When you play the violin, touch the strings in which range

If you are asking about the contact position of the bow and chord, if you are a beginner, you should use it at the end of the fretboard and the middle of the piano horse

Kneading: The fan-shaped rolling of your fingers on a phoneme on a string is called "kneading", and kneading the string produces a similar wave. Causes the fingers to make a symmetrical arc flip in a short range between the top and bottom of the note.

Three ways to knead strings: There are usually three ways to knead strings that we are exposed to: arm kneading, wrist kneading, and finger kneading.

The effect of these three different kneading strings is naturally different. The kneading of the arm mainly relies on the trembling of the forearm, which sounds enthusiastic. Wrist kneading mainly relies on wrist trembling, which sounds euphemistic.

The finger kneading relies on the finger joints to tremble, which sounds soft and soft. Mastering these three different methods of kneading the strings and being able to use them freely will naturally lead to a change in the timbre of the performance, and enter an extraordinary and wonderful realm. Unfortunately, many players are accustomed to a certain method of kneading strings from the very beginning.

As a result, the timbre of the performance is poor and monotonous.

Special note: It is important to point out here that many children do not have the correct way to knead the strings when they first learn to knead. So there are usually two drawbacks:

One is that the tremor action is too fast and cannot be controlled, forming a spasmodic trembling sound like a little goat bleating. The other is too slow, with irregular twisting of the wrist, and its sound is like the sound of a gramophone without a full winding.

Learn the correct way to knead strings: First of all, you should learn to knead the strings with your wrists. The method is to first place the arm on the thigh or chair arm, then relax the wrist and shake it back and forth, striving to be even, and then put it on the fretboard to practice after the movement is comfortable.

Note: Do not pinch between the big finger and the tiger's mouth, and it is important to emphasize the wrist back when rubbing the fingers back and forth in the position of the fretboard notes, and then move forward back to the original position. And never blindly rub forward, without leaning back.

At the same time, it should be noted that when kneading the wrist back and forth, the joints of the fingers should be driven, and the touch points of the fingers should not be displaced with the kneading of the wrist. When practicing kneading the strings at your wrist, start with three fingers.

Because rubbing with three fingers can make the movement more relaxed, then practice two and one fingers. And when practicing four fingers, you can also put three fingers close to the four fingers to help knead. This practice will make the effect of the flutter more free.

On the basis of wrist kneading exercises, you can gradually learn and become familiar with arm kneading and finger kneading. The purpose is to better enrich the expressiveness of the performance and adapt to the needs of various dynamics and emotional changes.

Of course, there are also some musicians who are used to kneading the strings with their arms in the first place. He can control the amplitude and speed of his arm tremors very freely, and he is also very expressive, which is really valuable.

The kneading of the strings in the violin is like the vibrato of a singer singing, and one can feel the changes in his breath and mood. A good kneading of the strings and a good bow are skillfully combined, and the performance is bound to be as refreshing and beautiful as the beautiful singing. I think you should focus on the wrist kneading first, because you play the violin with your wrist, and when you knead the strings, you move the wrist to knead the strings, and you move your fingers in the direction of the strings.

One end of the string is an iron post, the other end is nothing, first remove all the knobs of the headstock, it is best to remember the corresponding holes, because some pianos with poor workmanship, change the holes can not be plugged in, bend the strings at the end of the iron column, put into the corresponding holes, put the other end of the string from the inside of the headstock through the corresponding hole of the knob, and then through the small hole on the knob (you can cut part of the string with pliers as needed, because sometimes the string is too long, but don't cut too much, otherwise the string will be wasted), Simply wrap two circles, do not reverse the direction, insert the knob back into the hole corresponding to the headstock, gradually tighten, and place the position of the headstock string (equivalent to the groove of the pillow position) when it is tight, in addition: first install the two ends (high and low) strings, do not be too tight, pay attention not to damage the bridge when installing, and then install the middle strings, and then tighten all the strings after all the strings are installed, and the tuning can be done, **********==

I don't have good advice about teaching aids, because I am not a professional to learn this, there are many tutorials on the Internet, you can search for them yourself, it is best to ask a teacher if you have the conditions, at least have a foundation and then self-study or practice, I wish you success!

