Pastoral Music Part 6 Wang Wei feels what kind of mood the poet has

A state of mind that is close to nature and close to nature.

The sixth pastoral joy expresses the poet's quiet and comfortable state of mind when he lives in the countryside. In the poem, he creates an image of a "mountain guest" who is leisurely, retreating, and indisputable.

Pastoral music is a group of poems composed of seven six-character quatrains, which shows the pleasure of the author Wang Wei retreating to the Rim River villa and getting close to nature, so the title is "Six Words of Rim River".

Pastoral Joy 6 expresses the poet's mood, is the love of pastoral life and the yearning for pastoral life, very beautiful.

It expresses the poet's quiet and comfortable state of mind when he lives in seclusion in the countryside.

Pastoral music (the sixth).

Wang Wei The peach color is full of rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

<> from the perspective of Western psychology, the so-called imagery refers to the memory of sensory consciousness, that is, the result of any external world or one's own phenomena being perceived and conscious through the senses, usually composed of various specific sensory impressions: color, sound, taste, smell, cold and heat, movement and stillness, touch, etc.

From the perspective of the composition of the Chinese lexicon, as a compound noun that first abstracts and then concrete, imagery obviously mainly includes: abstract subjective "meaning" and concrete and objective "image", which is the harmonious blend and dialectical unity of "meaning" (the poet's subjective aesthetic thoughts and aesthetic feelings) and "image" (the scenes, things and scenes of real life as aesthetic objects).

Imagery is the elevation of objects, it gives the poet more subjective color, it is less copying than the image, more creation, it is the dynamic power of the poet's personality and emotions and the integration of all things, it is the aesthetic image that has been comprehensively transformed and reassembled by the poet. Integrate the virtual and the real, turn the scenery into feelings, so as to achieve the purpose of drawing the reader's feelings with the artistic image of combining the virtual and the real and the scene together.

For example, in "Xinyiwu", "wood powder hibiscus flowers, red calyx in the mountains." The stream is lonely, and they open and fall. It is no wonder that Hu Yinglin wants to say that this poem is a work of "entering Zen", "reading the life and experience of forgetting, and all thoughts are silent".

Another example: in "Mountain Dwelling Autumn Twilight", "the bright moon shines among the pines, and the clear spring stone is upstream." This method of depicting only the scenery and placing all the feelings in the scenery without directly revealing it at all is the method of "replacing the virtual with the real and hiding the feelings in the image", which can often receive the aesthetic effect of "the language is not full of feelings and the feelings are infinite".

As Wang Guowei said: "All scenery is love." The predecessor's comment that "Wang Youcheng is like a hibiscus in autumn water, leaning on the wind and laughing at himself" is the most appropriate.

He is good at discovering and capturing the image characteristics and states of natural scenes, composing and selecting colors with the painter's painting skills, and integrating the poet's unique emotional experience, aesthetic feelings and spiritual realm of nature into the scenery, creating a quiet and elegant artistic realm.

He expressed his love for freedom, because he has always had his own unique understanding and pursuit of freedom.

It expresses his longing for his hometown, and also expresses his thoughts and feelings about his hometown. And also expressed his thoughts and feelings of yearning for a better life. Wang Wei is a very good poet who has written many excellent ancient poems, and many people like him very much.

As a poet of the pastoral school of landscapes, Wang Wei's poems express his yearning for pastoral life and longing for his hometown.

It depicts a vision. "Under the mountain" does not refer to the near mountain, but to the distant mountain, because there is a "distant village" as a companion under the mountain. It can be seen that the "distant village" implies the distant mountains.

And this mountain is adjacent to the "edge of the sky", so it can be seen even more far. Judging from the rendered atmosphere, there is no hustle and bustle of the city, only sparse villages. Although the poet does not show the activities of the characters in a positive way, he brings out the people from the ignition of the word "lonely smoke".

This shows that it is very sparsely populated. In particular, "Dushu" and "Lonely Smoke" are opposite, and "Plateau" and "Far Village" are connected, which makes it even more desolate and lonely. Here, the poet paints the distant mountains of the north, which have obvious local characteristics.

On the picture, the colors are thin. At most, you can comprehend that the lonely smoke in the distance still has a wisp of light gray, and the plateau on the horizon seems to have a layer of pale yellow. In this quiet world, there are Yaxing like Yan Hui and Tao Qian, how comfortable and free.

If you don't have the cultivation to the extreme, you can't achieve this wonderful state.

"Pastoral Music" is a group of poems composed of seven six-character quatrains, the title of which is "Six Words of Gongchuan", which was written when the poet retired to Gongchuan and said goodbye. In Wang Wei's pen, this poem is like a sparse and light ink painting.

"Lonely smoke and remote village under the mountain", wash away the strife in the world, there is no interference from the outside world, only the tranquility of nature. The poet indulges, appreciates, and revels, throws himself into the embrace of nature, and becomes one with nature. The poet's mountain, lonely smoke, distant village, skyside, lone tree, and plateau all beat the poet's pulse, echoed the poet's voice, and the poet's soul.

Thus, nature is personified. Wang Wei's depiction of nature reflects Wang Wei's diluted mood. The poet dissolves himself into nature.

This ablation means dilution. The poet is not transcendent from the outside of things, but integrated into things. What the poet pursues is this ethereal realm of selflessness, selflessness, and selflessness.

This phenomenon of giving nature the personality of a poet, this practice of turning rough nature into human nature, is the expression of Wang Wei's love for life.

The peach color contains the rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

The first and second sentences "the peach color contains the rain, and the willow green is more smoky", which depicts a picture of spring - the petals of the peach blossoms are slightly covered by overnight raindrops, making the color of spring more soft and lovely; The turquoise willow silk is wrapped in a vague morning mist, making the form of spring more charming.

It depicts a rural idyllic picture in early spring. In the smoke and rain, in the peach blossoms, this view is indeed very beautiful. Therefore, Wang Wei's poems have the beauty of painting.

Pastoral music expresses the poet's laid-back emotions.

Tian Yuan Le Tang) Wang Wei.

The peach color contains the rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

Explanation of the poem] The red peach petals still contain the raindrops of last night, and the willow trees after the rain linger in the morning smoke. The petals that were knocked down by the rain last night have not been cleaned by the children, the yellow warblers are crying, and the mountain guests are still sleeping.

Poetry Appreciation] This poem describes the beautiful scene of picking up the old in the early morning after the rain on a spring night, expressing the poet's leisurely mood.

The description in the poem is painted with shapes and colors, from the scenery to the feelings, and there are paintings in the poems. "Pink", "willow green", "flowers falling", "warbler crying", the poet grasps the characteristics of spring, and depicts a picture of spring with dark willows and bright flowers, fresh and lonely. The whole poem is neat and neat, and the rhyme is sonorous.

Wang Wei's use of the artistic dialectic of using movement against stillness and movement in stillness can be described as perfect. The swaying and colorful tranquil beauty of the poem, which comes from the "interest outside the image", expresses a special interest and meaning in the natural scenery and pastoral life. The "moving" filial piety in Wang Wei's landscape poems is only an artistic means, and describing and expressing the quiet and beautiful realm of the fields and forests in nature is the main purpose of his landscape poems.

As a dynamic means of art, its purpose and function is to serve the creation of a quiet artistic conception in order to create a certain artistic effect.