With Mr. Li Shutong s appreciation, what are Li Shutong s poems

As a monk calligraphy, Hongyi is different from some monks and artists in history, such as Zhiyong and Huaisu, although they wear robes, but it seems that their lives are not aimed at firm religious beliefs and sincere religious practice, they are just artists who live in the Zen temple, "crazy to light the world, drunk to get true knowledge", which is completely the artist's temperament and romance. The irony of the white-eyed starling in Bada Shanren's pen is obvious, and his paintings are really a kind of venting, which is WTO accession, and is not transcendent. Compared to them, Hongyi escaped from Zen completely, he took refuge in his own mind, transcended the earth, and wanted to dedicate himself to the cultivation of the Vinaya sect as a Buddha, and he was a pure religious person.

Calligraphy is the embodiment of the mind. Hongyi's calligraphy from the splendor of the vulgar to the plain after the vulgar is the result of cultivating the mind and the sublimation of the master's spiritual realm. Hongyi once said in a letter to Xu Huilu:

It has been more than 20 years since the decay was shaved and dyed, and it is no longer intended in literature and art. Shidian Yiyun: 'Scholars first know and then literature and art', and they are like monks and divorces;In the past, the corrupt people admonished people, 'Literature and art should be passed on by people, not by people by literature and art', that is, this righteousness.

Self-cultivation is more important than self-cultivation, and self-cultivation depends on self-cultivation, Hongyi in his life, life, art, meditation, organic and natural unity, his calligraphy in the soul sublimation at the same time has also been sublimated, Ye Shengtao said when talking about Hongyi's calligraphy in his later years: "Master Hongyi's calligraphy in recent years, some people say that it is close to the Jin people. However, it is impossible to say which one is imitated.

I don't know calligraphy, but I love his handwriting. If I ask why I like his words, I can only intuitively because they have a flavor. As far as the whole picture is concerned, it is like a gentle and humble gentleman, neither arrogant nor humble, with a pleasant face, and he calmly talks there.

is not discouraged, and the kung fu is outside the pen and ink, so the more you look at it, the more interesting it is. This passage speaks of the aesthetic realm that Hongyi's calligraphy has achieved. This kind of appreciation has gone beyond the point of calligraphy, but has gone deep into the essence of calligraphy - the value of cultural concepts.

Patriotism, escapism, classical literati, foreign monks--my evaluation (to put it concisely) The specific article is still written by yourself, and you should exercise more.

Life is like the moon in the west river, and wealth is like frost on the grass.

Master Hongyi's life is admirable.

Li Shutong's poem is as follows:

1, "Farewell":

Outside the long pavilion, by the ancient road, the grass is green. The evening breeze blows the willow flute, and the sunset is outside the mountain.

The end of the sky, the corner of the earth, the acquaintance is half scattered; A glass of turbid wine is full of joy, don't dream cold tonight.

2, "Early Autumn":

Shili Ming Lake is a leaf boat, the west building of the smoke and moon water in the south of the city, a little autumn is delicate and wants to flow, separated by the weeping willows.

The distant mountains are bright and clean, the eyebrows are thin, the idle clouds are fluttering ribbed crepe, the cool breeze at the end of the day sends early autumn, and the autumn flowers nodded.

3, "Spring Outing":

The spring breeze blows the face thinner than the veil, the spring people's makeup is lighter than the painting, the spring people walk in the painting, and the spring people are flying under the flowers.

The pear blossoms are pale and the cabbage flowers are yellow, and the willow flowers are fragrant. The warbler cries that the Venerable Master returns, and the flowers are sparse outside the bell to send the sunset.

4, "Sad Autumn":

The west wind is blowing yellow leaves, and the forest is sparse day and night. The flowers are in a hurry, the dreams are far away, and the scattered ones are hanging.

In the mirror, the face is white, and the time is urging people to grow old. Even if there is a thousand gold, even if there is a thousand gold, it is difficult to buy a thousand gold.

5, "Night Bo Tanggu":

Du Yusheng is going back, there is no grass outside the world. Spring comes and goes, and the streamer urges people to get old.

New ghosts are roaring, and wildfires are burning in the shadows of trees. The moon seems to relieve the pain of parting, and the clear light is reduced to a hook oblique.

"My Country", "Spring Suburb Race", "Sui Di Liu" and so on.

Li Shutong is a famous ** artist, art educator, calligrapher, drama activist, and one of the pioneers of Chinese drama. After he returned from studying in Japan, he served as a teacher and a monk, and then became a monk, with the legal name Yanyin, the name Hongyi, the late name Wanqing Old Man, and was later respected as Master Hongyi.

In 1913, he was hired as a painting teacher at Zhejiang Two-level Normal School (later changed to Zhejiang Provincial First Normal School). Since 1915, he has also served as a painting teacher at Nanjing Higher Normal School, and composed the first school song in the history of Nanjing University. On October 13, 1942, Master Hongyi passed away in the evening room of the Wenling Nursing Home of Quanzhou Fuji Temple.

Master Hongyi also has a strong interest in lianyu, and has a very high level of appreciation and creation. Especially after he became a monk, the master wrote many inlaid couplets for monasteries and susu in various places, which showed his whimsical ideas and profound artistic skills. In the process of propagating Buddhism and leading to lifelong Buddhism, he used the form of lianyu as an ingenious means of persuading others to do good.

The profound and philosophical couplets he wrote have now become a valuable cultural and artistic wealth to warn future generations.