On the occasion of the Midyear Festival, classic ancient poems express their thoughts

1. The dead are long gone, and the survivors will always be sad! The sound and smile, vividly, earnest teachings, still in the ear, but the guest heart is flowing water, following the fate to the end of the world, where is the desolate words of the lonely grave? Shouting the Qingming Festival recalls yesterday, the Qingming Festival, people are not sweeping the tomb, but the deep thoughts in the bottom of their hearts; It is not rain in the sky, but the tears of the deceased.

The deceased rest forever, the living should remember, a happy new life, you and I cherish it.

2. It's just a pity that those shuttlecocks have long since disappeared, and only the call hall left such a dim scene, which made me toss and turn the pain of longing in the years to come.

3. At this moment, as friends, we only miss, deeply remember and thank you for accompanying us through the past, when you are there, the rainy days are often sunny, your smile is simple and sincere to friends, will be the eternal wealth of our lives; And the loss of you is an irreparable pain in our lives.

4. Let us turn grief into strength, turn grief into perseverance, inherit the will, continue to walk in his footsteps, and comfort his spirit in heaven.

5. In addition to tears, what can wash away everything is time, and time is used to change feelings, the longer the time, the more conflicts, like a constantly diluted tea.

6. It is their lives that have brought about China's prosperity today, and it is their blood that has stained the peach blossoms everywhere.

7. People who have experienced life and death parting know how to love and cherish more.

Nanyang is too guarded and crazy, and admires the moon before the Mid-Autumn Festival. Baihuazhou forgets to return at night, and the green sycamore is silent and smooth.

Fourth, Meng Fengqiu travels in the order, and the three yuan are angry. The clouds welcome the blue and fall capital, and the chapter plays the Jade Palace. The altar drips locust flower dew, and the fragrance wafts the cypress wind.

The feather coat is ethereal, and the yao hub is in the void. For a long time, he has been eating Xiake, and he is often sad to collect and dismantle the Ling worms. How to teach the green sac, from then on to visit Hong's house.

Zhongyuan Guan Dharma Step Void (Tang) Yin Yao Fan Wu Du opened the secret record, Mr. Bai Shili. The autumn light in the upper realm is clear, and the night air in the middle yuan is clear. Prepare for the old stars to the emperor, and the crane is silent. The jade cave flower has long hair, and the moon in the pearl palace is the brightest. Sweeping the altar and the world, cast Jane ghosts and frightened.

Fu gave the knife and medicine, and left an immortal name. Zhongyuan (Tang) Li Shangyin descended to the palace country, and Zhongyuan worshiped Shangqing Hui.

Examples of verses about the Midyear are as follows:

1. The Midyear Festival in Fayun Temple is the birthday of the official family.

2. The red light shines on the same thousand lights, and the green bamboo is sown with a pole.

3, the small garden is still hot to chase the cold, and the incense is clear and upright, and I don't sit and read Tang poems.

4, You'e has not arrived in Yingzhou, how is the green finch bird medium.

5. The sheep must be taken off with gold bars, and Wen Qiao will end up with a jade mirror.

6. Lonely incense burning in Xianguan, knowing the teacher Yaoli Yujing Mountain.

7. Today's road is the Midyear Festival, and the weather is too early to come.

Definition of the meta-section.

The China Fiber Vertical Yuan Festival is the annual July 15th of the agricultural fiber vertical calendar, also known as the "July Festival" and "July and a half", and Chinese New Year's Eve, Qingming Festival, Chongyang Festival, and known as the four traditional Chinese ancestor festivals.

The three schools of Confucianism, Buddhism and Taoism are all festivals on this day, but the names are different. Taoism calls it the "Zhongyuan Festival"; In Confucianism, it is called the "Ancestor Worship Festival"; Buddhism calls it "Obon".

Some customs of the Midyear Festival:

1. Zhongyuan Pudu.

Folklore has it that when people die, they become ghosts and wander between heaven and earth. Zhongyuan Pudu, that is, between the first day of the seventh lunar month and the 30th day of the seventh month of the lunar calendar, chooses a day to worship those lonely souls and wild ghosts who have no one to support, so that they can also feel the warmth of the world, which is an extension of the traditional Chinese idea of benevolence.