Children, after learning for a few years, the violin does not know how to install strings, a little outrageous, to explore more in practice, use more brains, more hands,,, strings first through the small hole of the string shaft to leave a little head, turn the string clockwise, so that the string around the shaft press the string head.

The four strings are wound up first, and the saddle is tilted forward, pulled perpendicular to the face, and then wound.

The dynamics of each string are about the same, and the beginning is tuned... 1.Each string should be mounted on a specified pin, and the strings should be wound in order.

2.The strings should be as straight as possible so that the strings are not easy to loosen. Do not stagger, so that the strings are restrained and shaken by each other.

3.After the string penetrates the shaft hole, the direction of twisting is from the inside out, taking care not to reverse twist.

4.In order to make the tuning convenient, the direction and position of the chord shaft should be adjusted when installing the strings.

5.When setting strings, the pitch of the A string is generally set first, and then the D, E, and G strings are determined according to the pitch of the A string. Sometimes, after a few strings have been moved, the pitch of the A string will be low, so it needs to be proofread repeatedly.

6.When learning to set the strings, you can listen to the single note first, and when the pitch is basically set, then pull the two strings at the same time, and adjust them slightly until the sound is completely harmonious.

7.The process of setting the strings is also the process of ear training, and it is important to avoid practicing the piano before the strings are set.

8.The pins will become tighter and looser due to climate change, making tuning inconvenient. If it is too tight, you can apply a pencil lead to apply the shaft, and if it is too loose, you can apply some rosin (chalk ash can also be used).

Pull the xx down the strings, wrap the strings a few times, and then pull the end of the strings to the bottom, thread it, and hook it.

It's simple, but I don't know how to describe it.

Well, the best thing to do is to remove a thread and see it at a glance.

When practicing the violin, the method of holding the piano is very important, the left hand just plays an auxiliary role, gently and naturally placed under the neck, the left thumb is erected and lightly attached to the left side of the neck, this is the basic essentials, if you do not master it well, it will directly affect the effect of learning and playing in the future.

The right way to do this is:

Stand up straight with your feet shoulder-width apart, your body weight will naturally fall on your feet, and your shoulders and arms will naturally hang down. Hold the neck in your left hand and place the piano between the left jaw and the clavicle, and the left jaw can be moved slightly to the right (the advantage of this is that it is for the left hand to play the strings later)."Rudder action"To prepare, the second is to drive the left shoulder slightly to the right, which increases the support for holding the piano). The direction of the headstock, generally along the tip of the left foot, is neither straight forward nor to the left, but somewhere in between - where you feel more comfortable.

You can't tilt your head to the left or press hard, just put the weight of your head on it. The surface is as flat as possible with the ground, parallel to it is not possible, just don't let the surface be too sideways and too inclined (this has the advantage of putting the weight of the bow and right arm on the instrument, which is good for pronunciation).

The use of the piano cushion is generally decided according to the need, the long neck is generally used, and the short neck can be used. It will feel uncomfortable at the beginning of holding the piano, such as putting a piano cushion to relieve it. Holding the piano is no different from standing naturally, and you can still walk, talk, and smile.

Do not clamp too hard. If you can't clamp it at first, you can use your left hand to hold it a little and help, and when you hold the piano naturally, you don't need to hold the role of your left hand.

It looks as if the piano is growing in front of his left side, like an integral part of his body. It should also be reminded that the headstock should not be lower than the surface, but a little higher, at least parallel to the ground.

Don't know if you use "shoulder pads"? When I was a beginner, I used the kind with a curve, not the flat one. It's a lot easier that way.

As for clamping the piano, it is necessary to release the left hand and clamp it, and do not press the strings with the headstock facing downward.

It's going to be the shoulders and chin at first, just get used to it.

Pose like in Figure (4) below.

