What are the solo martial arts moves in Peking Opera, such as those like Ye Ben, which don t have sw

Rise to the top, go to the side, go to the horse, like Lin Chong night run is to walk the side of the action, such as Dingjun Mountain, Zhan Taiping and other plays, such as the horse such as washing the floating mountain and other short plays, walking side such as Wu Wenhua, Shi Xiu Tanzhuang, Centipede Ridge and other repertoire.

There are short fights with martial arts, such as Wu Song, and martial arts and ugly plays, such as stealing armor, stealing hooks, stealing chickens, etc.

Qin Qiong's "Night Run" is actually a copy of Kunqu Opera, maybe there are still Kunqu Opera.

Pick a pulley, three forks, three thieves, steal the treasury silver, steal the fairy grass, steal the hook, steal the armor, worship the mountain, block the horse, hit the shop, fight the tiger, run at night, hit the melon garden, hit Jiaozan, beat Meng Liang, hit Hanchang, make trouble, haunt the heavenly palace, haunt the dragon palace, eighteen arhats fight Wukong, eighteen arhats fight Dapeng, Changbanpo, Khanjinkou, Ba Luohe, Zhan Jizhou, borrow Zhao Yun, Hujiazhuang, Hongqiao gift pearls, Yanyang Building, Xu Liang was born, break the copper net array, wine beggars, money leopard, Gao Laozhuang, Qianyuan Mountain, three dozen Tao Sanchun, three thieves wine dragon cup, kill four, Gan Ning 100 cavalry robbed Wei Ying, Centipede Ridge, made a big fuss about Feiyunpu, drunkenly beat Jiang Men God, drunk and beat the mountain gate, Shuiman Jinshan Temple, Dapo Hongzhou, Great British Jielie, True and False Monkey King, Lion Tower, Pangut Battle, Nezha Troubled Sea, War Horse Chao, Xihuangzhuang.

Eight sledgehammers, pick pulleys, eighteen arhats fight Wukong, and Wu Song beats the shop.

Three-way crossing, blocking horses, stealing royal horses, and investing in stores.

Peking Opera is also known as role, which can be mainly divided into four major industries: Sheng, Dan, Jing, and Ugly.

1 Shengxing is referred to as "Sheng". Shengxing is divided into Susheng (old sheng), red sheng, small sheng, martial arts, doll sheng, etc. It is one of the important professions in Peking Opera.

2 Dan Xing is referred to as "Dan". It is divided into Tsing Yi, Hua Dan, Wu Dan, Lao Dan, Tie Dan, Boudoir Dan and other roles. All of them are female.

3 The net line is referred to as "net", also known as the flower face. The net angle refers to the flower-faced characters of the face painting color map, which does not seem to be clean, so it means that the net line is divided into the following roles: the copper hammer flower face and the blackhead flower face that are mainly singing; The shelf flower face is dominated by the work frame.

4 Ugly deeds are abbreviated as "ugly". In the play, the ugly line hooks the face, and the sketch of the "three-flower face" is very different from the flower face. Ugly deeds are also ugly and ugly.

The division of industries has a long history, about seven or eight hundred years ago, in the era of Yuan miscellaneous dramas, many lines were divided. At that time, the nouns of these trades were called foot colors, and they were roughly divided into three categories: end, dan, and net. The end is divided into the positive end, the outer end, and the rush, and the Dan is divided into the positive Dan, the outer Dan, and the Dan, and the net is divided into the net and the sub-net.

Peking Opera was divided into industries in the early days, including Tie Dan, which refers to the more minor role of Dan Xing, commonly known as Erdan, for example, the person who plays Miss Yingying in the Peking Opera "Red Lady" is Tie Dan. Husband, playing the role of coachman, sedan chair driver, horse boy, official and other roles. Generally speaking, these ten types of Chinese opera are divided into more detailed trades, laying the foundation for the division of Peking opera.

Peking Opera was later divided into four types: sheng, dan, jing, and ugly.

It seems to be relatively simple and concise, but within each category, there are several subcategories, so in fact, these ten kinds of trades are included. Not only included, but also more detailed and rigorous. The only difference is that although the Chinese drama has a life line, his main line is the same as the Yuan miscellaneous drama, which is still the end, not the life.