2. Ancestor worship. The Midyear Festival is a traditional ancestor worship festival in China. Folklore has it that ancestors return to the world to visit their children and grandchildren on this day, so it is necessary to pay homage to their ancestors, but the sacrifice is not limited to a certain day, as long as it is completed by the end of July.

Ancestor worship activities have different forms in different places, but they are generally to go to the grave to pay tribute to the ancestors, put some offerings, and burn some paper money.

3. Put river lanterns.

Releasing river lanterns is a traditional custom of the Chinese nation to mourn the deceased relatives and bless the living. People use wooden boards and five-colored paper to make lanterns of various colors, light candles in the middle, and some even make a multicolored paper boat.

At night, paper boats and lamps are lowered into the river and let them float down the river, while children stare at their lamps to see how far they can float, while the old people chant and pray.

Fourth, the flame vent.

Flame release is a ritual that is often held in temples. Flame mouth is a Buddhist term used to describe a hungry ghost who craves food and spits flames from his mouth. Give food to hungry ghosts, and it is called a flame mouth. Since the Liang Dynasty, the Chinese people have begun to hold activities such as fasting, offering to monks, and setting off flames.

Five Songs of Reflection: The Fourth

Don Yuanzhen. Once the sea was difficult to water, except for Wushan, it is not a cloud.

Take the second flower bush lazy review, half of the edge of the cultivation and half of the king.

Appreciation: Yuan Zhen's quatrain is not only extremely high, lyrical, but also wonderful. The first two sentences use extreme metaphors to write nostalgic mourning, "Canghai" and "Wushan", the words are heroic, and there is a trend of tragic songs and rushing rivers.

Later, "Lazy Retrospective" and "Half Yuanjun" suddenly soothed the tone and turned into a deep lyricism.

Relaxed and varied, forming a melody of ups and downs. In terms of the mood of the whole poem, it is romantic but not vulgar, magnificent but not flashy, tragic but not gloomy, creating a unique realm in the Tang people's mourning quatrains. The two sentences "once in the sea" are especially praised.

Dream of Micro" Tang Bai Juyi.

Come to the night and dream together, and you can't collect tears in the morning.

Zhangpu is sick three times, and Xianyang is eight autumns.

Jun buried the mud under the spring, and I sent the world full of snow.

Awei Hanlang went to the same time, did the night platform know at a loss?

Appreciation: This "Dream of Micro" is a seven-character poem written by Bai Juyi nine years after Yuan Zhen's death. Among them, the neck couplet "Jun buried the mud under the spring, I send the world full of snow", I don't know how many people are sad about it throughout the ages!

Crying Li Shangyin: The Second Key.

Don Cui Jue. Empty and talented, he has never opened his arms in his life.

Where are the birds crying and the flowers falling, and the bamboo dies and the withered phoenix does not come.

The good horse is full of no owner, and the old friendship is mourning.

Jiuquan sighed at the separation of three lights, and sent Wen Xing into the night platform.

Appreciation: Li Shangyin is a superstar in the late Tang Dynasty poetry circle, he is keen on politics, ambitious, deeply dissatisfied with the emperor's stupidity, the dictatorship of eunuchs, and the division of feudal towns. In the twelfth year of Tang Xuanzong's middle school (858), the forty-five-year-old Li Shangyin died of depression.

His best friend Cui Jue was overwhelmed with grief when he learned of his death. The whole poem is hearty and full of emotion, and the author's deep condolences to his friends are touching and tear-jerking.

1. Zhongyuan Riguan Dharma.

Four Meng in the autumn order, three yuan in the air. The clouds welcome the blue and fall capital, and the chapter plays the Jade Palace.

The altar drips locust flower dew, and the fragrance wafts the cypress wind. The feather coat is ethereal, and the Yao hub is empty.

For a long time, he admires the meal and often collects knotweeds. How to teach the green sac, from then on to visit Hong's house.

2. The Zhongyuan view of the law is empty.

Wudu Kai Secret Record, Mr. Shiraishi Li. The autumn light in the upper realm is clear, and the night air in the middle yuan is clear.

