the right hand, press the string with the left hand to make a large fluctuation on the benchmark tone. This fluctuation is actually a combination of upward and downward glide movements.

This fluctuation has a noshimic change in pitch, from a minor second to a minor third. This fluctuation is a rhythmic fluctuation and a random fluctuation.

Press the strings. When playing the string with the right hand, press the lower string with the left hand to change the tension of the string and produce the pitch of the upper string. The change in the strings is generally an elevation of a minor second, a major second, or a minor third.