What are the similarities and differences between modern home design and ancient home design?

Modern furniture design is more in line with the needs of the human body, the process is more complex, and the comfort has been greatly improved. The appearance design of modern furniture is more in line with the performance of human use, and ergonomics provides a reasonable and scientific digital scale reference for the appearance design of furniture. The mortise of ancient furniture was made by hand.

It's basically square.

The difference is that the design atmosphere is different, the design of the decoration effect is different, the design method is different, the decoration taste is different, the same place is that it will make the family more comfortable, will make the family more beautiful, will make the family design more coordinated, and will also make the home more comfortable.

Modern furniture design and ancient furniture design in the same place looks pleasing to the eye, try to expand the space, will make the home experience more comfortable, reduce visual fatigue; Different places have different designs, different materials, different comforts, different safety performance, and different production methods.

The same place is that they all pay attention to practicality, very beautiful, and the difference is the choice of furniture, color matching, style, and shape.

China is a country that respects tradition. After thousands of years of traditional culture, ancient Chinese design has had a profound impact on modern design. Chinese furniture culture and art are broad and profound, especially in the Ming and Qing dynasties, furniture design art with its simple lines, simple texture and simple and exquisite wood carving decoration to make the best people forget to return.

The 21st century is known as the new century of globalization, cultural convergence, and cultural crisis. Traditional Chinese culture and art, national culture and art are still an indispensable source of wisdom for contemporary design.

In the history of Chinese design art, ancient furniture is one of the excellent arts and crafts in China, and its development history is long. It is not only a practical product of people's lives, but also a work of art with appreciation value. The simple and beautiful high furniture (Song and Yuan dynasties), the ancient and exquisite Ming-style furniture and the elegant Qing-style furniture, they are attracted by the love and pursuit of thousands of people at home and abroad with their eternal beauty charm, influenced by different environments such as national characteristics and customs, geography and climate production skills, ancient Chinese traditional furniture has formed a exquisite oriental furniture system, unique in the history of furniture development in the world, with a distinctive oriental art style.

The humanistic characteristics of ancient Chinese furniture have also profoundly influenced the development of furniture and interior decoration in the world. The following mainly takes Ming and Qing dynasty furniture as an example to illustrate the influence of ancient Chinese furniture design on modern home design. Characteristics of Ming and Qing Dynasty Furniture DesignThe Ming and Qing dynasties were the period of the highest achievements in ancient Chinese design art, and China's thousands of years of traditional culture created the decorative art style of Chinese furniture in the Ming and Qing dynasties.

Its unique decoration and furniture structure complement each other, making Ming and Qing Chinese furniture a bright pearl in the history of world furniture development. In addition, the decorative art style of furniture in the Ming and Qing dynasties was also influenced by the social and cultural factors at that time, and became a wonderful flower in the history of Chinese furniture.

Ming furniture decorative art, the decorative part is the late Ming and early Qing Dynasty Chinese traditional furniture era. The furniture of this period is simple in shape, fresh and natural in decorative style, and complements and integrates with the furniture structure. Ming Dynasty furniture is good at using various parts of the wooden frame for artistic processing, so as to enhance the effect of the main body of the furniture.

In terms of inlay technology, Ming-style furniture is mostly decorated with inlaid wood and marble. Embedding focuses on the icing on the cake and does not dominate. The Ming-style furniture is also decorated with metal ornaments.

These metal ornaments include hinges, face leaf feet, button tags, and rings. The form is elegant, with a focus on practicality and aesthetics. Different metal ornaments are applied to different furniture and organically combined with furniture.

The beauty of metal and wood combined to make ordinary furniture surfaces shine.

For example, the foldable Maza, which appeared in 1400 BC; Then, in 300 B.C., there was a large folding bed, which made people feel particularly shocking.

I know that in 1400 BC the folding maza was created. Not only is the material very small, but the structure is also particularly stable, light, small and convenient.

Folding maza, folding bed, folding table, tangram, and treasure chest are all very anti-heaven design, very ingenious.

Summary. What are the characteristics of ancient Chinese furniture design rules: concise modeling, line-based strict proportional relationship is the basis of furniture modeling.

The proportions of parts and parts of furniture in the Ming Dynasty, and the proportions of decoration and overall form, are extremely symmetrical and coordinated. The lines of its various parts, the structure is rigorous, the work is fine, and the tenon structure of the Ming Dynasty furniture is extremely scientific. No nails and less glue, not affected by the humidity or dryness of natural conditions, the production of edge accumulation and other practices.

The structural design of Ming Dynasty furniture in a large span is an excellent combination of science and art. 3.The decoration of the Ming Dynasty furniture is moderate, simple and simple, and it can be said that it is diverse, carving, carving, inlaying, and depiction, all of which are used.

What are the characteristics of ancient Chinese furniture design rules?