With the development of Peking Opera, Shengxing has become the main industry.

The old people listened to the opera with relish, and it seemed to them to be a natural sound, and the children were bored. With the development of the times, more and more science and technology are flooding our lives, and some traditional cultures have reached the point of precariousness. The increasingly impetuous society makes it difficult for people to calm down and experience the stories in Peking Opera, and people would rather use their mobile phones more when they have time.

Under the impact of modern culture, Peking Opera gradually declined.

The art of Peking Opera is one of the most symbolic symbols of traditional Chinese culture and a quintessential model of Chinese opera culture. Whether it is the colorful long, young, good, evil vivid and distinct faces, or the colorful Peking Opera costumes with the characteristics of the times; Whether it is the colorful, melodious melody of Peking Opera; is still the "four skills and five methods" with great artistic charm; Whether it is a colorful and brilliant performance program, or a colorful and distinctive genre; Whether it is the famous characters with their own merits, or the colorful storylines that deeply portray historical figures, ......All of these are permeated with the artist's hard work and profound skills in one minute on stage and ten years off the stage, all of which have a unique and fascinating infinite charm.

The inheritance of Peking Opera must be operated according to the rules, and only oral transmission can make the genre flourish, and the inheritance of the genre can only be achieved through the teacher's persuasion, guidance and repeated demonstration. However, we must see that not all that can be handed down can be accepted by the audience, for example, her slow pace is not popular and loved by contemporary young people.

This is precisely the problem of the revitalization and inheritance of Peking Opera in front of us. The broad audience is the fertile soil for the revitalization and inheritance of all operas, and without the audience, they are all water without a source and a tree without roots. In turn, all successful works of art feed, delight, and educate the audience, and become an inexhaustible spiritual food for the audience.

This complementary relationship is irreversible and irreversible at any time. The short-sighted behavior of social impetuousness, fluctuating people's hearts, and eagerness for quick success has become a huge interference in the revitalization and inheritance of opera. For the sake of fame and profit, the upside-down values of the cast and crew also directly distort the audience's appreciation concept.

The art of Peking Opera must have a foundation firmly rooted in the soil of the people, in order to give people eternal power and open the buds that will last for centuries.

Peking Opera, also known as Ping Opera and Peking Opera, is the most influential type of opera in China, with Beijing as the center and all over the country.

Since the 55th year of Qianlong in the Qing Dynasty (1790), the four major Hui troupes of Sanqing, Sixi, Chuntai and Hechun, which had been performed in the south, entered Beijing one after another, cooperated with Han tune artists from Hubei, and at the same time accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, and absorbed some local folk tunes, and finally formed Peking Opera through continuous exchanges and integration.

Peking Opera has a set of standardized artistic expressions in literature, performance, stage art and other aspects. The singing cavity of Peking Opera belongs to the plate variant, with two reeds and Xipi as the main vocal cavities. The accompaniment of Peking Opera is divided into two categories: the Wenchang and the Wuchang, with the Huqin as the main instrument and the Wuchang as the main instrument.

The roles of Peking Opera are divided into Sheng, Dan, Jing, Chou, Miscellaneous, Wu, Liu, etc., and the last three lines are no longer specialized. Each profession has a set of performance procedures, and the skills of singing, chanting, doing and playing have their own characteristics. Peking Opera mainly focuses on historical stories, with more than 1,300 traditional repertoire, and more than 3,400 are often performed.

Peking Opera has spread throughout the country and has a wide influence, and is known as "National Opera". The Peking Opera performance system named after Mei Lanfang is regarded as a representative of the Oriental drama performance system and is one of the three major performance systems in the world. Peking Opera is an important form of expression of the traditional Chinese culture, and a variety of artistic elements in it are used as symbols of traditional Chinese culture.

In May 2006, Peking Opera was approved to be included in the first batch of national intangible cultural heritage list. In 2010, it was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity (UNESCO).

Peking Opera is one of the theatrical dramas formed in Beijing, with a history of more than 200 years. On the basis of Hui opera and Han opera, it has absorbed the advantages and specialties of a series of opera operas, such as Kunqu opera and Qin dialect, and evolved from it. There are more than 1,000 repertoire of Peking Opera, and its content is based on historical romances and scripts.

