What are the professional books of Jin Opera and the repertoire of Jin Opera?

1 Xu Hezhi's Way of Drumming: Contemporary Jin Opera Drummer Taidou Zhang Linyu, written by Zhang Zhiyong. --Beijing: Culture and Art Publishing House, 1998--854 pages.

2 Jin opera celebrity Guo Fengying, written by Li Wenhu; Edited by Shanxi Provincial Drama Research Institute. --Taiyuan: Beiyue Literature and Art Publishing House, 1998--258 pages.

3 Jin Opera Literary Field Art: On Tian Jiuyun Niu Qiaozhen's Master and Apprentice Zhang Linyu. --Beijing: People's Publishing House, 1995--433 pages.

4 Collection of Jin Opera Masters Singing Excerpts, edited by Liu Heren and others. --Taiyuan: Beiyue Literature and Art Publishing House, p.

5 The centennial history of Jin opera is narrated by Wang Yongnian; Liu Jucai, edited by Duan Shuren. --Taiyuan: Shanxi People's Publishing House, 1985--346 pages. --Shanxi Opera Historical Materials Series).

6 Jin Opera Huhu Playing Method Edited by Dong Wenrun. --Taiyuan: Shanxi People's Publishing House, 1981--391 pages.

8 Chronicles of Chinese Opera. Shanxi Volume, edited by the Chinese Opera Chronicles Committee. --Beijing: Culture and Art Publishing House, p.

The repertoire of Jin opera includes "Weishui River", "Hitting the Golden Branch" and "Lintong Mountain"."Qiankun Belt"."Shatuo Country", "Zhanwan City", "Baishuitan", "Jinshui Bridge"."Flaming Pony"."Fanwang Palace", "Double Lock Mountain" and so on.

Gao Huaide played in "Cutting the Yellow Robe", and Zhao Yun in "Back to Jingzhou".

On the stage, "Nagasaka Slope".

After Zhang Fei reprimanded Zhao Yun, he used this kind of drum beat to set off the character's irritability and anxiety.

Jin dramaWell-known entertainers

The famous performing artists of Jin Opera include Zhang Baokui, Ding Guoxian, Zhang Meiqin, Niu Guiying, Guo Fengying, Ji Meilian, Cheng Yuying, Hua Yanjun, Liang Xiaoyun, Guo Lanying, Zhang Mingqin, Li Yuexian, Guo Caiping, Yan Huizhen, Wu Zhong, Liu Baojun, Ma Yulou, Miao Jie, Song Zhuan Zhuan and others, ** Liu Heren, Liu Heyue, Ren Xinning, etc., theoretical critics Wang Xiaolin, Wang Jia, Liu Jucai, etc., they are a huge wealth to Jin Opera.

Guo Caiping, a famous Jin Opera performance artist, is a national first-class actor.

The winner of the "Plum Blossom Award" for Chinese drama enjoys the special allowance and the inheritor of the national intangible cultural heritage.

The famous Jin opera repertoire has:

1, "Hitting the Golden Branch".

tells the story of Princess Shengping of the Tang Dynasty who married Guo Hua, the prince of Fenyang, the newlywed Yan'er, and the little couple were very affectionate.

2, "Yuanmen Chop": also known as "Da Yuanmen", "White Tiger Tent" and "Male Chop", a traditional repertoire of Henan Opera. This play is preceded by "Mu Ke Zhai".

Mu Tianwang", followed by "Breaking the Gate of Heaven", called all "Descending Dragon Wood".

3, "Selling Paintings and Splitting the Door": This play is a work drama sung by old students, and there are endless famous performers in the Yi Vulgar Society. In 1956, Mr. Liu Yuzhong won the first prize for his performance in the first Xiqu Observation and Performance Conference.

4, "Empty City Strategy": also known as "Fuqin Retreat", a traditional Peking Opera repertoire, based on "Romance of the Three Kingdoms".

The ninety-fifth episode of "Ma Tan Refused to Lose the Street Pavilion, and Wuhou Played the Piano and Retired Zhongda". The plot of this play is usually preceded by "The Lost Street Pavilion".

followed by "Chopping the Horse" and synthesizing "Lost Space Chop".

5, "Wind and Rain Palace".

It is the opening scene of the Henan Little Queen Yu Opera Troupe, which is an original large-scale historical theme Henan Opera created by Wang Hongli and her team, and has been performed nearly 2,000 times since 1993.

Characteristics of Jin Opera: Jin Opera is characterized by tactful melody, smoothness, beautiful tune, mellowness, cordiality, and clear confession, with the strong local flavor of Jinzhong and its own unique style, and there are new dramas. In the process of development, Jin opera retains the impassioned artistic characteristics of Puzhou Bangzi, and at the same time forms a tactful and delicate lyrical style.

The modern Jin opera "Holding Up the Sun of Tomorrow" has made some attempts in the stage presentation of modern dramas. In terms of innovation, the virtuality of opera performances is highlighted. There is an action of carrying people in the play, and you can't perform on stage with real people on your back, which is both ugly and not conducive to acting skills.

First of all, it is necessary to use the virtual action of the opera to complete, using modern lighting technology to make the action of the real person on the back, and after giving the audience a clear understanding, divide it with lights, separate the actors on the back and quickly roll into the curtain bar in the dark.

The actors on the stage left the opportunity to fully perform, fully demonstrated the virtuality of the programmed movements of the opera, and presented the charm of the programmed movements of the opera performances in a large-scale, freehand and large-scale virtual manner, which was well received by the audience.

Returning to the primary one one by one, chasing the primary one, the second sister, are you now?