What is a rhyme free poem, the influence of a rhyme free poem

Unrhymed poetry is a type of poetry characterized by a neat rhythm but no rhyme (i.e., no rhyme at the end of the sentence). In English, the most common metrical rhythm for unrhymed poems is the inhibited pentatonic step (hence the unrhymed poems are also called unrhymed pentatonic poems). Each line is composed of five long and short steps and ten syllables, and the number of lines in each line is not limited and does not suppress the rhyme.

The type of step is all in the form of a rising pentapace. Poems that do not rhyme are called unrhymed poems or poems in white style. It is mostly used in drama and narrative poetry.

Unrhymed poems do not rhyme, but they have a fixed rhythm, and pentatonic steps are the most common. Free verse has an irregular rhythm, like the vernacular.

In ancient Chinese, there were also unrhymed poems, such as the Book of Songs. There are only a few "Green Temple" and "Haotian Destiny" in "Zhou Song".

Unrhymed poems: A large number of verses and verses written in the Buddhist scriptures in the style of poetry have been translated into five- or seven-character unrhymed poems. This simplification, which abandons rhyme out of desperation, creates a new poetic style in Chinese. Thereafter.

Five, seven words and this kind of comparison.

The more lively odd-numbered rhythm of the four and six tones became so popular in China that it became the dominant poetic rhythm in Chinese custom (and the four-tone based rhythm was developed after the Indian method of inverse syncopation was introduced). Later, native Chinese Buddhists, such as Zen monks, often used this form to express their feelings of enlightenment, but sometimes they rhymed in passing out of habit. Very similar to the Chinese five-character unrhymed poetry style is the non-rhymed poetry style in English.

It has five steps per line, and each note is tonally light at the beginning and heavy at the end, without rhyming, and there is no limit to the number of lines.

It refers to a kind of physique in the new poem, he does not seek rhyme or even deliberately avoids rhyme, in order to facilitate recitation, he focuses more on rhythm and tone, so that it reads sonorously and tumultly, which is different from the fluency of rhyming poems.

The rhyme effect is not deliberately pursued, but the ups and downs of feelings between the verses have formed a rhyme.

The effect of unrhymed poetry is that it makes poetry more free to express itself, and is no longer bound by strict rhyme and metrics. It can express the author's thoughts and emotions more flexibly, and at the same time broaden the diversity of poetry forms, so that more people can participate in poetry creation, and unrhymed poetry is becoming more and more common in modern poetry and has become one of the main forms of modern poetry.

<> refers to the non-pursuit of traditional requirements in poetry creation, there is no fixed stress rule, it emphasizes the free Lingqiao Wuhuo mode of expression, relying on the poet's application of rhythm, grammar and imagery to achieve the beauty of poetry, unrhymed poetry is more and more streamlined in modern poetry, and has become one of the main forms of modern poetry.

No rhyme poems,The rhyme effect is not deliberately pursued, but the ups and downs of feelings between the verses have formed a rhyme.

For example:

Chen Ziang's "Song of Dengyouzhou".

I don't see the ancients before, and I don't see the comers after.

Thinking of the world and the world, I was alone and wept.

This poem is an ancient style poem, but in the ancient rhyme, "者, 下" is in the same rhyme.

Han Yuefu folk song "The Evil One".

Evil! I want to know you and live a long life.

The mountains have no tombs, the rivers are exhausted, the winter thunder shakes the summer rain and snow, the heaven and the earth are together, and they dare to be with the king!

Knowing and declining", turning to "exhaustion, snow, togetherness, and absolute" into the sound rhyme.

Examples of ancient poems without rhyme:

Wing chrysanthemum Yellow Nest.

When autumn comes on September 8, I will kill a hundred flowers after the flowers bloom.

The incense array penetrates Chang'an, and the city is full of ** armor.

1.The fragrance of locust is fragrant, and the occasional gathering in the past is belated, and the Chinese language is discussed, and the situation is gradually becoming known. The tide rises and falls, dense and alienated, contemplative, reading and infatuating.

