Introduction to the method of appreciating Chinese paintings, and how to appreciate Chinese painting

1. To appreciate the works of Chinese painting, we must look at the charm

As far as Chinese painting is concerned, to look at the overall momentum of the picture, in Chinese terms, it is to first appreciate its "charm", then look at its brush and ink taste, composition, color, brush power and lines, etc., and finally look at its shape, whether it seems to be like or shape.

This method of appreciating "Shen Yun" captures the essence of Chinese painting. Because "Shen Yun" is a high-level artistic aesthetic enjoyment, it is the goal pursued by Chinese painters.

2. To appreciate Chinese paintings, we must look at the brush and ink

Chinese painting is composed of lines, which is inseparable from the Chinese artists' love for lines and their unique feelings. It is easiest to capture the image and movement of objects with lines, and it can be said that lines are the unique artistic language of Chinese painters and the soul of Chinese painting.

Introduction to the knowledge of Chinese painting.

Ink is the basic feature of Chinese painting, which can not only determine the image, distinguish light and shade, widen the distance, replace color, but also create the atmosphere of the picture. When looking at its face, it is often not clear that the figurative form is infected, and it is already infected by the abstract rhyme overflowing from the brush and ink of the picture.

To look at a painting, we should also look at its potential from afar, and take its quality from close. Use the unfixed viewing distance to observe the object. Look at the general trend from afar, and look at the quality of the dot line up close. "Be bold and do not forget the subtle", often in the small part, the imaginary part can better appreciate the author's painting ability.

Chinese painting is a unique technique that the Chinese use to show their unique Chinese painting materials.

Zhang Yanjun's works are cautious.

Zhang Yanjun's work.

Zhang Yanjun's work.

The method of appreciating Chinese painting is as follows:

1. To appreciate the works, you should look at the charm.

Vividness is the overall requirement of the work, and it is the highest state that art should achieve. It is also the main criterion for appreciating and appreciating Chinese paintings.

Qi Yun, in traditional Chinese trouser paintings, refers to the sum of spirit and charm. Shi Tao said, "Writing and painting, no matter how old you learn, the first to win with qi is brilliant, and it is out of the paper." It is necessary to be imposing and heroic, not ingenious or tacky.

Yang Weizhen of the Yuan Dynasty pointed out: "Therefore, those who are superior to painting have the form and the spirit. The expressive is also vivid.

The sky is dyed with ink, and there are not many mountains and rocks, but the weather is majestic.

In short, the vividness of qi rhyme is a kind of overall feeling of painting, a kind of spiritual dialysis, and a kind of comprehension of life state. Good works are always born with charm, and the masterpieces that have been handed down in history have the characteristics of vivid charm.

2. To appreciate the work, you need to look at the pen and ink.

Among the six laws", Sheikh listed "bone method with a pen" in second place. In Chinese painting, the "bone method" refers to the method of using lines as skeletons for modeling. It incorporates the rules and aesthetic principles of the use of the pen in Chinese calligraphy, reflecting the strength, texture and beauty of the lines.

Through different lines to reflect the dynamics, direction, rhythm and rhythm of the brush and ink, with the purpose of writing spirit, writing, writing heart and freehand. Therefore, freehand is the spiritual essence of Chinese chain painting.

3. Appreciating works depends on composition and form.

The composition of Chinese painting comes in many forms, and there are also many references, and it is customary to call them "chapter" and "layout". The author organizes and arranges the content and form to form an overall picture that embodies personality, presents momentum, and is harmonious and unified.

The law of composition has its own laws, and the most important law is the unity of opposites in dialectics. The composition is life, vision, cultivation, and style.