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The social life of the late Ming Dynasty reflected in "Peach Blossom Fan" was extremely broad and complex. Kong Shangren skillfully uses the separation and cooperation of Hou Fangyu and Li Xiangjun as the central clue that runs through the whole play, with fine needles and dense threads, meeting each other in a row, and generating each other. Although the plot is ups and downs, it is structurally cohesive.
The fact that the whole play can be organized so completely and rigorously in the midst of complex historical events and intricate clues shows the author's high artistic generalization ability.
Kong Shangren also deliberately rendered a palace fan in the play, starting from Hou Fangyu's gift of the fan to the alliance, until Daoist Zhang cracked the fan and threw it to the ground, this important prop combined many important plots of the whole play. An ordinary fan contains extraordinary meanings. It symbolizes the joys and sorrows of the two protagonists and reflects the rise and fall of the Southern Ming Dynasty.
The Peach Blossom Fan is placed in a striking and special position in the structure and organization of the opera, and it is used as the title of the script, "The Rise and Fall of the Southern Dynasties, and the Peach Blossom Fan Bottom" ("The Peach Blossom Fan at the End"), which shows Kong Shangren's artistic ingenuity.
Peach Blossom Fan is good at portraying the character of the characters through lyrics and bin bai. For example, the lyrics sung by Hou Fangyu and Liu Jingting when they came on the stage in the first play "Listening to the Barnyard " and the 11th play "Tou Yuan" respectively fit the characters' voices. The arrangement of the lyrics and the guest white of the whole play is symmetrical and compatible.
There is a strict distinction between their different effects. "Those who cannot speak in their hearts and cannot see in their eyes, they will sing through words and songs. As for explaining the plot and explaining the facts, use bin bai.
Only eight songs are filled in when they are long, and six or four songs are short, which is more suitable for the requirements of stage singing. The last "Gossip" is all in Binbai, and the next first "Lonely Yin" is full of lyrics, which is not limited by regulations and shows the spirit of innovation. "Peach Blossom Fan" can generally use different styles of lyrics as the plot changes.
"Songs", "Visiting Cui", "Sleeping Fragrance" and other children's styles, many of the lyrics maintain a beautiful and gentle mood. "Crying Lord", "Oath", "Shen Jiang" and other major political events, many of the lyrics have impassioned characteristics. The lyrics are smooth, the meaning of the words is bright, and it basically gets rid of the disadvantages of hardship.
Bin Bai is sonorous and sonorous, and the sentences are neat.
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"Peach Blossom Fan" is a historical drama that uses the feeling of detachment to write the sense of rise and fall, which is not only a teaching material for the study of the history of the Southern Ming Dynasty, but also provides a model for the literary and artistic creation of the theme of historical Wubu. Due to the combination of Hou Li's love and political changes, coupled with the large number of characters and the complex plot, readers must read carefully to identify the pulse of the two things.
I only know that there are 11 versions of "Peach Blossom Fan".
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