The characteristics of opera characters, what are the opera characters?

One of the important professions in Peking Opera.

Susheng (old student): that is, a middle-aged or above person in the play, wearing a beard (mustache), due to the difference in personality and identity, it can be divided into an old student or a singing old student (such as playing the emperor, bureaucrat, literati, etc.), relying on the old student (such as playing the military general), and the old student of the declining school (such as playing the poor person, etc.).

Hongsheng: For the red-faced Xu Sheng, such as playing Guan Yu, Zhao Kuangyin, etc.

Xiaosheng: refers to Ling Zisheng (a general with a pheasant, a prince, etc.) in the play, a yarn hat student (an official student), a fan student (a scholar), a poor student (a poor sour literati), etc.

Wusheng: For the martial arts role in the play, those who wear thick-soled boots are called Chang Lean (Dunzi) Wusheng, and those who wear thin-soled boots are called short (apostrophe) Wusheng.

2 Dan Xing is referred to as "Dan". It is divided into Tsing Yi, Hua Dan, Wu Dan, Dao Ma Dan, Lao Dan, Tie Dan, Boudoir Dan and other roles. All of them are female.

Tsing Yi: Mainly singing, playing the role of a good wife and mother.

Hua Dan: Most of the women with lively personalities are performed, and there are also some tragedies and villains.

Flower shirt: between Tsing Yi and Hua Dan, comb the hair in ancient costumes (such as the head shape in the ancient ladies' paintings).

Wudan, Dao Ma Dan: Women who are good at performing martial arts.

Lao Dan: Singing with this noise, mostly middle-aged and elderly women.

3 Net line Abbreviated as "net", also known as flower face. The net angle refers to the flower-faced characters of the face painting color map, which does not seem to be clean, so it means that the net line is divided into the following roles: the copper hammer flower face and the blackhead flower face that are mainly singing; The shelves are mainly used for the work frame, such as generals, monks, green forest heroes, martial arts faces and beating faces.

The copper hammer flower face is called Zhengjing, the shelf flower face is called vice jing, the martial arts flower face is called Wujing, and the face of Wu Erhua is red and clean, and they all have different characteristics in the performance style.

4 Episodic "Last". Most of the people in this industry are middle-aged and above. In fact, the last line specializes in the function of leading the play, such as the first appearance, which is called "the end" in the opposite sense.

In modern times, because the "end" line of many dramas has gradually been classified into the "life" line, "life, dan, purity, and ugliness" are usually regarded as the four basic types of the industry.

5 Ugly Lines Abbreviated as "ugly". In the play, the ugly line hooks the face, and the sketch of the "three-flower face" is very different from the flower face.

Ugly deeds are also ugly and ugly. Wen Chou is divided into square scarf Chou (literati, Confucianism); Wu Chou, specializing in martial arts roles such as falling, hitting, flipping, and fluttering.

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The opera characters have five corners: life, dan, net, end, and ugly.

1. Shengjiao: one of the main professions of Chinese opera performance. It generally refers to male characters other than clean and ugly. The name of life was first seen in the Song and Yuan Southern operas, referring to the male protagonist in the play, and the Yuan miscellaneous drama.

The end of the is quite. After the Qing Dynasty, it evolved into four branches: old, small, outer and last. According to the attributes, personality traits and performance characteristics of the characters they play, they can be roughly divided into old students, small students, foreign students, end students, martial arts students, doll students and other categories.

2. Danjiao: In Peking Opera, Danjiao is a female character, and there is Tsing Yi (Zhengdan) in Danxing.

Flower shirts, flower dan, knife and horse dan.

Wudan, Lao Dan.

3. Net angle: In Peking Opera, the net angle is the character with some peculiar appearance quality, commonly known as the flower face. The patterned face makeup outlined in various colors is the prominent symbol, showing the rough, strange and heroic characters in character and temperament.

This kind of character should have a broad and grand timbre in performance, a thick and vigorous singing, a thick and distinct action modeling, a large "color block", a large opening and closing, and a magnificent bearing.

4. The last corner: The last corner in Peking Opera is the introduction of the middle-aged male character. In the Northern Miscellaneous Opera, the end is called "Mo Ni" or "Mo Nise", which generally refers to the positive angle of the end of the book, which is the same as the "sheng" called in the Song and Yuan Dynasty miscellaneous dramas, but has a different meaning from "end".

In addition to serving as the newspaper station and introducing the plot synopsis and the opening of the theme of the play, Song Yuannan also played a secondary role with low social status in the play.

5. Harlequin: that is, gags and mediocre characters. (small flower face or three-flower face), is a comedic character, sketching the face between the bridge of the nose and eye sockets, and mostly plays a funny and funny character.

