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Liu Zhenyun, male, born in May 1958, is a native of Yanjin, Xinxiang, Henan.
In 1973, he joined the Chinese People's Liberation Army.
In 1978, he was demobilized and became a middle school teacher in his hometown, and was admitted to the Chinese Department of Peking University in the same year.
After graduating in 1982, he went to work at "Farmer".
From 1988 to 1991, he studied at Beijing Normal University and Lu Xun College of Literature.
He began to create in 1982, and after 1987, he successively published in "People's Literature", "Tapu", "Recruit Company", "Touren", "Unit", "Officialdom", "Chicken Feathers in One Place", "Official", "Officialdom", "Officialdom Series" describing urban society and "Officialdom Series" describing the life of cadres, which aroused strong repercussions. However, it is not lost in the concise and direct white drawing technique, so it is also called a "neo-realist" writer. Among them, "Tower Shop" won the 1987-1988 National Excellent Short Story ** Award. The consistent spirit of the work is the portrayal of the living conditions and life attitudes of the little people or the low-level people, with superhuman insight into the human situation, and the boring daily life is written in a calm and objective narrative tone to satirize the daily power relations.
Since 1991, when he published the long story "Yellow Flowers in the Hometown", he began to pursue a new creative realm. In 1993, he published the second novel of the "Hometown" series, "Hometown Gets Along and Spread", and after five or six years, he completed the long masterpiece "Hometown Noodles and Flowers" (first edition of Huayi Publishing House, 1999). "Hometown Noodles and Flowers" embodies his dual exploration of style and content.
The complexity of the structure, the variety of techniques, the complexity of the language, the ambiguity of meaning, etc., are all breathtaking, and have also caused some controversy.
In 2007, he launched ** "My name is Liu Yuejin" and adapted it into a movie. In 2009, he published ** "One Sentence Top 10,000 Sentences", which caused a sensation.
He is currently a member of the National Committee of the Chinese Writers Association, a member of the Beijing Youth Federation, and a first-class professional and technical staff member of literary creation.
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Liu ZhenyunThe literary status is very high. He has won the Mao Dun Literature Award.
He is known as "the best screenwriter in China"; His Liu humor is a bit winding and absurd, but it is not lacking in gentleness. The popularity of this "most winding writer in China" is not inferior to that of film and television stars.
In a sense, Liu Zhenyun's reputation among readers was finally established by relying on the hegemony of the image. He learned from "A Place of Chicken Feathers".
The established humanistic stance of writing about the joys and sorrows of the little people and the experiences of the bottom makes the vast majority of readers feel related. Liu Zhenyun's humor is ridiculed and narrow on the surface, but it is gentle on the inside.
Looking at Liu Zhenyun's quiet hand, he wanted to read his "Tapu", "Chicken Feathers in One Place", and "One Sentence Top 10,000 Sentences".
He has a considerate and transcendent insight into the world of the bottom society and small people, and his ** is actually around the predicament, the dilemma of ordinary life, the dilemma of isolation, the dilemma of communication, etc., so he is ridiculed and ironic, but these predicaments constitute the reality of each of our lives, so the inside is gentle and sympathetic.
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Liu Zhenyun is a national first-class writer, a Chinese male writer and screenwriter.
His "Tower Shop", "Chicken Feathers in One Place", "Unit", "Officialdom", "Official", etc., focus on the relationship between people and the environment; Or the situation of people in the social structure. He described the special contemporary social mechanism of the "unit" and the rules that this mechanism produces for people.
Ungraspable desires, human weaknesses, and strict social power mechanisms constitute a web that is difficult to break free from in the ordinary life world created by Liu Zhenyun's infiltration. The characters who live in it face strong "environmental" pressures and have an unknowable sense of fate and fate; At the same time, in the process of adapting to this living environment, he experienced the distortion of human nature.
For their activities, mutual torture, dumping, and the obscenity, selfishness, and cruelty they show, there is a calm, yet profound revelation and criticism.
This kind of criticism, in some works, is more forcefully expressed in the form of comedy and irony. Compared with other "new realism"**, Liu Zhenyun's works have a more obvious pursuit of "philosophical depth", which refers to his continuous exposure of the ubiquitous "absurdity" and human alienation that occur in daily life. (Hong Zicheng commented).