2.In the three-foot area, dozens of spring and autumn seasons passed slowly, and after a lot of talking, the blood was exhausted. Thinking and scheming, tension and relaxation, joy and sorrow, and the rise of the community.

3.Able to write and think, a lingering affection, face the red sun, lucky and sweet. Wonderful drawings are drawn, snapshots are recorded, and history is recorded, and people in the world sigh.

4.The meeting is unexpected, the greetings are heartfelt and warm, the bricks are thrown to attract jade, and the beauties are happy. The spring breeze stirs up thousands of thoughts, the wind and rain hit, and the end of the world depends on each other.

5.This reminiscence, it can be remarkable, the dragon is attached to the phoenix, and the good fate is not tired. Truth and falsehood, the heart boat is looking for miracles, looking at each other, there are thousands of loves.

No rhyme poetry: does not deliberately pursue the rhyme effect, but the ups and downs of the feelings between the verses have formed a rhyme. It's called a rhymeless poem.

"Homesickness".

When I was a child, nostalgia was a small stamp, I was here, and my mother was there.

When I grew up, nostalgia was a narrow ticket, I was at this end, and the bride was at that end.

Later, nostalgia was a low grave, I was outside, and my mother was inside.

And now, nostalgia is a shallow strait, I am at this end, and the mainland is at that end.

Thank you for inviting me to be a layman, and if I say two words of my opinion, it must be a layman's word, and I will laugh at the Fang family.

I am a staunch supporter of "no rhyme, no poetry". However, I think that the "rhyme" here does not refer to the rhyme, but the rhyme. There is not an exact correspondence between rhyme and rhyme, and a lame but rhyming limerick[1][2] has rhyme but no rhyme.

Many ancient poems have lost their rhyme when read in Mandarin, such as "Dengyouzhou Taiwan Song", but its rhythm can still be felt.

The modern poem I admire the most is Mr. Dai Wangshu's "Rain Alley", which must not only be read, but must be read. In the process of reading, you will find that your mouth, your teeth and tongue are making a regular movement, and you can really feel the poems flowing between your lips and teeth, which is the first time I feel the texture of poetry. The wonderful feeling of picking lead, forgive my clumsiness, cannot accurately express it.

There is a passage in Nabokov's ** "Lolita" that describes the three words "Lolita" as the most beautiful pronunciation, and that passage can roughly express my feelings.

And my favorite poems are Hai Zi's "Spring Blossoms Facing the Sea" and Gu Cheng's "Generation". It is said that "Face Face" is not Haizi's first-class poem, but I just like it, he uses sentences that no one can think of, and he speaks of emotions shared by everyone, and I think this is the essence of the content of the poem. Both poems barely rhyme, but I think both are full of rhyme.

Later, some ** people composed and sang these two poems separately [3][4], which can be regarded as evidence of their rich **.

Modern poetry, I don't think has yet formed a fixed and mature form. Everyone is showing their powers, and at the same time they are crossing the river by feeling the stones. And it may be because of the general environment, everyone's enthusiasm for the exploration of form is far higher than the breakthrough of content.

Of course, it is also possible that people are too high-end to understand that many modern art forms are indeed very advanced, far beyond the scope of our daily life [5].

As for Lihuati, if you have read Zhao Lihua's early poems[6] and her evaluation of Wuqing[7], you will find that she is at least a serious poet, and she has her own serious and serious thinking about poetry. Pear blossom body may be a failed attempt, but it does not mean that there is no value, at least, when we know that we can't go to **, we know which direction to go.

As a regular reader, of course. My greatest hope is to see the majority of poets find a relatively fixed, not too avant-garde form, the outer pursuit of rhythmic harmony and the subtlety of language, the internal pursuit of content breakthrough and emotional resonance.

I didn't expect to write so much carelessly, I'm so proud, I bought a take-out family bucket at noon to treat myself ......Note: