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The tutorial of special texture techniques of Chinese painting is as follows:
1. Salt sprinkling method: Sprinkle salt particles on the picture, and use salt particles to infiltrate and appear some textures. When painting, gelatin should be added to the ink and color, if a little glue is not added, the special effect is not obvious; In particular, the texture of birds and beasts requires the harmony of color, ink and glue.
2. Washing and cleaning is the washing products we use daily. The use of washing to make special effects is an occasional method in creation, especially when it comes to winter backgrounds. Bring out the gray color of the ice and snow, use a large pen or brush to draw the ice and snow background lightly and heavily, you need to add water for the light and ink for the dark.
After brushing the background, use a plate to adjust a little to clean, use a hard pen or a small brush to dip the clean bomb on the undried background, add some water and sprinkle it for a few seconds, there will be some traces, these marks are the effect of ice and snow melting, so the effect of showing the snow scene in early spring is very good. It has the same features as the water flush method, but it also has a different effect.
3. Detergent method: Detergent is the detergent we use daily. The use of dish soap for special effects is an occasional method in creation, especially when it comes to winter backgrounds.
Bring out the gray color of the ice and snow, use a large pen or brush to draw the ice and snow background lightly and heavily, you need to add water for the light and ink for the dark.
After brushing the background, use a plate to adjust a little dish soap, use a hard pen or a small brush to dip the dish soap on the undried background, add some water and sprinkle it for a few seconds, some traces will appear, these marks are the effect of melting ice and snow, so the effect of showing the snow scene in early spring is very good. It has the same features as the water flush method, but it also has a different effect.
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There are several kinds of texture techniques in Chinese painting:
1. Kneading paper.
After the paper is crumpled, it can generally be brushed with ink on the front and lined with thick ink or dark color on the back; It can also be lined with light ink as needed.
1 Crumpled on the whole paper.
2 Rub locally.
Cooked rice paper is commonly used. After the main image is completed, knead the part into regular or irregular lines as needed, and flatten it for processing.
3 Draw before kneading.
You don't have to be too specific when drawing. The front side can be painted on the back side, and the two can get different texture effects.
4 Origami. Fold into fine horizontal or vertical lines.
5 Tie paper. Lift the middle of the paper, hold the other parts tightly, and then flatten it, and after brushing the ink, it can be radial.
6 Pressing. Fold the paper horizontally or vertically, spray it wet, roll it, and then flatten the ink color, which can show a finer texture.
2. Tie-dyeing method.
1 Tie-dye before painting.
Dip it in ink or paint it with a pen.
2 Tie-dye after painting.
3 After drying. 4 Wet.
3. Collage digging and patching method.
Raw rice paper: Circle out the unwanted part with clean water, tear off while wet, straighten out the burrs, brush the upper edge with another pen dipped in white paste, and then paste the same type of rice paper, and tear off the excess part.
Cooked rice paper: After cutting off the excess part, wet the edges, lightly tear the thin edges, and stick the paper.
You can also add a few points of paste at the edge after the subsidy to make it roughly fixed, and then adjust it with a pen or rendering to make it full of energy, and then frame it after completion.
1 Cut and disassemble a painting, then reassemble it in its position or in situ (e.g., reorienting a circle or pasting it the other way around).
2 Or put a part of another picture on this picture to form a new relationship. For example, use gold leaf to stick directly on the screen, etc.
3 Interspersed with collage (e.g. painting reeds and fishing boats behind reeds).
Fourth, cardboard occlusion method.
1 Paper Reinforcement Method.
Add paper tendons to the drawing paper, paste it with water, and tear it off after painting, which can express the texture and texture of the mountain stone. Paper ribs can also be added to the rubbing material.
2 Engraving occlusion.
Carve out the images of geese, egrets and so on, and then rub them. Other miscellaneous items: hemp sticks, pine needles, etc.
3 Missing paper plates.
This method is the opposite of the occlusion method, in which a hollow image is cut out on a stiffer piece of paper and used to brush or rub it.
