How to appreciate Chinese cave art, China s three major cave art is .

The extant famous cave art is mainly related to religion. In the case of cave art, there are generally statues, stone carvings, murals, and so on. The statues are generally based on Buddhism, and in the Song Dynasty, there will also be the phenomenon of "Taoism and interpretation in the same cave", from which you can see the traces of the convergence of the three religions (cultural aspect).

Stone carvings are generally drawings and calligraphy, with the latter being the mainstay, and the content ranges from travelogues, stories, and even Buddhist scriptures (historical records). There are generally fewer murals. For example, for a Buddha statue in the Tang Dynasty, we can see the aesthetic fashion of the time from the clothing, posture, lines, and the style of the entire statue (for example, the Tang Dynasty was more atmospheric, and the Song Dynasty was more life-like). There are Buddha statues, Bodhisattva statues, Vajra, Arhats, Tongzi, donors, etc., and from the changes in the statues, we can see that the Buddha statues have slowly evolved from the Indian style to the Chinese style; There are also some other fun things, such as the gestures of Buddha statues, different gestures have different meanings, such as "Dharma", "Nirvana", "Heaven and Earth", etc.

In the case of murals, the social environment of different eras has created different themes, such as the Buddha Bunsheng Diagram --- the Pure Land Disguise Diagram, the former emphasizing the attainment of positive results through suffering, and the latter depicting a paradise. There are also sixteen view pictures, various bodhisattva stories, and various sutra changes. The frescoes pay attention mainly to line and color in terms of formal features.

The appreciation of stone carvings refers to calligraphy.

First look through the history books and related materials, see the carvings and Buddhism, and then go to the field to appreciate it.

Cave art is a kind of religious culture, based on Buddhist stories, flourishing in the Wei and Jin dynasties and flourishing in the Sui and Tang dynasties. It absorbs the essence of Indian Gandhara art, integrates the traditional techniques and aesthetic tastes of Chinese painting and sculpture, and reflects Buddhist thought and its sinicization process. It can be said to be a valuable material for the study of Chinese social history, Buddhist history, art history and the history of cultural exchanges between China and foreign countries.

These thousand-year-old grotto art, condensing the wisdom of folk artists, has left us a wealth of cultural wealth. Grottoes are a form of religious art, but the scope of its involvement goes far beyond religion and art, and can reflect historical reality and social changes from different perspectives.

Chinese traditional culture and foreign Buddhist culture blend with each other, so that the grotto art has been unprecedentedly developed, opened up a new era of Chinese art history, in the process of continuous convergence and integration of Chinese and Western cultures, the formation of a distinctive national style of Chinese grotto art system, which also makes the grotto art unique in the world art forest, become the pride of our national culture.

Answer]: A test of the world point dial] This question examines the art of grottoes in China. Carry it on.

Exam Guidance] The caves were originally a form of Buddhist architecture in India. The grottoes in China were originally excavated in imitation of the Indian grotto system, and were mostly built in the Yellow River valley in northern China. Datong Yungang Grottoes, Dunhuang Mogao Grottoes, Luoyang Longmen Grottoes are known as "China's three major grotto art".

Argument for rent.

There are four of the most famous.

Mogao Grottoes in Dunhuang, Gansu.

Shanxi Datong Yungang Grottoes.

Longmen Grottoes in Luoyang, Henan.

Gansu Tianshui Maijishan Grottoes.

And the rest.

Chongqing Dazu Grottoes.

Sichuan Leshan Giant Buddha and so on.

1.Grotto art: As the name suggests, it refers to the art of creation on grottoes (temples built on rocks and mountain cliffs), mostly through painting or carving in China.

China's four major grottoes include the Mogao Grottoes in Dunhuang, the Longmen Grottoes in Luoyang, the Yungang Grottoes in Datong, Shanxi, and the Maijishan Grottoes in Tianshui, Gansu. Chinese grotto art has roughly gone through three periods, the early period is the Wei, Jin, Southern and Northern Dynasties, the middle period is the Sui and Tang dynasties, and the later period is the late Tang to the Song Dynasty, and the development of grotto art since the Yuan, Ming and Qing dynasties is very limited.

2.Evaluation: On the whole, most of the cave art themes in China are related to Buddhism, and the style is similar to that of India. However, one of the major characteristics of Chinese art is to return to one's own use, so Chinese grotto art has strong Chinese characteristics, such as secularization, human touch, etc., and this is also strengthened with time, such as in the Yungang Grottoes, the early grotto sculpture and the later sculpture are different.

Specifically, each grotto has great differences due to different times, locations, cultural inheritances and other reasons, which cannot be summarized in a unified manner, and should be analyzed according to its characteristics; However, there are certain commonalities in the analysis of the value of different grottoes, such as the level of craftsmanship and the scale of art.

Drawing and making statues in caves.

The carving art of the cave temple is generally referred to as the cave art. The grottoes mentioned here refer to Buddhist temples carved out of the riverside cliffs and other places. China's Buddhist grotto statues in the Three Kingdoms and Jin Dynasty with the wide spread of Buddhism and prevailed, the Sui and Tang dynasties increased day by day, and lasted until the 13th century, this period is the first era of Chinese statue art.

Grotto art includes stone carving, clay sculpture and mural paintings, etc., from today's remaining cave groups, its style can be divided into three periods: the early period is the Wei, Jin, Southern and Northern Dynasties period, the middle period is the Sui and Tang dynasties, the late period is the late Tang Dynasty to the two Song Dynasty, and the development of China's grotto art is carried out along the route from west to east, starting from Xinjiang in the west, passing through Gansu, Ningxia, Shaanxi, Shanxi, Henan, and from Sichuan to Yunnan and Guangxi, which can be said to be all over China.

Grotto art. Ancient Chinese culture is splendid and has a history of more than 5,000 years, and grotto art is a wonderful flower in ancient culture and occupies a very important position. It is widely distributed and reflects the Buddhist art of the Wei, Jin, Southern and Northern Dynasties and the Sui and Tang dynasties in China. The main grottoes in China are the Dunhuang Grottoes in Gansu, the Maijishan Grottoes in Tianshui, the Yungang Grottoes in Datong, Shanxi, the Longmen Grottoes in Luoyang, Henan, the Dazu Grottoes in Sichuan, the Leshan Giant Buddha, etc.

They are carved and painted along the mountain, the image is vivid and natural, and has extremely high artistic value and research value. Although the grotto art in China is different in time and region, the basic characteristics they show are the same. It can be summarized as follows.