The highest note of the piano is C5 in the five groups of small characters, but why do some people s

Maybe it's a mistake... The highest note of the piano is C5 in the group of five small characters, and the tone of the large group cannot be so high.

The fifty-two white keys on the piano repeatedly use the names of the seven basic scales, and in this way, many notes with the same name are produced in the sequence, and in order to distinguish the notes with the same name but different pitches, we divide the sequence into many "groups".

The group in the phonetic sequence ** is called the small character group, and its scale marks are represented by lowercase letters and the number 1 added to the upper right, such as c1 d1 e1, etc.

The groups that are higher than the first group of small characters are named in order: small character group 2, small character group 3, small character group 4, and small character group 5.

The mark of the small print group 2 is indicated by lowercase letters and the number 2 is added to the upper right, such as c2 d2 e2, etc. And so on for the other groups.

The group that is lower than the small character group is named the small character group, the large character group, the large character group and the large character group 2.

The markings of each sound of a small character group are represented by lowercase letters without numbers, such as cde, etc.

Large fonts are represented by uppercase letters without numbers, such as cde, etc.

A group of large characters is marked with capital letters and the number 1 at the bottom right, such as c1d1e1, etc.

The second group of large characters is marked with capital letters and the number 2 added at the bottom right, such as a2b2, etc.

The highest note on the piano keyboard is C5 in the small character five groups; The lowest note is the a2 of the second group of large characters

C5 and G5 in vocal music are equivalent to the C of the three groups of small characters on the piano (the twenty-second white key from the right) In addition, the scores used by the tenor are all notated in the upper octaves, so the C5 and G5 of the tenor are only equivalent to the C of the second group of small characters on the piano (the twenty-ninth white key from the right).

Strictly speaking, the piano does not have a C5, and C5 is just a pitch standard in vocal music, which is equivalent to a C in three groups of small characters.

About the sound group: The piano key has three white and two black, and four white and three black next to each other, which is a sound group. The three whites are cde, the four whites are fgab, and the middle is followed by the semitone adjacent to them.

The second group is the leftmost group of the piano, which has only ab and a semitone in the middle. The small word group is the most ** group of pianos, and the C of this group is called **c.

Arrangement of sound groups: from the left to the right of the piano, in order, there are two groups of large characters, one group of large characters, one group of large characters, one group of small characters, one group of small characters, two groups of small characters, three groups of small characters, four groups of small characters, and five groups of small characters (only C).

Marking: The sound names of large characters are marked with capital letters, and the ordinal number of the sound group is marked at the bottom right of the sound name, and the sound name of small characters is marked with a lowercase letter, and the ordinal number of the sound group is marked at the top right of the sound name.

The tones in the piano are divided into nine groups of diggers, first by size and then by number. From the left side of the piano to the right row, there are two groups of large characters, one group of large characters, one group of large characters, one group of small characters, one group of small characters, two groups of small characters, three groups of small characters, four groups of small characters, and five groups of small characters.

In vocal music, regardless of size, the potatoes are divided into nine groups from scratch. In order, it is zero group, group 1, group 2, group 3, group 4, group 5, group 6, group 7, group 8.

Therefore, C5 in vocal music is equal to the C of the second group of small characters in the piano, and G5 is equal to the G of the second group of small characters in the piano.

C5 is the last note of the piano, and C5 is half a note higher than the highest note of the piano.

The pentatonic position is in the bass position, which is called the second inversion. Because the bass and the upper two notes form a fourth and sixth interval respectively, it is named a four-six chord and is marked with the number "46".

Due to the equitonic relationship, there is no acoustic difference between the in-situ and inversion of the third chord and the other positions of the third chord constructed on the same bass. Therefore, the different bass positions of the added third chord generally need to be distinguished by notation or keying.

The inversion of a chord generally does not change the nature of the chord. The three bass positions of the third chord have different effects on the stability of the harmony. For the same stable chord, the original position is the most stable, the first inversion is second, and the second inversion is the most unstable.

A chord usually refers to three or more notes of different heights sounding at the same time, and the name is arranged in seven tones: C, D, E, F, G, A, and B, any of which can be used as the main note (i.e., the root note of the cherry blossom), plus the upper third and upper fifth, to form the most basic third chord, which is described as follows:

c:135。

d:246。

e:357。

f:461。

g:572。

a:613。

b:724。

The above seven chords are composed of three notes separated by three degrees, so they are called third chords, and these seven third chords are the foundation of all chords.