The origin of the Spring Festival couplets paper, and what period did the earliest Spring Festival c

In ancient and modern times, it is recognized that Cai Lun, a eunuch in the early Eastern Han Dynasty, was the inventor of papermaking.

According to Fan Ye's "Book of the Later Han", it is recorded:"Cai Lun, the word Jingzhong, Guiyang people also. ......Since ancient times, the book deed is mostly compiled with bamboo slips, and its use of silk is called it'paper'。

It is expensive and simple, and it is not convenient for people. Lun is a creative idea, using tree skin, hemp and cloth, and fishing nets as paper. In the first year of Yuanxing, it was played.

The emperor is good at his ability, and he is indispensable to use, so the world is called Cai Hou paper. "

This is the earliest record of papermaking in historical documents. From the records, we can see that the raw materials used in Cailun papermaking are bark, hemp, old cloth, fishing nets and other low-cost materials, so that the cost of paper is low, and it has been quickly popularized and applied.

However, there are also some documented examples of the use of paper before Cai Lun. For example, in Bangu's Book of Han, there is a record of the use of paper to wrap medicine before 12 BC. In particular, since the beginning of this century, the Western Han paper unearthed in Gansu Tianshui Fangmatan, Dunhuang Maquanwan Fengsui Site and Dunhuang Tianshuijing Hanhangquan Post Site has proved that the use of paper appeared in the Western Han Dynasty long before Cai Lun invented papermaking.

This was about 170 years before Cai Lun invented papermaking.

It can be seen that paper was invented as early as the Western Han Dynasty, and the quality of paper at that time was poor and could not be used for writing, and the quality of paper was improved in the late Western Han Dynasty. It is on the basis of this papermaking technology that Cai Lun has improved the raw materials and processes to produce high-quality paper, especially Cai Lun has expanded the raw materials for papermaking, and has provided conditions for the widespread use of various plant fibers to make paper in the future.

In 105 AD, Cai Lun's paper has been able to meet the requirements of writing, for Cai Lun, the purpose of papermaking is to replace wood, bamboo slips, silk and other writing, recording text materials, due to the advantages of light paper, low quality, has been widely used.

At the end of the Eastern Han Dynasty, papermaking technology surpassed Cai Lun's papermaking.

In the 4th century of the 2nd century AD, bamboo slips, silk and paper were used together, and due to the continuous improvement of the quality and production of paper, paper became an indispensable writing material for literati as a writing material.

There are few historical records about the ancient Chinese paper-making method, but in terms of the paper-making process and its principle, there has not been much substantial change in the 2,000 years since its invention. In summary, the following points can be summarized:

The first is to soak the felled plants, such as hemp plants, with water, peel their skins, then chop them with a knife, boil them in a pot, and then soak them and step on them after they are cooled, and stir them with sticks to break and thin their fibers.

The second is to mix with auxiliary materials to make pulp.

The third is to use a papermaker (bamboo curtain and the like) to copy and dry, which can be made into paper.

Hello, Xiaohe is honored to answer for you, the answer to the origin of the Spring Festival couplets is: Spring Festival couplets, also known as "spring stickers", "door pairs", "couplets", is a kind of red festive elements pasted during the New Year. It depicts a beautiful image and expresses good wishes in neat, concise and exquisite words, which is a unique literary form of Chinese banquet and an important custom of the Chinese people to celebrate the New Year.

When people paste New Year's red (Spring Festival couplets, blessing characters, window flowers, etc.) at the door of their homes, it means that the Spring Festival officially kicks off. Every Spring Festival, whether in the city or in the countryside, every household has to pick up the beautiful red spring couplets and paste them on the door, and the chain Xiangdong bids farewell to the old and welcomes the new, increasing the festive atmosphere. The other ** of the Spring Festival couplets is the spring shed dry sticker, the ancients pasted the word "Yichun" on the beginning of spring, and then gradually developed into the Spring Festival couplets, expressing the good wishes of the Chinese working people to ward off evil spirits and eliminate disasters and welcome auspiciousness.

The earliest Spring Festival couplets came from the Spring and Autumn Period and the Warring States Period. During the Spring and Autumn Period and the Warring States Period, there was the prototype of the Spring Festival. The "peach stalk" that arose at that time was the original Spring Festival couplet.

The peach stalk is to use the peach wood to depict the gods, Yu Lei two gods and gods mold bend, used to drive away filth and evil spirits, to later, the peach stalk continued to standardize, evolved into a rectangular peach wood board that is six inches long and three inches wide on both sides of the gate. After several evolutions, it has formed two major contexts: door gods, New Year paintings, spring posts, and spring couplets.