In the performance, he generally does not repeat the singing, and the speech is clear and fluent. It can be divided into ugly.

and Wuchou two branches.

The opera characters are divided into: Sheng, Dan, Jing, End, and Ugly.

1. Sheng: refers to males, divided into: Xiaosheng, Laosheng, Wusheng, and Dollsheng.

Sheng: One of the main types of opera performances, mainly male characters, there are old students, young students, and martial artists.

1. Wusheng, a role that is good at martial arts;

2. Lao Sheng, also known as Su Sheng, wears a beard (mustache) and plays a middle-aged man or above;

3. Xiaosheng, a relatively young character, does not wear a beard.

Second, Dan: refers to women, divided into: Hua Dan, Dao Ma Dan, Lao Dan, Tsing Yi.

Dan: One of the main types of opera performances, mainly female characters, there are five branches: Zhengdan, Huadan, Wudan, Lao Dan and Caidan.

1. Tsing Yi (Zhengdan), playing a dignified, serious and decent role;

2. Hua Dan can be divided into leap mendan, playing mendan, spicy dan, assassinating dan, and playing the role of young women;

3. Lao Dan, who sings and does Gong Lao Dan, plays the role of an elderly woman;

4, Wudan, which is divided into short fights and long Wudan (Dao Ma Dan) to play the role of a woman who is proficient in martial arts.

5, Cai Dan is commonly known as the ugly woman, the performance and makeup are very exaggerated, and she is a comedic role based on funny and witty performances.

Three, net: refers to the male face.

Net: One of the main types of opera performances, commonly known as flower faces. There are branches such as large flower face and two flower face.

The net angle is marked by facial makeup using various colors and patterns to outline the face, mainly showing or rough and heroic; or strong and upright; or insidious and vicious male characters with different personalities. It can be divided into three categories: positive net, vice net and wujing.

Fourth, last: refers to older men.

The last row plays a middle-aged man or above, most of whom have beards. It is also subdivided into old students, old students, and foreigners.

Lao Sheng: The role played is mainly a middle-aged man with a positive character.

Last: Generally play a middle-aged man who plays a smaller role than the old student in the same play. The first performance of the whole legend of traditional Kunqu opera is, as usual, the opening of the lyrics and songs of the vice end.

Fifth, ugly: refers to the clown: divided into literary ugly and martial ugly.

Ugly: One of the main types of opera performances, it is a comedy role, also known as a small flower face. According to the identity and personality of the characters, it is divided into two branches: Wen Chou and Wu Chou.

Or called small flower face, three flower face, ugly behavior is characterized by the bridge of the nose with white powder coated with a piece of powder; Ugly deeds play both negative and positive characters.

The three major characteristics of the art of opera are comprehensiveness, virtuality, and programmaticity.

1. Comprehensiveness.

1. Chinese opera is a highly comprehensive national art. This synthesis is not only reflected in its integration of various artistic disciplines to create new ideas, but also in its exquisite and profound performing arts.

2. A variety of different artistic factors are closely integrated with the performing arts, and the full function of opera is realized through the performance of the actors. Among them, the organic composition of singing, reading, doing, and hitting on the actors is the most concentrated and prominent embodiment of the comprehensiveness of opera.

3. Singing, referring to singing techniques; Nian, that is, chanting white, is a recitation technique; Do refers to doing work, which is the technique of body and expression; Da refers to the martial arts movements in the performance, which is a combination of dance-based martial arts skills formed on the basis of the basic finger segments of traditional Chinese martial arts.

2. Programmatic.

1. The program is the expression of opera reflecting life. It refers to the standardization, dance, and reuse of life movements. The program is directly or indirectly involved in life, but it is formed by refining, generalizing, and beautifying life according to certain norms.

2. There are fixed formats for closing the door, pushing the window, getting on the horse, boarding the boat, going upstairs, etc. in the opera performance. In addition to the performance program, there are certain programs in the form of the script, the role of the line, the singing, the makeup and costumes and other aspects.

3. Excellent artists can break through some limitations of the comic program and create their own personalized standard art and reputation skills. Programs are a model of beauty.

3. Virtuality.

1. Virtuality is the basic technique of opera to reflect life. It refers to the performance of actors, using a deformed way to compare the real environment or object, so as to express life. The virtuality of Chinese opera is first manifested in the flexibility of the processing of stage time and space.

2. Secondly, in terms of specific stage atmosphere scheduling and actors' simulation of certain life actions, such as wind and rain, boat walking, threading needles, etc., more concentrated and more distinctly reflect the virtual characteristics of opera.