I can paint oil and have a good foundation into 20

It's a good thing that you have a hobby of drawing, and your hobby generally has a certain talent. You can find a good teacher to visit, and after a period of time, you can show your drawings to the teacher, and let the teacher point out the shortcomings and areas that should be improved. In this way, it is okay to find a teacher to guide you in this phase, and it will not affect the school's curriculum.

It's still quite dangerous to do it behind closed doors. If the teacher can't find it, you can still buy books, buy more books, read more books, and learn to find solutions to problems in the process of painting, if you can't ask the teacher. It is really not recommended that you paint at home by yourself, for fear that you are going the wrong way and you don't know it yet.

If you don't have a foundation, start with a sketch. If you are not at home at home, you can draw more sketches. It is to express the movements and proportions of the characters with simple lines.

I read more books in this regard, and I have them. Try to find some good books to read, the sketches of CAFA High School are very good. I wish you all the best.

Self-study is difficult, so to speak, impossible? A good teacher is very important, painting comes step by step, and the basis of oil painting is sketching. For art, no genius is hard work, if you can insist on drawing 10 sketches a day, whether it is a figure or a still life, each one must be painted seriously.

After one year, you can go painting. (There are no shortcuts, quantity wins) If you really like it, use the break time to find a teacher to guide you. If you have time to use your pen more, you can definitely draw well.

Find a teacher to take you, if you have talent at your age, you should be very open to painting, don't delay your youth, interest is your best teacher, but starting to self-study is easy to take detours, and it will delay you for a long time, I have experienced this, find a good teacher to guide it.

First of all, art needs a hobby, it's not a liking from the heart, it's hard to get ahead, you have to figure out what you're aiming for, and if you have the talent, you can draw it yourself.

If you don't have any foundation and don't understand anything, then don't go out and find a teacher to take it down· At the very least, you should buy information or find information on the Internet Understand the relevant materials and usage All in all, as long as you really want to learn· Love him, and if you work hard, you will definitely learn it, and you need to have a certain understanding!

I hope you who love oil painting will become a talent!

You can learn from the teachers of the Academy of Fine Arts, understand the techniques, read more oil painting books, understand the life of social painters, and then you can slowly study and further your studies, in short, you must have a certain foundation.

Do you have art skills? If not, it is recommended to start with the basics, first learn sketch, gouache, oil painting is based on them.

It's okay to study on your own, it's hard to start forever, just stick to it.

It's also crucial to be interested.

I wouldn't want to ask more.

Remember! Don't fish for three days and dry your nets for two days.

May you learn well.

It's good to be a hobby of painting, but it's hard to get into the current art academy if you want to study as an amateur, and you must have special training to get in.

Because there are certain routines in the exam, if you don't specialize, you almost don't want to be admitted, just rely on what ideals and work hard, you can't pass the exam without training, either give up as soon as possible, or go to study specially, I wish you good luck.

If it's a beauty, I can teach you, but if it's not, it's a long time. Vermeer painted only 50 paintings in his lifetime, but each one was a classic, and it turned out that he had been in business all his life. He is a successful businessman. As long as you can always enjoy drawing, that's fine.

Learn to draw. There is no trick. The main thing is to grope for yourself. But to use your imagination, the teacher is also very importantHe is the guiding light of your artistic career.

If you want to learn, you can learn Think about what you want to take first.

The 100 oil paintings suitable for beginners are as follows:

First: You can draw anything, but you are not allowed to copy other people's paintings!

You can paint it out of your own imagination, or you can pose a group of still lifes, or you can paint a corner of the room, or you can invite relatives and friends to come and sit down as model ......

But don't copy someone else's drawing!

Whether it's Van Gogh or Picasso, it's not allowed!

When can I copy it?

At least draw at least 10 pictures yourself.

Second: Don't use toning oils.

I know I asked you to buy toner, but don't use it in your first few paintings.

You use a paintbrush dipped in pure oil paint, which is already oiled today.

If you don't move the pen well, it's because there is too little paint.

Dip some more, then apply the paint thickly to the canvas and cover the canvas completely with the paint.

Something like this:

Remember, paint the entire canvas all over the canvas, no matter what color you use, and leave no gaps.

You can draw it like this:

Or something like this:

Or something like this:

Or something like this:

Or something like this:

Fourth: Your palette space is tight, use it wisely!

First of all, don't put every paint on the palette, it just looks good

It's just messy and irregular.

Also, don't squeeze too much at a time, just like eating a buffet, take less often.

Squeeze less each time, not enough squeezing.

Some colors are used very little, and it is enough to use a small spatula to pick a little out of the paint mouth.

You can draw for a few days, but you have to clean up the mess every time you finish.

1. Prepare a few oil pastels.

and a piece of paper. <>

2. First draw some diagonal lines upwards on the lower part of the paper with a yellow pen to indicate the yellow color in the grass.

3. Draw some dots on the paper with white to represent the small flowers in the grass.

4. Use a light green pen to paint another layer of green slash on the paper to indicate the light green in the grass.

5. Use dark green to spread another layer of dark green diagonal lines on top to represent the green grass in the grass.

6. Draw a brown diagonal line with brown to represent the dead grass in the meadow, and the part of the meadow is finished.