Spring couplets are also known as couplets, couplets, divided into upper and lower couplets, commonly known as pairs, the pasting method of spring couplets pays attention to symmetry. Now the spring couplets pasted on the gate are generally called the door couplet, and the two doors pasted on the yard are called heavy door couplets.

Spring Festival couplets are a unique literary form in China, and they are also a way to inherit traditional customs, representing the continuation of traditional culture in China. The Spring Festival couplets have the traditional folk functions of praying for blessings and decorating residences, reflecting the customs and beliefs of the people, and placing people's hopes for the future.

Every Spring Festival, whether in the city or in the countryside, every household should pick up beautiful red spring couplets and paste them on the door to bid farewell to the old and welcome the new year, increasing the festive atmosphere.

The earliest Spring Festival couplets came from the Spring and Autumn Period and the Warring States Period.

Spring Festival couplets, also known as "spring stickers", "door pairs", "couplets", is a type of red festive element "New Year's Red" pasted during the New Year. It depicts a beautiful image and expresses good wishes in neat, concise and exquisite words, which is a unique literary form in China and an important custom of the Chinese people to celebrate the New Year.

Spring Festival couplets, originated from the peach fu (Zhou Dynasty hanging on both sides of the gate of the rectangular peach board), according to the "Hou Han Shu Etiquette Chronicles", the peach charm is six inches long, three inches wide, the peach wood board is written on the ghost god "Shen Tu", "Yu Lei" name. "On the first day of the first lunar month, the peach charm is in the household, the name is immortal wood, and the ghosts are feared. Therefore, it is recorded in the Qing Dynasty's "Yanjing Shi Sui Ji":

Spring couplets, that is, peach charms. "Five dynasties and ten kingdoms, in the court, someone inscribed a couplet on the peach symbol, "Song History, Shu Family" said: Later Shu lord Meng Chang ordered the bachelor Xin Yinxun to inscribe the peach board, "with its non-work, self-appointed pen inscription cloud:

New Year's Yuqing, Jiajie Changchun', this is China's first Spring Festival couplet. However, different historical sources of the Song Dynasty have different accounts of this, and some say that it was written by Xin Yinxun or Meng Chang's son Meng Zhe. Until the Song Dynasty, the Spring Festival couplets were still called "peach symbols".

Wang Anshi's poem has the sentence "Thousands of households always replace the new peach with the old one". In the Song Dynasty, the peach charm was changed from peach wood board to paper, called "spring sticker" and "spring couplet". This custom began in the Song Dynasty and became popular in the Ming Dynasty, and in the Qing Dynasty, the ideological and artistic qualities of the Spring Festival couplets have been greatly improved.

Categories: Culture Art >> Folklore.

Analysis: Spring Festival couplets, in ancient times, were known as "peach charms" and "door stickers". Five generations ago, the ancients used two pieces of peach wood to write the names of the gods and the two gods on the New Year, and hung them on both sides of the door.

According to legend, Shen Tu and Yu Lei are brothers, both of whom are gods, and their families live under the big peach tree that shouts on Dushuo Mountain. The big peach tree curved crickets for three thousand miles, ten thousand ghosts.

The ghost gate in and out of the northeast is guarded by the gods and Yu Lei. As for the evil spirits, they tied them up with reeds and gave them to the tigers to eat. So from time immemorial, people often be.

On Chinese New Year's Eve, the peach people are erected, ropes are hung, and gods, yulei and tigers are painted to show that they drive away ghosts and suppress evil spirits. In the fifth dynasty, Meng Chang of Houshu began to inscribe couplets on peach stalks.

Language, he wrote "New Year's Yuqing, Jiajie Changchun" is the earliest Spring Festival couplets in China. By the time of the Song Dynasty, the Spring Festival couplets had been very popular and disturbed, therefore, the Song Dynasty.

Wang Anshi also specially wrote a poem entitled "Yuan Ri", "In the sound of firecrackers, the spring breeze sends warmth into Tusu." Thousands of households have pupils and pupils, and always put new peaches.

Swap the old one". Zhu Yuanzhang, the Ming Taizu of the Ming Dynasty, vigorously advocated the posting of the Spring Festival, according to the "Hairpin Yunlou Miscellaneous Words": "The imperial capital Jinling, before Chinese New Year's Eve, slowly brought annihilation.

Purpose, the door of the public secretary must add a pair of Spring Festival couplets at the door of the house, and the emperor will go out to watch". Since then, the Spring Festival couplets have gradually become the custom of the whole nation.