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The predecessor of Peking Opera is Hui Opera, which is one of the local operas in Anhui! The historical event of "the four major Hui troupes entering Beijing" is the starting point of the formation of Peking Opera, and it is also the mature period of Hui Opera, which integrates the advantages of other operas such as Qin Dialect, Blowing Dialect, Bangzi Dialect, Luo Luo Dialect, etc., forming a drama genre that focuses on Hui Tune and pays equal attention to singing, reading, doing and playing!
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Peking Opera itself originated in Beijing (Beiping), otherwise how to call it Peking Opera (Ping Opera)! In 1790, before the four major enlistment classes entered Beijing, they could only be called micro-dramas and Chinese dramas. It is only after entering Beijing that it is the main reason for the formation of Peking Opera because it is the basis for many other dramas, such as Kunqu Opera, even Sichuan Opera, Bangzi, Beijing's Beijing flavor elements, etc., and it is particularly suitable for Beijing's cultural atmosphere.
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Beijing, which is already miscellaneous; All sects and factions want to use Beijing to influence the whole country. Peking Opera is the result of the inclusiveness of the Hui troupe after entering Beijing. It is also in line with the Chinese civilization, and the Chinese civilization must rely on the place of survival.
Therefore, the resonance is a double harmony, one is long and the other is long, complementing each other. The rhythm of Peking Opera is as fast as the wind and the rabbit is slow, and the slow tone is like three sighs and nine songs, all of which are in line with the Confucian Taoist style that has been passed down in China for thousands of years; It is also in line with the cultivation of Confucianism and Taoism. A number of cases are comprehensive, and each has its own strength, and the great fetus of Peking Opera was born.
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Peking Opera is still different from many types of operas, and other famous operas are generally local folk **, after a long period of evolution, and finally formed. Peking Opera, on the other hand, is a combination of the two yellow tones of Hui opera and the western tone of Han opera, and then absorbs some characteristics of Kunqu opera, Qin dialect and other operas, which is directly formed.
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Peking Opera, once known as Ping Opera, is one of the five major opera genres in China, with Xipi and Erhuang as the main tones, accompanied by huqin and gongs and drums, and is regarded as the quintessence of China and the "top of the list" of the three tripods of Chinese opera.
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Peking Opera is the culmination of Chinese opera, which is the quintessence of the country, singing and dancing, stylizing the freehand, inheriting the excellent traditional Chinese culture, and dissolving into the spirit of Chinese aesthetics.
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Although he is a layman, he likes to listen to it very much. Peking Opera is a form of performance integrating a variety of stage arts (dance, martial arts, **, etc.), the theme contains the ancient and the modern, sings the domestic, faces the world, and has a mellow charm, which is one of the four quintessences.
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Known as China's "Four Famous Dans", Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun, Xun Huisheng. He is the founder of the four major art schools in China's Peking Opera Danjiaoxing. Their excellent art has left an indelible impression on people.
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Born and ugly, singing, reading, doing, fighting, hands, eyes, and steps, singing black and white, good and evil, love and hatred, singing all kinds of life, the rise and fall of history. It is the "madman" who sings the opera, and the "fool" who listens to the opera.
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The master of Chinese culture, the representative symbol of Chinese traditional culture, the art of the collection of the strengths of the people, the connotation of Chinese culture, the interpretation of the extreme, the form of everything to the beauty as the center!
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Mei Lanfang's appearance, Cheng Yanqiu's singing, Shang Xiaoyun's stick, Xun Huisheng's waves. So I like Cheng Pai the most, almost Cheng fans.
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I don't know anything about it, I just like to listen to Zhou Xinfang, Ma Lianliang, and Yang Baosen.
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Because of Guo Degang and Deyun Club, the Peking Opera that I slowly came into contact with!
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When I listen to Peking Opera, it's like an old Tartar watching a play - I can't understand a word of kung fu in vain
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