What clothes do the various characters in the Jin drama wear

The costumes of Peking Opera are mainly gorgeous, while the costumes of Jin Opera pay attention to the practicality and atmosphere of Piye.

Peking Opera and Jin Opera are both representative of the art of classical Chinese opera, and they have obvious differences in costume design. Peking Opera costumes focus on grandeur and magnificence, with bright colors, often decorated with gold and silver embroidery, and more pompous headdresses. The costumes of Jin opera pay attention to the atmosphere and atmosphere, and the design is different from other operas, but pays more attention to the color and detail design, and cuts into a three-dimensional structure, with various metal decorations.

The neckline, cuffs, crotch and other places on the costume are carefully decorated, and the exaggerated headdress is generally not chosen, but the actual temperament is the main one.

The costumes of Peking Opera and Jin Opera are not only for the identity and status of the characters, but also for the actors to express the characteristics and personality of the characters. Peking Opera and Jin Opera have very different styles and characteristics in terms of costumes. Both pursue the perfect combination of natural beauty and opera beauty, presenting the audience with a magnificent visual experience of opera.

Ding Guoxian, Cheng Yuying, Ji Meilian, Lu Bianchang, Xiao Yufeng, etc.

1, Ding Guoxian.

Ding Guoxian (1909-1972), a famous performing artist of Jin Opera, was formerly known as Ding Buyun and his stage name was "Guozihong". The singing voice of the "Ding School" of Jin Opera created by her has had a profound impact on Jin Opera and promoted the development of Jin Opera art, so she has the reputation of "King of Shanxi Bangzi Xusheng".

Representative works include "Empty City Strategy", "Catch and Release Cao", "Taibai Drunk" and so on.

2, Cheng Yuying.

Cheng Yuying (November 18, 1920 - May 19, 2015), female, Han nationality, from Liangzhao Village, Pingyao County, Shanxi Province. He is the representative inheritor of the first batch of national intangible cultural heritage projects.

Representative works include "Wujia Slope", "Flame Horse", "Shuangguan Huo", "Female Filial Piety", "Qingfeng Pavilion" and so on.

3, Ji Meilian.

Ji Meilian (1921-1979), Jin opera actress. He was born in Xiaqu Town, Wenshui County, Shanxi Province, and later moved to settle in West Street in Wenshui City.

At the age of 13, he worshiped Wang Youfu (stage name "a little red") as his teacher, studied Jin Opera Hua Dan, and also acted in Dao Ma Dan. She was smart and studious, and made rapid progress, and later traveled with her teacher to perform all over Jinzhong and rose to prominence.

Just when she played an important role in cultivating talents for the Jin Opera industry, she unfortunately suffered from illness at the age of socks, and died in Taiyuan on December 16, 1979, at the age of 58.

His representative works include "Fanwang Palace", "Hundred Flowers Pavilion", "Uncle Xi", "Double Lock Mountain", "Seven Star Temple", "Excellent Bi Shi Jade Bracelet", "Hitting the Golden Branch" and so on.

4. Lu becomes Chang.

Lu Bianchang, female, a native of Jieyuan Village, Xie Yuan Township, Xinzhou City, Shanxi Province, a national first-class actor, and a master apprentice of Niu Guiying, a famous Jin opera. Specializing in Tsing Yi, his singing voice is calm and simple, gentle and euphemistic, delicate and moist, with pure charm, and his performance is sincere, dignified and generous, graceful and luxurious.

Representative works include "Hitting the Golden Branch", "Counting Grain", "Godson" and so on.

5, Xiao Yufeng.

Guo Fengying (1921-May 1, 2005), and Qinnu, stage name Eleven, was born in Yuci City, Shanxi. He is a famous Jin Opera performance artist, the founder of the Guo School of Jin Opera (one of the five major schools of Jin Opera), and a national first-class actor. He is a member of the Chinese Dramatists Association.

His representative works include "Picking Up Jade Bracelets", "Hitting Golden Branches", "Small Banquet", "Yellow Crane Tower" and so on.

The characteristics of the makeup of the characters in Jin Opera are natural color matching, which is very distinctive.

The traditional costume design of the characters in Jin opera is unique in structure, with bright colors and rich patterns, continuing the characteristics of ancient Chinese opera costumes. The gorgeous appearance and exquisite workmanship of the traditional costumes of Jin Opera follow a strong hierarchy in artistic aesthetics.

Jin opera is characterized by tactful and smooth melody, beautiful tune, mellow and cordial, clear confession, with a strong local flavor and its own unique style in the central Jin region.

Background color: The base color is made of red and white makeup oil paint to tender flesh color. The depth of the background color should be distinguished according to the strength of the stage lighting, the age and identity of the characters. The order of the base color is to pat the head, nose, and chin first, and then the cheeks, cheeks, and neck.

Danjiao, including Tsing Yi, Hua Dan, Ma Dao Dan, and Wu Dan, must be made up and decorated on their faces and heads according to the characteristics of the characters played in the play before the performance. The makeup of Danjiao is divided into procedures such as patting the base color, patting the blush, fixing the makeup, applying rouge, painting the eye circles, painting the eyebrows, painting the lips, strangling the head, pasting **, combing, and inserting the head and face.

1. Shoot the base color: The background color is mixed from red and white makeup oil paint to tender flesh color. The depth of the background color should be distinguished according to the strength of the stage lighting, the age and identity of the characters. The order of the base color is to pat the head, nose, and chin first, and then the cheeks, cheeks, and neck.

It should be noted that it is the background color, not the wipe, and it must be even. It is also necessary to pay attention to the eyebrows, nose sockets, corners of the mouth, corners of the eyes and other small parts to be comprehensive, neither too thin in color, revealing the true color, nor too thick, such as wearing a mask.

This thing, his makeup is characterized by paying attention to gorgeousness, focusing on retouching, and then being very particular.

Red makeup must have depth.

Ah, the characteristics of Peking Opera character makeup is to show a person's true goodness, beauty, ugliness, joy, anger, sorrow, and joy, and their way of expression is very, very modern, not heavy makeup, but a real characteristic like the characters in stereotypical paintings. aqui te amo。

There are also old students and red students in the beard life. Lao Sheng, playing the role of an elderly person, hangs white three silk or cangs, and the performance is mainly advocated, and the main characteristics are old, dignified and simple. Hongsheng wears three black locks, hooks his red face, and plays a brave and loyal character.