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1: The foundation of harmony is the most critical. A good harmony for a song not only adds color to the accompaniment, but also directly determines the style of the song. Arranging different styles of harmonies for a song has a completely different effect. (e.g. the style of the third chord arrangement is very different from that of the jazz chord arrangement).
2: Piano technique is also crucial. When you want to express grandiose ** or want to accompaniment with a fast-moving accompaniment texture, piano playing technique is crucial.
Arpeggios, column chords, hand positions when changing keys, and ......If these techniques are not up to par, there will be a feeling of pre-crying without tears!
One of the quickest ways to learn improvisational accompaniment is to learn to make up chords for songs with a third chord (plus an appropriate minor third chord), and at first learn to only make chores for beautiful and slow songs. In this way, the requirements for piano technique are not too high, and it is easy to master harmonic skills. Recommend a few songs such as:
The moon represents my heart, my heart will go on, and so on.
When I was in college, I had the best improvisational accompaniment in my grade. If you want to be together, you can add me.
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The most important thing is the basic skills, if the basic skills are not solid, that is, some tunes are not played well, how can there be any improvisation.
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First of all, you have to dare to go to the accompaniment! To get the score, you must first have the ability to quickly interpret the song; And then there's a big accompaniment frame.
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This is about talent, I have people around me who have not learned the piano or musical instrument, but can also play the ** that they have just heard, or people who have learned the piano in other performing arts, become improvised**, will change according to the situation, both will be, but talent is important, because there is no learning, it is their own understanding!
Reference: Yourself.
The comprehensive application of relevant theoretical knowledge in piano improvisation accompaniment Piano improvisation accompaniment teaching itself is a course that contains a variety of theories and comprehensive factors of piano performance skills. To master piano improvisational accompaniment, students must have certain piano performance skills, have a good theoretical foundation of harmony, discern the sound of keen listening, have a high degree of cultivation in appreciation, but also have a certain level of polyphony and the ability to analyze works, such a requirement, is not only the embodiment of the overall level of professional teaching in colleges and universities, but also the reflection of students' comprehensive ability, at the same time, piano improvisation accompaniment teaching and piano performance stupid lack of play and harmony, solfeggio ear training, appreciation, work analysis, Theoretical courses such as polyphony are extremely intrinsically linked. To learn piano improvisational accompaniment well, we must pay attention to the interrelationship between the various links, otherwise, it will be like a chain without intermediate links, and it will not be possible to form a coherent and smooth whole.
You mean improvisation, right? This refers to the use of certain ** accompaniment modes that have been pre-practiced to play with the melody as you like. This requires a lot of auditory sensitivity, but of course it is not all innate, as long as it is combined with effective formal training, it is not difficult to do, but of course it is not something that can be learned to lead a debate in just a few weeks.
Generally speaking, when you understand the basic knowledge of what is the coordination of accompaniment and melody, it depends on how much effort you put into practice, if you just want to play a basic and simple song, I believe that a few months and half a year are enough.
Reference: I have many years of teaching experience.
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1. Familiar with various major and minor scales, chords, and arpeggios;
2. Find a good teacher; Practice more.
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Jamming and singing are not exactly the same as playing and singing at the piano, although they both involve playing and singing at the same time. Here's how they differ:
The instruments played are different: improvisational singing is created directly with the throat and voice, while piano singing is played on the piano and singing at the same time.
Differences in style and technique: Jamming is usually improvisation based on lyrics and melodies, while piano singing requires mastery and performance of specific musical notation and techniques.
Complex reflux: Piano playing and singing can use the piano's chords, rhythms, melodies and other elements to create complexity, while improvisational singing relies more on the feelings and inspiration of singers and instrumentalists, and pays more attention to the feeling and performance of improvisation.
Therefore, although both improvised singing and piano playing and singing are played and sung at the same time, they differ in **elements, styles, techniques, and creative methods.
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1. Study Li Chongguang's "Music Theory", the version of the first and second volumes, and understand what chords are? What is a positive and negative scale? What is Natural, Harmonic, Melodic Minor Major? and so on.
2. After reading the first fifteen chapters of Sposobin's "Harmony", you can probably see how to match harmony and chords.
3. At the same time, you can assist in playing some popular piano music, such as Richard's, pay attention to the direction of the left hand, of course, it is best to find a teacher to give a lecture, so that you can learn faster and better.
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Sposobin, A Course in Harmony
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You need to learn basic music theory, and acoustics.
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