7. Draw a few small patches of white above the grass with white to represent white clouds.

8. Then use light blue to paint light blue around the white to represent the sky, and a landscape painting is finished.

1) Texture and function.

Mink or badger hair brushes: It is a high-grade oil brush, with moderate softness and hardness, softness and uniformity in coloring, no traces of brushstrokes, and is suitable for detailed depiction of the picture. Squirrel hair closed spine slowly, monkey hair oil brushes are also soft bristle brushes.

Bristle brushes: mostly bristles, elastic, strong and strong. Coloring often leaves bristle marks and can provoke thick pigments. It can be rubbed, rubbed and brushed, and generally there will be no phenomenon of the brush hairs sticking together. It is mostly used for thick brushstrokes and textures.

Cow hair and camel hair brushes: soft hair oil brushes, mostly used for color covering.

Artificial hair brushes: with mink hair, badger hair and other high-grade oil brush characteristics. Faux fur can be used to create brushes of different shapes, which can both soften local colors and create detailed details. However, it cannot be soaked in water, and its hair is easily deformed in water.

2) Shape and function.

Round brush: The oldest type of oil paintbrush. It has a blunt nib that can be used to create rounded, softer strokes; A small round oil brush can be used to draw lines, a large blur of color can be used on the side, or it can be used for pointillism.

Flat-head brushes: Flat-bodied flat-head oil brushes did not appear until the 19th century. for creating wide, sweeping strokes; Rough lines can be drawn on the side of the flat head; Turning the pen body to use the pen for a sweeping pen can cause uneven strokes.

Hazel-shaped brush: flat round head, also known as "cat tongue pen". It has the characteristics of both round head and flat brushes, but it is difficult to control. It is a more elegant and fluid brush when it comes to representing curvilinear strokes.

Fan-shaped brush: It belongs to a new type of special oil brush, with sparse bristles and a flat fan-shaped. Use for swiping and brushing in wet painting, or to soften overly defined outlines.

Painters who like the thin drawing method often use this kind of noclei brush. When kneading with a fanpen, it must be kept clean, otherwise it will hinder its dexterity.

3) Model and function.

The relationship between the brush model and the purpose is clearest. Large brushes are often used to create large brushstrokes and large patches of color, while small brushes are often used to draw thin lines and dots. At present, the best brush models on the market are not uniform, and the same model brushes of different brands and textures are very different.

And the division of models is also different, there are 0 24, 0 12, 0 16, etc. Hard brushes such as bristles are complete in size and model, soft brushes such as mink generally do not have large pens, and fan-shaped brushes (mostly bristles or artificial hair) do not have small sizes.

Board Brushes: Ideal for large drawings, sometimes small brushes can be used instead of large brushes. Another function of the brush is to polish the dry picture.

Oil painting rollers: used to spread out colors and create textures. Using an oil roller to gently roll over where you just painted can flatten the brush strokes and spread the color, creating an effect that is difficult to achieve with other painting tools.

Some people always encounter some technical difficulties when learning oil painting. Because learning oil painting is technical, there are always various problems. Moreover, for novices, in the process of learning oil painting, they often ignore the overall effect, and excessive pursuit of details will also bring counterproductive effects.

What are the misunderstandings that are easy to fall into in the process of learning oil painting?<>

When studying oil painting, especially when painting portraits, in order to highlight the three-dimensional sense of the figure, it is often necessary to use too much paint for impastory. However, there are some details that cannot be impastoral, which can create a very strange feeling. Some people do not pay attention to the proportions of the human body when drawing portraits, which will cause a person's overall facial features to look very unsightly.

When coloring, he will also pursue the color he likes excessively, causing the character to lose the color he should have. <>

For art students studying art, it is important to pay attention to the spatial distribution of each object, but some art students always leave too much white space on the whole picture when learning oil painting. If white takes up too much space, it will bring a very bad sense to the whole picture. Therefore, when painting, you must remember not to let your painting have too much white paint on it.

And the matching of pigments is also very important, every art student should cultivate their own aesthetics, this knows color matching.

What kind of relationship should it be. Only then will the colors be adjusted.

It's closer to the color you want. <>

When learning oil painting, you will always fall into some misunderstandings, but as long as you correct your mistakes in time, you can systematically learn oil painting. And when you start painting oil, you should first think about your own structure and what objects you should draw for each part. Prepare the pigments you need in advance.

Only in this way can learning oil painting be more effective.

When learning oil painting, it is easy to be confused with sketch painting, or landscape painting, Chinese painting, etc., and then it is very likely that you will not learn the essence, and you will not pay attention to the grasp of lines when learning, pay too much attention to the choice of color, or be careful when using color, which is very lacking in novelty.

Don't use too many pigments, don't use these pigments to impastory, some details can not be impastoral, when painting people, you must pay attention to the proportion of the human body, and do not leave too much blank, to reasonably grasp and control the amount of oil, do not mix too much, and then the coating should not be too thin.

It's easy to mix all the paints together, it's easy to get the paint wrong, it's easy to mix the paints, it's easy to get the paints on your clothes, and it's easy to put the paints on the drawing board.