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Entering the flat on the flat going into the flat on the flat into the flat.
Enter, go up, go up, go up, go up, go up.
Up into the flat into the flat into the flat into the top flat.
Entering the upper flat on the flat on the flat on the upper into the flat on the top.
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As one of the four tones, many words are voiced.
There are 16, 7, 800 in the number.
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Handwriting is fine, but the computer can't. The teacher will take the yin and yang test, but will not go up and enter the level. Because modern Mandarin has no voice. Take a look at the picture
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The one above is too strong... I was speechless.
Pingqian in modern Chinese.
In the four tones of modern Chinese, they are divided into yin ping, yang ping, upper sound and de-sounding.
In modern Chinese, the ancient tone of "Pingsheng" is divided into Yin Ping and Yang Ping, that is, the so-called first tone and second tone.
In modern Chinese, part of the tone of "Shangsheng" has become de-voiced, and part of it is still Shangsheng. Shangsheng is the third tone of modern Chinese pinyin.
In modern Chinese, the tone of "desheng" is still desheng, that is, the fourth tone.
The ancient tone of "into the voice" no longer exists in modern Chinese; It became yin and yang, and it became yin and yang, and it went up and down.
The four-tone tone table of modern Chinese is: Yinping (the first tone), Yangping (the second tone), Shangsheng (the third tone), and Qusheng (the fourth tone).
For example: Ma Ma scolded.
Yin Ping) (Yang Ping) (Shang Sheng) (Go Sound).
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As shown in Fig. "Pinggo up and enter" is the four tones of Middle Chinese in the Tang and Song dynasties, which is the phonological root of traditional Chinese phonology and the basis of the rhythm of Tang and Song poems. Master the four pronunciations and read poems, so that you can appreciate the profundity and profundity of the Chinese language and the beauty of rhyme.
Flat up into the four tones, up, out, into the sound for the sound, the rest are flat. After the Yuan Dynasty, many dialects in the north were sent into the three tones (the other three tones were sent into the voice), while Wu [1], Jin, Gan, Xinxiang, Cantonese, Min, Hakka, Jianghuai official dialect, a very small number of southwestern official dialects, and a very small number of scattered northern dialects had neat flat sounds, upper sounds, desheng and insheng accents.
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If you only speak Mandarin, then you can't do it, you have to memorize it, because the phonetic words are all classified into the other three tones in Mandarin, and there is basically no pattern.
If you know a dialect with an introductory sound, then the ones that are shortly pronounced are invoicing, such as:
One "IT country" kok
Ten " zap
By the way, the pronunciation of authentic phonetic words is like that of English with non-blasting consonant endings, and some dialects are simplified to guttural stops.
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The sound has been dispersed into yinping, yangping, upsheng, and desheng.
There is no Mandarin in it anymore.
If you want to study it, it is also useful only in the study of dialects.
Specifically, you can go to the textbook "Modern Chinese", which will be talked about in each edition.
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One and two are both flat sounds, the former is yin, and the latter is yang.
The three tones are the upper tones Mandarin does not distinguish between yin and yang.
The four tones are to go to the sound Mandarin does not distinguish between yin and yang.
The above is a rough correspondence, but due to the attribution problem of the voice, this correspondence is not very reliable, and the sound is a type of short tone, such as sat, sap, and sak are all ending in a plosive sound in Mandarin without a sound The original Chinese words are now reread to the other three tones, and the rhyme endings have also fallen off, for example, the Chinese character "一" was originally pronounced as it is a sound character Mandarin is pronounced yi The tone is changed to Yin Ping, and now Chinese also has 4 tones, ā is called Yin Ping, á is called Yang Ping, ǎ is called Shang (pronounced shǎng) sound, à is called into the sound.
a) Middle tones and ancient tones.
Middle Chinese had four tones: flat, up, go, and in, which are the so-called four tones.
After the Han and Wei dynasties, due to the application of reverse tangent, scholars gradually realized that there was a factor in the tone in the phonetic composition of Chinese, but the correct classification of Middle Chinese tones into four categories was completed at the time of Qi and Liang. At that time, due to the initial discovery of the four tones, there were still very few people who knew about it. Emperor Wu of Liang (Xiao Yan) was a cultured person, and he also asked Zhou () what the four tones were, which is a proof.
It was not until Lu Fayan's book "Cut Rhyme" came out and all the tones of the more important Chinese characters were determined that the knowledge of the four tones was gradually mastered by more and more people.
Middle Chinese has four tones, and because there are clear texts in history, and the book "Cutting Rhymes" provides us with complete and accurate information, it is very reliable. As for whether there were tones in ancient Chinese, and if there were, how many tones there were, it is difficult to determine due to the lack of literature. Since the beginning of the Qing Dynasty, scholars have had different opinions for hundreds of years.
Some people think that the tone of antiquity is not very fixed; Some people think that there are fewer categories of ancient tones than those of the Middle Ages, such as flat, up, in and without going, or flat, up, going without entering, and so on; Some people believe that the ancient tones are basically the same as the middle tones, but there are differences in individual characters. Of these opinions, we feel that the last opinion is more well-founded, because it basically corresponds to the rhyme of ancient rhymes.
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There must always be an object and a purpose to distinguish between a flat copy.
If you appreciate other people's poems, then the ancients wrote them.
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The tone of antiquity prevails. For details, please refer to Wang Li's phonology.
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The figure standing by the lake, is it you Yiqi?
I eagerly rushed forward. Just an illusion.
For Yiqi, he lost his clothes and looked old.
Acacia birds chirp mournfully, accompanied by my sighs.
With trembling hands, I burned all the psalms of my life weeping blood.
Between truth and falsehood, I'm just a skinny bone blown cold by the west wind.
This earthly world is washed by the water of love, leaving a city of memories.
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Near-body, archaic.
Rhythmic poems, including rhythmic poems and quatrains, are called near-style poems or modern poems, which the ancients called so, and we now.
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Can anyone help me write a poem? The poem should have the name "Lu Yuling!!
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Every day is smart and beautiful, and every day is happy.
There is no regret every day, and we are happy to see each other every day.
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