The origin and origin of the Spring Festival couplets, the origin and origin of the Spring Festival

The traditional custom of sticking Spring Festival couplets during the New Year actually originated from the stickers of our ancients and hanging peach charms.

According to a monk named Wang Jia in the Eastern Jin Dynasty, it was recorded in the "Collected Notes" that in the Tang Yao era in ancient times, the people were already sticking chickens. It's just that the chicken mentioned here is actually a kind of bird that looks like a chicken, called a heavy bird

The Chinese people or carved wood, or cast gold, for this bird, placed between the portals, then the charm and ugliness naturally retreated.

Later, it was passed down as a custom.

By the time of the Wei, Jin, Southern and Northern Dynasties, according to Liang Zongyi's record in the "Jing Chu Years Chronicles", this custom had evolved into:

Draw the chicken on the door, hang the reed on it, insert the peach charm next to it, and the ghosts are afraid of it.

That is, the wooden board engraved with the heavy bird is pasted on the top of the door, and then a rope made of reeds and grass is hung, and a peach charm is inserted next to it.

In addition, the ancients at that time would also:

Make a peach board, paint two gods, and stick to the left and right.

Choose peach wood to make two boards, draw two statues of "Shen Tu" and "Yu Lei" on them, and then paste them on the left and right sides of the door. In fact, this is the prototype of the Spring Festival couplets for the New Year, but at that time, no one had written a pair on the peach charm or peach board.

Legend has it that peach wood has the effect of warding off evil spirits, so during the Zhou Dynasty, people hung the peach talisman with the names of "Shen Tu" and "Yu Lei" on the door to remove the ghosts. In the Five Dynasties, couplets began to appear on the peach symbols, and during the Ming Dynasty, the folk custom of pairs became popular, and the names of couplets began to appear from this time. Tianqi.

There are two theories about the origin of the Spring Festival couplets: 1. The Spring Festival couplets ** are peach symbols. According to the Book of Etiquette of the Later Han Dynasty, the peach charm is six inches long, three inches wide, the ancients used the peach wood board to write the names of the two gods of "Shen Tu" and "Yu Lei" respectively, or painted the images of the two gods on paper, hanging, embellishing or posting at the head of the door, intended to pray for blessing and spring to extinguish disasters, it is said that the peach wood has the effect of suppressing evil spirits and driving away ghosts.

2. Spring Festival couplets ** in the spring paste, the ancients pasted the word "Yichun" on the beginning of spring, and then gradually developed into the Spring Festival couplets, expressing the good wishes of the Chinese working people to ward off evil spirits and eliminate disasters and welcome auspiciousness.

Generally, the Spring Festival couplets are pasted on the 29th or 30th of the lunar month, and they can be torn after the fifteenth day of the first month, that is, after the New Year. The time requirements for tearing the Spring Festival couplets are not as strict and concentrated as the Spring Festival couplets, which will vary in different places, and most families will not tear the Spring Festival couplets, but will only wait until the next year to tear the Spring Festival couplets. Every year during the Spring Festival, every household pastes red Spring Festival couplets on the door, which adds to the festive atmosphere.

The predecessor of the Spring Festival couplets was called the peach symbol. Spring couplets originated from the peach charm, that is, the rectangular peach wood planks that hung on both sides of the gate in the Zhou Dynasty. According to the Book of Etiquette of the Later Han Dynasty, the peach charm is six inches long and three inches wide, and the names of the ghost gods "Shen Tu" and "Yu Lei" are written on the peach board.

On the first day of the first lunar month, the peach charm is made to the household, the name is immortal, and the ghosts are afraid. ”

"Peach Fu" is really called "Spring Festival Couplet", which is a matter of the Ming Dynasty. According to the Ming Dynasty literati ** Zhan record, "the Spring Festival couplets were set up from the beginning of the Ming Taizu." The imperial capital Jinling (present-day Nanjing), before Chinese New Year's Eve, do not pass the decree, the public secretary Shishu's house, the door must add a pair of Spring Alliance, and the emperor Weixing is out to watch.

Ming Taizu Zhu Yuanzhang not only traveled in person to watch the laughter, but he also personally wrote the Spring Festival couplets to the bachelor Tao An and others. The emperor's advocacy made the Spring Festival couplets flourish day by day, and finally formed an enduring fashion.

According to legend, in the "Classic of Mountains and Seas" in ancient Chinese mythology, there is a world of ghosts, with a mountain in the middle, and there is a big peach tree covering 3,000 miles on the mountain, and there is a golden rooster on the treetop. Whenever the golden rooster crows in the morning, the ghosts that wander out at night will drive back to the ghost realm. The gate of the ghost domain is located in the northeast of the peach tree, and there are two gods standing by the door, named Shen Tu and Yu Lei.