Liu Zhenyun's humor is probably more buried under the text, his humor is the truth of life caught in complicated language, either a little ridiculous, or a little cold, or even a pleasure in suffering, self-contempt, not obvious, you need to ponder hard. (Commented by critic Zhao Yuebin).
Liu Zhenyun Profile:
Liu Zhenyun, born in Yanjin County, Xinxiang City, Henan Province in May 1958, is a Chinese male writer and screenwriter. In 1982, he entered the work of "Farmer**".
In April 2018, he was awarded the knighthood of the French Ordre des Arts et des Lettress d'Ordre des Arts et des Lettres (Certiles); In May, he served as a member of the 9th National Committee of the Chinese Writers Association.
In September 2020, he won the National Top Ten Film Screenwriter Award at the New Era International Film Festival to celebrate the 70th anniversary of the founding of the People's Republic of China.
On March 21, 2021, the film "Morning Clouds and Twilight Rain", which he served as the literary director, was launched; On September 21, the short series "Goodbye, That Day", which he served as the chief planner, was broadcast on iQiyi; On October 15, iQIYI's young directors created the reality show "Let's Start Filming Movie" and officially announced the guest lineup. Liu Zhenyun appeared on the show as a "member of the film and television green lantern club".
In July 2022, he was a guest on Mango TV's "Longing for Life".
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Liu Zhenyun: Although life is very boring, ruthless and cold, if you think about it, our life is still full of many funs, although this kind of fun is particularly gray. Sometimes we find that people play with each other and disturb each other, and the laughter is very sad, but everyone laughs at each other and it passes.
As far as personal writing is concerned, from the perspective of my desire to write, ** such as "A Place of Chicken Feathers" and "Unit" are by no means a mockery of people and indifference to people, but it is when I found a ray of sunshine in my life that I began to write.
What motivates you to write?
Liu Zhen :: I chose to write for a living because I like it and it brings me a lot of fun. Everyone understands less about the world and more than they understand. Everyone will use their own methods to explore what they don't understand in this world.
Writing is different from other professions, it always has to deal with some unclear things, including emotions, emotions, past events, dreams, these indescribable things, it is particularly difficult for people who want to understand them, literature is not to explain them clearly, but to make impossible things in the world possible, and then stay.
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Liu Zhenyun was a guest on "Longing for Shenghuai Lead Reputation Life" and was rated by netizens as one of the hottest guests this season. The reason analysis is:
Liu Zhenyun's ** department is wonderful and won the Mao Dun Literature Award; It is known as "China's best pre-drama drama"; His Liu humor is a bit roundabout and absurd, but there is no lack of tenderness - this "most roundabout writer in China" is no less well-known than a film and television star; He was named one of the hottest guests of the season in "Longing for Life", mainly because he dared to marry He Jiong and Teacher Huang, and his emotional intelligence was very high. In general, he is the kind of person with a brave character, who dares to speak, do, and speak. Everyone likes the performance of this old artist in this variety show, so everyone will think that his popularity is the highest.
In the previous mushroom house, everyone either ordered food, or Huang Lei ate whatever he wanted. Some of the guests in the big lead section all took hands and never "guided" Huang Lei to cook, but Liu Zhenyun was a little impatient. It can be seen that although Liu Zhenyun looks polite, he did not perform a mask in the show because of the camera.
Although his uniqueness is a bit confusing, this is who he really is; It's no wonder viewers call him one of the funniest guests of the season. It's not funny to say just two words, but it makes people feel funny. In fact, celebrity recording shows are sometimes like this.
Whether you are sincere, blunt or deliberate, everyone can really feel it.
The appearance of Liu Zhenyun made the audience deeply appreciate the art of language. Liu Zhenyun had just arrived in Pengzai, a layman, who took him on a tour of the mushroom house. After seeing Lei and Peng Yuchang's house, Liu Zhenyun said:
You two have really clean and tidy furnishings the room. In a word, Lei and Peng Yuchang were all stunned. At first, they thought that Liu Zhenyun was serious and quite happy.
As a result, when they arrived at Huang Lei and He Jiong's room, Liu Zhenyun said: "Look at this teacher, this room looks messy. Teacher Liu Zhenyun was sarcastic.
What a sense of humor!
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