At the emperor of the stars, the crane walked silently. The Yudong Lu clan has long hair, and the moon in the Pearl Palace is the brightest.

Sweeping the altar and the world, cast Jane ghosts and frightened. Fu gave the knife and medicine, and left an immortal name.

3. Zhongyuan works.

The festival flutters and the palace comes, and the Zhongyuan Dynasty worships the Qing Dynasty. The sheep must get the gold bar off, and Wen Qiao will end up with a virtual jade mirror.

Will be shocked to sleep and smell the rain, I don't know how to get lost for the flowers to bloom. There are women who have not arrived in Yingzhou, how to use the green finch as a bird.

4. Midnight Night.

On the night of the first year of the Jiangnan Water Temple, the moon was seen on the edge of the golden su fence. The red candle shadow is close to the fairy, and the green ring light is moving.

The fragrant color hall condenses the blue musk deer, and the dew wraps around the green clothes and miscellaneous Qiluo. The night sky of Xiangshui is far away, and I don't know how to return.

5. Sending Taoist couples in the middle of the Yuan night.

The orange dew has been cleared, and Mr. Dongguo's illness has not been eliminated. The lonely pillow is easy to break the dream, and the short eaves are rare to pass the book.

Guangyun should be close to the sun, and I am still sparse in the reflection of planting flowers. Only the envy of the feather is like water, and the steps are empty.

1, "Five Songs of Separation and Reflection: The Fourth".

Don Yuanzhen. Once the sea was difficult to water, except for Wushan, it is not a cloud.

Take the second flower bush lazy review, half of the edge of the cultivation and half of the king.

Translation: Once to the sea, the water elsewhere is not enough to care; If there is no other place than Wushan, the clouds elsewhere are not called clouds. hastily walked through the flowers, too lazy to look back; Half of the reason for this is because of the pure heart of the cultivator, and half because of the you you once had.

Appreciation: This is a work of mourning for his deceased wife Wei Cong. The poet used the technique of "asking for things to support affection", and praised the love between husband and wife with the words of fine police, and expressed his loyalty and nostalgia for Wei Cong.

The first two sentences "once the sea was difficult to be water, but Wushan is not a cloud" is changed from the chapter of "Mencius: Dedication", "Those who look at the sea are difficult to be water, and those who swim in the gate of the sage are difficult to speak".

The two places are similar, but "Mencius" is a simile, and the metaphor of "viewing the sea" is "swimming in the gate of the sage", which is obvious; These two sentences are metaphors, and the metaphorical meaning is not obvious. The sea is so deep and wide that it dwarfs the water elsewhere. Wushan has the peak of the clouds, the Yangtze River is down, and the clouds are steaming.

2, "Dream Micro".

Don Bai Juyi.

Come to the night and dream together, and you can't collect tears in the morning.

Zhangpu is sick three times, and Xianyang is eight autumns.

Jun buried the mud under the spring, and I sent the world full of snow.

Awei Hanlang went to the same time, did the night platform know at a loss?

Translation: I dream of playing hand in hand with you at night, and I wake up in the morning with tears flowing down my silk handkerchief and don't wipe it. I have been sick three times in Zhangpu, and it has been eight years since the grass grew in Chang'an.

I miss you and the bones of Jiuquan have turned into mud and sand, and I am still temporarily living in the world with white hair. Ah Wei Han Lang has passed away one after another, can Huangquan be dim and dim?

3, "Crying Li Shangyin: Part II".

Don Cui Jue. Empty and talented, he has never opened his arms in his life.

Where are the birds crying and the flowers falling, and the bamboo dies and the withered phoenix does not come.

The good horse is full of no owner, and the old friendship is mourning.

Jiuquan sighed at the separation of three lights, and sent Wen Xing into the night platform.

Translation: There is a high talent in the sky, and there is never a moment of mind in his life. Where do the birds cry and the flowers fall, and the dead bamboos and dead phoenix birds no longer fly.

The good horse does not meet the foot because there is no owner and bends, and the bosom friend loses his heart and mourns from the broken string. There is no need to sigh that yin and yang are separated by yin and yang, and Wen Xing is sent to the grave.