If the ghost did something terrible at night, Shen Tu and Yu Lei would immediately find out about it, catch it, tie it up with a rope made of mango reeds, and send it to feed the tiger. Therefore, the ghosts of the world are afraid of the gods and gloom. So the people carved their appearance with peach wood and placed it at the door of their house to ward off evil and prevent harm.

Later, people simply carved the names of Shen Tu and Yu Lei on the peach wood board, believing that this could also suppress evil and eliminate evil.

This kind of peach plank was later called "peach charm". In the Song Dynasty, people began to write couplets on the peach board, one does not lose the meaning of the peach wood to suppress evil, the second expresses their good wishes, and the third decorates the portal in order to be beautiful. Couplets are also written on red paper symbolizing joy and auspiciousness, and pasted on both sides of doors and windows on the occasion of the New Year to express people's good wishes for good fortune in the coming year.

Summary. Kiss. The origin and historical origin of the Spring Festival are:

Spring Festival couplets, also known as Spring Festival couplet poems, originated in the Tang Dynasty, mainly referring to the auspicious and blessed sentences written on the lintel with bamboo slips before the Spring Festival on the fifteenth day of the first lunar month. In ancient times, a Spring Festival couplet was hung at the door of the house, which was the best form of auspicious celebration and a symbol of the cultural accomplishment of the common people. Spring Festival couplets originated in the Tang Dynasty, and at that time it had become a part of festival culture and literature such as lantern riddles, couplets, and couplets, and was a way for the ancients to express their sweet emotions.

With the development of the times, the content of the Spring Festival couplets has gradually developed from the initial declarative text to the changes of overlapping words, counting words, and ghostly workmanship. To this day, Spring Festival couplets are still widely used in traditional festivals and are an important part of traditional culture.

Kiss. The origin and historical origin of the Spring Festival are: Spring Festival couplets, also known as Spring Festival couplet poems, originated in the Tang Dynasty, mainly referring to the auspicious and blessed sentences written on the lintel with bamboo slips before the Spring Festival on the fifteenth day of the coarse month.

In ancient times, a Spring Festival couplet was hung at the door of the house, which was the best form of auspicious celebration and a symbol of the cultural accomplishment of the common people. Spring Festival couplets originated in the Tang Dynasty, and at that time it had become a part of festival culture and literature such as lantern riddles, couplets, and couplets, and was a way for the ancients to express their sweet emotions. With the development of the times, the content of the Spring Festival couplets has gradually developed from the initial declarative text to the changes of overlapping words, counting words, and ghostly workmanship.

To this day, Spring Festival couplets are still widely used in traditional festivals and are an important part of traditional culture.

Kiss. Spring Festival couplets have a long history, originated from ancient Chinese culture, as early as the Yuan Dynasty has been recorded The main content of the Spring Festival couplets is to pray for the health <>of the family in the New Year, all the best, etc

There is also a pro-Spring Festival couplet** in the peach charm, which is used to ward off evil spirits. Spring Festival couplets ** in the peach fu, in the "Hou Han Shu Etiquette Chronicles" record, the peach fu is six inches long, three inches wide, and the peach wood board is written "Shen Tu" and "Crack Pei Yu Lei" two gods. On the first day of the first lunar month, the peach charm is made, the name is immortal, and the ghosts are afraid.

When the five chambers were combined, in the court of Xishu, someone inscribed couplets on the peach symbol. The Qing Dynasty's "Yanjing Shi Sui Ji" said: "The Spring Festival couplets are the only peach charms that are round."

After the Eastern Han Dynasty, the cultural rituals supporting the door god were formed, and the door god was strengthened to drive away evil spirits and ward off ghosts, protect the family house, keep peace, help utilitarianism, and reduce auspiciousness

Hello: The origin of the Spring Festival couplets is that the Spring Festival couplets are the red festive elements pasted during the New Year, "New Year's Red", a round of the species, it depicts a beautiful image with neat, concise and exquisite words, and expresses good wishes, which is a unique literary form in China and an important custom of the Chinese New Year. When people paste New Year's red (Spring Festival couplets, blessing characters, window flowers, etc.) at the door of their homes, it means that the Spring Festival officially kicks off.

One said that the Spring Festival couplets ** are in the peach symbol. According to the record of Chapi's "Book of Etiquette of the Later Han Dynasty", the peach charm is six inches long and three inches wide, and the two gods of "Shen Tu" and "Yu Lei" are written on the peach board. "On the first day of the first lunar month, the peach charm is made into the household, the name of the fairy tree, and hundreds of people are afraid.

In the five dynasties, in the court of Xishu, someone inscribed a couplet on the peach symbol. The Qing Dynasty's "Yanjing Shi Sui Ji" said: "The Spring Festival couplets are peach charms."

Another ** of the Spring Festival couplets is the spring sticker, the ancients pasted the word "Yichun" on the beginning of spring, and then gradually developed into the Spring Festival couplet, expressing the good wishes of the Chinese working people to welcome auspiciousness.