What are the characteristics of ancient Chinese furniture design rules: concise modeling, line-based strict proportional relationship is the basis of furniture modeling. The proportions of parts and parts of furniture in the Ming Dynasty, and the proportions of decoration and overall form, are extremely symmetrical and coordinated.

The lines of its various parts, the structure is rigorous, the work is fine, and the tenon structure of the Ming Dynasty furniture is extremely scientific. No nails and less glue, not affected by the humidity or dryness of natural conditions, the production of edge accumulation and other practices. The structural design of Ming Dynasty furniture in a large span is an excellent combination of science and art.

3.The decoration of the Ming Dynasty furniture is moderate, simple and simple, and it can be said that it is diverse, carving, carving, inlaying, and depiction, all of which are used.

You can refer to the design features.

The design rules of ancient Chinese furniture, first, the general principle (1) pay attention to the principle of straight lines and rational use of curves, which is determined by the characteristics of neoclassical style, straight lines, plane feet The main body of neoclassical furniture design, whether it is modeling or decoration, should be around these two subjects, curves, curves in its design system can not be too luxurious, exaggerated, for straight lines or planes to play a role in foiling. (2) Respect for re-creativity on the basis of classical art Throughout the neoclassical period of the century, successful furniture designers such as Fresena, Jacob Shen, Hepp White and others in France are all re-creative activities on the basis of studying and digesting classical art. Therefore, modern neo-classical furniture design should be based on the study of classical art (mainly including classical art and traditional neo-classical art), take its essence, and combine local traditional culture, aesthetic habits, and innovative activities.

Chinese interior decoration design has important significance in both modern and ancient times. In ancient times, the living environment was regarded as an important part of people's lives, and interior decoration design was therefore very important. In ancient times, interior decoration design was mainly reflected in furniture, decorative paintings, stone carvings, flowers and other rulers, these elements not only beautify the indoor environment, but also represent the identity and cultural accomplishment of the owner.

In modern times, interior decoration design pays more attention to humanization and comfort, and the design is not only for beautifying the environment, but also considering the comfort and practicality of the user. Modern interior decoration design focuses on the use of space, not only to make the space look beautiful, but also to make the interior space more comfortable. Moreover, modern interior decoration design also needs to consider environmental protection, energy saving, etc., which have a great impact on people's quality of life and health.

To sum up, Chinese interior decoration design has a high significance in both modern and ancient times. In ancient times, interior decoration design represented the identity and cultural accomplishment of the owner, while modern interior decoration design pays more attention to humanization and comfort, and needs to consider environmental protection, energy saving and other aspects.

Summary. In the pre-Qin period, the main forms of interior space in ancient Chinese architecture have basically appeared, and their contents generally include: palaces, ceremonial systems and other major buildings.

This type of high-rise building with a mixed civil structure is "a form of architecture that brings together many individual buildings." The interior space form is characterized by the aggregation of several "small rectangular units" to form a large "high" space. Target.

The floor plan is "front-facing and back-facing".

Residence. The general residence is a single building, and its plane form is "one hall and two interiors". The architectural layout of the mansion is multiple courtyards in front and back. The formation of the courtyard space is a single building.

Hello. In the pre-Qin period, the main forms of interior space in ancient Chinese architecture have basically appeared, and their contents generally include: palaces, ceremonial systems and other main building yards.

This type of high-rise imitation building with a mixed civil structure is "an architectural form that aggregates many individual buildings together." Its interior space form is characterized by the aggregation of several "small rectangular units" to form a large space that is "high and open" and late to close. Target.

The floor plan is "front-facing and back-facing". Residence. The general residence is a single building, and its plane form is "one hall and two interiors".

The architectural layout of the mansion is multiple courtyards in front and back. The formation of the courtyard space is a single building.

What are the interior design features of the pre-Qin period? What are the design features of the interior furniture and interior furnishings?

Dear, I am glad to answer for you the interior design characteristics of the pre-Qin period are as follows: The pre-Qin era is known as the "Bronze Age" of Qizhou, and its decorative art is represented by bronzes. In the decoration of bronzes, it can be divided into two forms: pattern and sculpture, but there is no absolute boundary between the two.

The pattern has a strong symbolism, and in the heyday of the digging bronzes, the fantasy animal patterns such as gluttony, dragon, and phoenix are popular. The main parts of the utensils are decorated with gluttonous patterns, and the dragon and the phoenix appear on the secondary decorative surface. The geometric patterns are mostly irregular cloud and thunder patterns.

The change of decorative style in the Spring and Autumn Period, mainly because the decorative patterns on the bronze ware tend to be simple, and the patterns are more plagiaristic patterns, ring belt patterns and double-headed animal patterns, and the stealing patterns and double-headed animal patterns are all variants of the popular gluttonous patterns and rhombic dragon patterns in the heyday of the empty mu, which are reorganized according to the pattern rules.