Ask for the imitation of fragments or good sentences of books such as camel Xiangzi. 50

After sitting for a long time, he was tired of it. Neither dared to go out, but there was nothing to do, and he felt as if the weather had become a habit of not being able to get along with him. No, he can't give in.

He has been pulling the car for more than a day, and this is not the first time in the summer, he can't just "soak" for a day. I want to go out, but my legs are really too lazy to move, and my body is very soft, as if I haven't taken a bath, and although I sweat a lot, my heart is not happy. After sitting for a while, he couldn't sit still anymore, and he was sweating while sitting anyway, so it was better to go out and try it.

Walking for a while, sitting for a while, he was always too lazy to buy and sell. Until noon, he didn't feel hungry. I want to eat something as usual, and I feel sick when I see food.

The stomach was almost filled with all kinds of water, and sometimes there would be a soft sound in it, like a mule and a horse, and the stomach would sound like a mule and a horse.

Comments] What is written here is the scene of Shoko pulling the car under the scorching sun, which is delicate and realistic, and it is empathetic. The narrative and metaphor are vivid and vivid, and they powerfully highlight the hardships and misery of Xiangzi's life as a cart.

A philosophical prose poem. Both the expression of the depth of thought and the use of writing skills are excellent. If we can all "see this boundless and complex world with clarity and clarity," then "we will find wisdom in all the beauty, the corruption, the clarity, and the filth."

This was the initial revelation that The Lotus of Purity brought to me. Reading "The Lotus of Purity", it seems that my heart is also "as calm as a lake without waves".

When I started reading "The Pure Lotus", the author's "occasional" successive appearances made me feel that an "occasional" is a lotus of wisdom. Looking at the author's occasional sight of "a sunset hanging at the end of the street", he will think that "such a beautiful sunset really indicates that the day is coming to an end"; ...When the author returns home and sees the gushing water, he will think that "the water flowing from the faucet does not seem to be water, but time, mood, or a thought"; ...The author thought when he saw a red water lily in a small pond in the mountains, drawing beautiful notes from the shallow ground of the mud, "as if ignoring the filth on the periphery."

Please apply the expression skills in "Camel Xiangzi Orange Hand" to your writing practice, and imitate a clip of you walking back to your home under the scorching sun. (Requirements: There are action descriptions, environmental descriptions, at least use figurative, personified, and comparative rhetorical devices).

Slowly, I walked home under the high sun, like an old camel struggling to move forward, and the heavy bag on my body was like a moon, dragging its body forward. The sun was like a flame, scorching the earth and making every passerby tremble. The trees on the side of the road are like green umbrellas, surrounding us and giving us warm shelter.

The wind in the desert was like a sharp blade, constantly cutting my face and making me miserable. The lawn on the road is dotted with wild flowers, like lively little princesses, still blooming with beautiful smiles in this hot summer day.

He is like a tall tree" is an excerpt from "Camel Xiangzi", written by Lao She. ** tells the life of Xiangzi, an ordinary rickshaw driver, and shows a picture of the world with the style of old Beijing. The "he" in the selected clip of "He is Like a Tall Tree" refers to Shoko.

At first, Xiangzi was the image of a strong, simple, honest, tenacious, self-respecting, hard-working, energetic, energetic, and confident rickshaw driver in Beijing, old China.

Later he became a skinny, dirty low-class coachman. He doesn't wash his face, body, or clothes, and sometimes his hair is not shaved for more than a month. His car is not very particular about Brother He, what new car and old car, as long as the car is small, pull up the sale, a little sweet, he poured out halfway.

Extended Materials: He Is Like a Tall Tree" and "Wrestling" and "Two Stems of Lamp Grass" are combined into Lesson 13 of Unit 5 of the second volume of the unified textbook. The three chapters are all descriptions of characters, but the way they present their characters is different.

"Wrestling" focuses on grasping the coherent movements of the characters and creating the image of Xiao Gazi with a distinctive personality; "Two Stems of Lamp Grass" selects typical examples, and shows the stinginess of the strict prison students through a unique side setting.

And "He is like a tree that stands tall and straight", this article is selected from the book "Camel Xiangzi" written by Mr. Lao She, which is a great effort to describe the appearance of the character, through the description of Xiangzi's figure, body shape, clothing, face, etc., showing us a young, vibrant, confident, positive and optimistic image of the coachman.

The seemingly multi-angle description of the appearance of the characters is actually "grasping the characteristics and enlarging the writing" - closely surrounding the "Tingdeta", and the traces and "Tingdeta" are also the deepest impression that Xiangzi gave us.

**Good at using rich, delicate, and appropriate ways to describe the psychological activities and changes of the characters.

Change.

The psychological description of "Camel Xiangzi" is closely combined with the actions of the characters and the storyline, and the psychological description fills the blank left by Xiangzi's silence, woodenness, and poor speech. Therefore, when portraying the character of the protagonist Xiangzi, a large number of static psychological descriptions are used, and these psychological descriptions are completely Chinese and Xiangzi-style, which is narrated in Xiangzi's language, rather than objectively depicted in the language of the writer's third party. Even if it is a scene, it is seen and depicted through the eyes of Xiangzi, and the changes of these scenes in Xiangzi's eyes reflect Xiangzi's mood and dynamics.

For example: "He can't figure out where it is, it's so dark, his heart is so anxious, even if he can look at the stars and adjust the direction, he doesn't dare to do it calmly; The stars—in his eyes—seemed to be in a hurry than he was, you touch me, I touch you and move in the dark sky. Shoko didn't dare to look at the sky anymore. ”