In what ways does Tianjing Sand Autumn highlight the autumn scenery?

It stands out from "the sun is still glowing in the ancient village, the light smoke is old and the jackdaw" or from the "green mountains and green water, white grass, red leaves and yellow flowers".

Bright moon branches, magpies, breezes, cicadas, rice flowers, frogs, thatched shops, Shelin (referring to the woods next to the temple in the past), paths, streams, bridges.

Bright moon branches, magpies, breezes, cicadas, rice flowers, frogs, thatched shops, shelin, paths, streams, bridges.

Six images are shared: "Lonely Village", "Sunset", "Remnant Sun", "Light Smoke", "Old Tree", "Jackdaw".

Tianjingsha Autumn".

It is Bai Pu, the writer of the Yuan song of burning jujubes.

In a song composed of scenes, the author captures six kinds of natural scenery to depict a picture of autumn scenery from bleak and lonely to bright and beautiful for readers.

Bai Pu's piece is based on autumn scenery as the subject of writing, and readers can see from the rhetoric in it that his literary accomplishment is extremely high. Throughout the works, all of them are composed of some beautiful natural scenes, and Bai Pu himself is like an artist holding these natural puzzles, piecing together a beautiful and harmonious picture of life.

The autumn scene depicted in this song is composed of two parts: the first part is a dull, bleak, and deserted autumn scene, while the latter part of the picture is colorful, bright and full of vitality. The front and back scenes are also autumn scenes, and there is a strong contrast.

If we contact Bai Pu's reluctance to be an official in the Yuan Dynasty, it is not difficult for readers to understand why the same autumn scenery has such a huge contrast.

It depicts dead vines, old trees, crows, small bridges, flowing water, people, ancient roads, west winds, horses, sunsets, and broken intestines. The brilliance of this word is that the whole word is full of scenery, and they all represent the bleak atmosphere of autumn and autumn scenery. Bai Pu.

In writing about the autumn scene, the words are concise, and the words are not simply to highlight the sadness of autumn.

The autumn scenery has also changed from the previous bleak and lonely to bright and beautiful. This small order, only five sentences and 28 words, although the length is short, but with a divine pen to draw a wonderful autumn scene.

In the latter part, the poet uses blue, green, white, red, and yellow colors to depict the beautiful scene of autumn in a trembling manner from far to near, from high to low, multi-level and multi-faceted three-dimensional intersections, making the whole picture full of poetry.

Original text of the work: The sun is waning in the lonely village, the light smoke of the old tree jackdaw, and a little Feihong shadow. Green mountains and green waters, white grass, red leaves and yellow flowers.

Translation: The sun is gradually setting in the west, and the sunset on the horizon is gradually beginning to dissipate, leaving only a little dim color, reflecting the quiet and lonely village in the distance, dragging out the long shadow.

The light smoke drifted faintly into the air, a few crows perched on the rickety old trees, and a wild goose in the distance flew down and crossed the sky. Enchanting scenery; The frost-white grass, the fiery red maple leaves, and the golden flowers swayed in the wind, and the colors were very bright.

Tianjingsha Autumn".

It writes the poet's feelings of cheerfulness and hope from cold loneliness and melancholy. This piece of prose is profound, unique in style, graceful and beautiful, novel in artistic conception, and quite a poetic artistic conception.

It depicts a bleak and moving picture of the autumn suburbs, and accurately conveys the sad state of mind of the traveler.

Original song: Withered vines and old trees faint crows, evoke small bridges and flowing water, and the ancient road west wind thin horses. The sun is setting, and the heartbroken man is at the end of the world.

Translation: At dusk, a flock of crows landed on an old tree entwined with withered vines, and let out a terrible wail. The water under the small bridge is rattling, and the small bridge and the Zhengxu side of the village are curling with smoke.

A thin horse on the ancient road is struggling to move forward against the west wind. The setting sun gradually loses its luster and sets in the west. In the bleak night, only the lonely Luqing people wandered in distant places.

Tianjingsha Autumn".

The lonely village is in the sunset, the light smoke is old and the jackdaws are under the shadow of a little Feihong.

Green mountains and green waters, white grass, red leaves and yellow flowers.

The grass is withered, so the silver is white, the mountains are mostly evergreen so they are still green, and the water reflects the green mountains, so they are green.

Finally, in order to strengthen the image that the autumn scene is beautiful and charming in the author's mind, it is then used to green mountains and green waters, white grass and red leaves. As the end of the song. These two sentences use the five colors of Fengqiao green, green, white, red, and yellow, and the three colors of white grass, red leaves, and yellow flowers are mixed in the two colors of green mountains and green water; The green mountains and green waters are a vast picture, and the white grass, red leaves and yellow flowers are subtle pictures, so mixed and intertwined, so that the autumn scene, which was originally lonely and bleak, suddenly became colorful and colorful.

It can be seen from this that Bai Pu's prose writing skills are so clever.

The first two sentences of "Lonely Village, Light Smoke and Old Tree Jackdaw" share six pictures: Lonely Village, Sunset, Remnant Xia, Light Smoke, Old Tree, Jackdaw,