There are several major pieces of percussion in Peking Opera, and what percussion music is in Peking

Three big gongs, cymbals, and small gongs.

Peking Opera percussion instrument.

Four major pieces 1, board: three sandalwood boards.

2. Drums: small drums (single skin), big drums (hall drums, flower pot drums) 3, gongs: sieve gongs, opening gongs, large gongs, tiger sound gongs, imitation Su gongs, Wuyin gongs, small gongs, gongs 4, cymbals: cymbals, Ding cymbals, Qi cymbals, small cymbals.

The percussion music includes boards, single skin drums, tang drums, big gongs, small gongs, cymbals, cymbals, cymbals, bells, cloud gongs, hail rot base cymbals, bangzi, etc. They are mainly used to set off the dance movements of the actors, especially to set off and render the atmosphere of martial arts.

According to Mr. Xu Lanyuan, Mei Lanfang's pianist, the orchestra of Peking Opera is divided into three major pieces of the literary field and three major pieces of the martial field, also known as the three pieces of the literary field and the three pieces of the martial arts, collectively referred to as the six performances, so the musicians who are called good are the six fields transparent. The three major pieces of the literary field are Jinghu, Yueqin, and strings, and the three major pieces of the martial arts field are single-skin drums, large gongs, and small gongs.

And there is no literary field, there is no erhu, and there is no cymbals in the martial arts field. This is because the erhu is a musical instrument that Mei Lanfang, Xu Lanyuan, and Wang Shaoqing added after joint research in the twenties of the twentieth century, which is far from the age when the three major pieces were formed. In the past, cymbals were not in charge of cymbals, but were managed by playing the moon harp, and the way to play cymbals was to place a cloth pad on one side on the table, and on the other hand, a person held it, and then hit the cymbals on the table with the cymbals in his hand.

The establishment of full-time cymbal players was also a matter of the twenties, when it was limited to martial arts, and the use of full-time cymbals in literary dramas was even later. It is said that Lao Tan has never used full-time cymbals in his life. At the same time, the Jinghu hand of Wen Sanchang has to take charge of the flute, suona, and siren; The lyreist is in charge of the suona, flute and cymbals; Substitute pipes for playing strings, suona, sirens and tanggu.

The big gong player and cymbal pot of the three fields, the small gong player and the cymbal and inspection field, and the drummer and the lobby drum. It can be seen that the so-called"Three major pieces"It's very strict, and you can't just position it.

There are flutes, moon qins, big gongs, small gongs, pipa and erhu, in fact, I think the effect is quite good, and it can perform Peking Opera to the fullest.

Single-skin drum, also known as small drum. It's all very good. It is a percussion and orchestral conducting instrument, and is played with two thin bamboos (commonly known as drums and arrows, drum sticks).

The method of conducting is with a kick drum, sometimes combined with gestures, and various instruments are played along with its conduct. When singing, the auxiliary board beats the rhythm. The drummer and board are called drummers (i.e., drummers).

There are pipa, erhu and qin, which have a good effect in the play, and can well express the emotional turns of the characters in the play.

Chapter 1 Peking Opera Drum Board.

Section 1 How to play the drum board.

1. Drum board and accessories.

2. Preparation before the drum board is played.

3. Several ways to play drums.

Fourth, the basic requirements of the drummer's skills.

Fifth, the performance method of sandalwood.

Section 2 Drum board double pole exercises.

Section 3 Drum board single pole shoulder board exercise.

Chapter 2 Peking Opera Gongs and Drums.

Section 1 How to play the big gong.

Section 2 How to play cymbals.

Section 3 How to play the small gong.

Section 4 Example of Drum Board Performance.

Section 5 Peking Opera Gong and Drum Sutra.

Section 6 The application of gongs and drums in Bangzi, Hebei.

Section 7 Peking Opera Dry Brand Performance Method.

Section 8 Peking Opera Mixed Brand Performance Method.

First, the big gong mixed brand.

Second, the small gong mixed brand.

Chapter 3 Peking Opera Singing, Qupai Drum Sets.

Section 1 Overview of Drum Sets.

First, the basic structure of the drum sleeve.

Second, the basic program of the drum sleeve.

3. The reproduction of drum sets.

Section 2 Peking Opera Singing Drum Set.

1. [Original board] drum sleeve.

2. [Adagio] drum sleeve.

Section 3 Jinghu Qu card drum set.

Section 4 Peking Opera Kunqu Opera Drum Set.

Chapter 4 The Image Thinking of Peking Opera Percussion.

Section 1 The Image Thinking of Peking Opera Percussion.

Section 2 Composition and Characteristics of Percussion.

Section 3 Percussion Techniques and Its Role in Peking Opera Performing Arts.

1. Exaggeration and contrasting accompaniment.

1) Highlight the emotions of the characters.

2) Render the atmosphere of the stage.

3) Use contrasting techniques to obtain a unique stage effect.

2. Simulated accompaniment method.

3. Concluding remarks on the concise accompaniment method.