The role of Peking Opera is to play the role of Shengdan and the four elements of ugliness, and the face is painted with powder, symbolizing the person's character characteristics and beggars.

Peking Opera has many names, such as: "National Opera", "Pi Huang" and so on.

Peking Opera, also known as "Peking Opera", "National Opera", "Pi Huang".

Peking Opera is the quintessence of our country and has many years of history.

You are in Beijing, what kind of information to watch, watch a play, how boring the information is.

Peking Opera is one of the opera genres formed in Beijing, with a history of nearly 200 years. It is formed on the basis of Hui tune and Han opera, absorbing the advantages and specialties of some opera genres such as Kunqu opera and Qin dialect.

Peking Opera ** belongs to the board cavity, and the main singing cavity has two systems, Erhuang and Xipi, so Peking Opera is also called "Pi Huang". Peking Opera also commonly used singing voices include Nanbangzi, Siping Tune, Gao Bazi and Blowing Tone. There are about 1,000 traditional repertoire of Peking Opera, and about 3,000 or 400 are often performed, among which in addition to those from Hui Opera, Han Opera, Kunqu Opera and Qin Opera, a considerable number of them have been written by Peking Opera artists and folk writers one after another.

Peking Opera is good at showing political and military struggles with historical themes, and most of the stories are taken from historical romances and scripts. There are not only the whole plays, but also a large number of excerpts, in addition to some stage plays.

In the early days, it was divided into seven elements: Sheng, Dan, Jing, Mo, Chou, Wuxing, and Popular (Dragon Set), and later it was classified into four major lines: Sheng, Dan, Jing, and Chou, and there was a detailed further division of labor within each line. "Sheng" is a general term for male characters other than big flower faces and harlequins, and is divided into old students (Xu Sheng), small students, martial arts students, and doll students. "Dan" is a general term for female characters, and it is internally divided into Zhengdan, Huadan, Boudoir Dan, Wudan, Lao Dan, and Cai Dan (揺丹) Dao Ma Dan.

"Net", commonly known as flower face, is mostly played as a male character with some peculiarities in personality, quality or appearance, with makeup and face, loud timbre and rough style. "Net" is divided into big flower faces that are mainly singing, such as Bao Zheng; The workmanship-based two-flower face, such as Cao Cao. "Ugly", playing a comedy role, because he smeared a small piece of white powder on the bridge of his nose, commonly known as a small flower face.

The classification of Peking Opera masks includes: whole face, hero face, six-point face, crooked face, fairy face, harlequin face, etc.

The role of Lin Chongyi in the night run played by opera performance artist Pei Yanling belongs to the martial arts industry in Peking Opera.

The so-called martial arts are the characters who are good at martial arts in Peking Opera, and the martial arts are divided into two categories, one is called long-term martial arts, and the other is called short-term martial arts. Chang Yi Wusheng is dressed in a helmet, wearing thick-soled boots, and generally with a long handle**. This kind of martial arts student not only requires good martial arts, but also has the demeanor and courage of a general, and the frame must be beautiful, steady and dignified.

Short-fighting martial artists wear short clothes, wear thin-soled boots, use both long weapons and short weapons, and require strong and agile skills, and the insider's saying is to drift, rate, brittle, look clean and neat, fight beautifully, do not drag mud and water, and perform with agility and flexibility.

Among the martial arts, the short-fought martial arts (the other is the long-standing martial arts, that is, the ones who are planted behind the flag, such as high pets), wear short clothes, wear thin-soled boots, and use both long and short weapons, most of which show foot combat. The action is mainly tumbling and falling.

The Peking Opera Orchestra is composed of percussion instruments, wind and string instruments. The percussion instrument is called the martial arts. Pipes and stringed instruments are called literary fields. The Peking Opera Band is collectively known as the scene, or the cultural and martial arts.

As the saying goes, "men are afraid of running at night, women are afraid of Sifan", and the night running here refers to Lin Chong's night running.

"Running in the Night" and "Sifan" are the most difficult plays in Kunqu Opera and Peking Opera respectively. It's all a one-man show, it's a lot of work to sing, and it also requires the actor's ability to press the stage. If Wu Sheng wants to play "Night Run" well, he has to understand Lin Chong's sadness in the world, and the manhood that is still shown in the sadness.