When playing the violin, the main task of the left hand is to press the strings, the thumb is mainly to press the pitch of the strings, and the violin supports the neck, shoulders and cheeks.

Support with the base of your thumb and forefinger and press the string with your fingertips.

Netizens have already had a lot of suggestions, I guess you are also a self-learner, your problem is mainly the wrong method. Let me talk about my suggestions. 1.

Start by holding the piano at the bottom of the body on the collarbone and on the side against the neck (with shoulder pads). 2.After the piano is in contact with the cheek and the cheek rest, it is hooked backwards, not pressed down, and the piano can be firmly "clamped" with a slight hook.

3.The thumb of the left hand is used to support the neck and press the strings, but it must be relaxed, the thumb is upright, and the first finger is in contact with the neck. 4.

Adjust the strength of the strings. Don't look into the theoretical questions yet, you can't find the answer yet, I recommend giving it a try. Of course, if you want to solve the problem fundamentally, you can only ask professional teachers for guidance.

The violin is a very difficult thing to handle.

No, ask the teacher about the posture of the piano, the piano clamp is not good, and it will be very troublesome to change it in the future.

It is not placed directly above, but has an inclination.

In principle, there is no need to support it, just use the neck to clamp the piano.

However, when pressing the piano, it will put pressure on the neck, so it is still necessary to use the left hand to give the piano a supporting force.

But you should never rely on your left hand, and you must hold the piano around your neck.

Then, after answering, he told me that the answer was incomplete, and let me answer it in combination with questions?!! I can only see the words on the first line, and I want to know what point I didn't answer in the first line? Isn't it possible for me to guess what the questioner is asking!?

You can't play us like this!

Your left thumb and index finger are two bridge piers, and the piano is the bridge on top of it, and the thumb and index finger are like a fork of clothes, and the rest of the fingers are naturally attached to the fretboard.

Check yourself: 1. Whether the thumb is bent inward, this is the most taboo, if you are bent, you must correct it;

2. Whether there is a "rudder", the elbow joint goes first, and the empty rudder should also be rotated with it, so that the 1234 finger can fall vertically according to the string that is pulled;

3. Do you feel very comfortable on your cheeks, and the correct posture is very comfortable;

4. Whether the shoulder pad is suitable for the height of the shoulder pad, whether the shoulder pad is padd on the clavicle, and the shoulder pad should be padd on the clavicle instead of the shoulder.

Summary. The violin's straddling strings are first pulled with a bow and then tuned by the strings.

Whether the violin's straddling strings are fingered first or the bow is drawn first.

This question is up to me, it takes a little time to type, so please be patient.

The violin's straddling strings are first pulled with a bow and then tuned by the strings.

The above is mine, if it helps you, I hope you can give me a thumbs up.

Crossing from the G string to the E string, is it to let the bow go to the E string first?

Crossing from the G string to the E string, is it to let the bow go to the E string first?

Then press your finger. Yes.

Tone. The tone is different. The timbre is the sound of the piano. Loudness is the frequency of vibration, which is actually different. The vibration frequency of the standard tone A1 is 440Hz. Not really.

It's a different tone.

The pedal under the piano can control the loudness.

The make and model of the piano determine the tone.

The length of the strings does not change anything.

The position of the strings of the violin is the same, whether you have a long or short string, the area that produces vibrations is the middle section of the pillow.

The only thing that affects the timbre and loudness of the string is the material and thickness of the string.

The thick strings are thick and the thin lines are soft.

The loudness of the thick line is large, and the loudness of the thin line is small.

Solve the problem of food shortages.

The sound is made through the vibration of the strings. Changing the tone through the tightness of the strings, I learned the guitar so the teacher taught me.

You'll learn physics when you go to junior high school.

The main purpose of the sample survey is to b, to extrapolate the total population.

d Population parameters were estimated using sample statistics.

The effect is to change the tone, for example, using the equalizer, and the loudness is also a little bit, for example, greater than 70% The distortion is very high.