5. Contrast method.
1 Tick on the back.
2 Outline on the front and color on the back.
3. Draw the main body on the front and draw the background on the paper.
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The techniques of Chinese painting are as follows:
Ideation, also known as ideation, is the process of thinking about the image before painting.
Composition - that is, the "business position" in the six laws, also known as the placement of Chen Bushi, etc. That is, the arrangement of the position, proportion, and ink color of various objects in the picture.
With a pen - that is, the "bone method with a pen" in the six methods, there are line drawing, outline, rubbing, rubbing, dot dyeing, pen with the center, reverse front, hidden front, open front, drag pen, break point, etc.
Ink - the development of generations of painters includes: burnt, thick, heavy, light, clear, retreat, Egypt, Su and other ink colors, and each must have its own place when using it. There are also specific techniques such as splashing ink and breaking ink (that is, the color is born).
Coloring - white drawing: no coloring, all expressed with lines, or only slightly rendered with light ink and fresh water color. Heavy Color:
Generally, it refers to the heavy color, outline and color, big green and so on. Light color: ink color as the main tone, applied to light color.
Boneless: Painted purely in color, without outlining. (Purely dyed with ink dots, it is also called boneless.)
Tidying up - after the painting is completed, the whole painting will be cleaned up as a whole, so that the whole painting finally reaches the realm of vividness.
The importance of Chinese painting techniques
a) It can make the painting more expressive.
The creation of Chinese painting does not pay attention to the depiction of physical objects, but pays attention to the expressive expression of the content of the painting. Different techniques can express different effects, so the painter should choose the most appropriate technique according to the actual needs of the painting when making specific creations, so as to make the expression of the content of the painting more expressive. The creative level of a painter is not only determined by the painting tools, but also requires the painter to have a strong level of technical operation and production skills.
It can be seen from this that the technique is of great value in the creation of Chinese painting.
2) It is conducive to the expression of the content of the painting.
For example, in the conception stage, the painter needs to consider what techniques need to be used in the work he creates, and what effect this technique has on the expression of the content of the painting. Only when the painter has done a good job in this link in the early stage can the content and technique complement each other.
3) It is conducive to enhancing the aesthetic concept of the painter.
Everything has its own laws and principles of development, and the creation of Chinese painting is no exception. Painters should fully recognize this point and practice it in their creation. Therefore, the use of techniques is not unrestricted and arbitrary, it needs to be based on the essence of Chinese painting and combine the expression of content.
In the process, the painter also improved the aesthetic concept, which helped to improve the quality of the painting.
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The basic techniques of Chinese painting are as follows:
Pen holding method: Chinese painting is the same as calligraphy. Although everyone's preferences are different, and there is no definite way to hold the pen, beginners must master the basics. When holding the brush, hold the pen barrel with your thumb and index finger, in the shape of a "dragon's eye" or "phoenix eye", and hold the pen with the middle finger followed by the index finger.
After holding the pen, the barrel of the pen generally does not exceed the first knuckle of the index finger. Finger solid, palm weak, wrist flat, five fingers together, operation and retraction should be natural. The calligraphy pen is more rigorous, the painting pen is more flexible, the palm can be straight or horizontal, and the pen can be slightly higher.
2.Brushwork: Brushwork is formed by the line of brushwork.
The line of writing includes three parts: starting the pen, moving the pen, and closing the pen. The pen should be intended to be the pen first, and the pen can be made into an image because of the image. The pen should have strength, the ancients called "the power through the back of the paper", "the bone method with the pen", "the power to carry the tripod", is to emphasize the power of the pen.
3.Ink method: Chinese painting, also known as ink painting, has always used many ink methods, and water is inseparable from ink method.
The ink method uses the action of water to produce different changes of thick, light, dry, wet, dark and shallow. Since it is ink, ink should be used as the body and water as the use. "Ink is colorful" refers to the distinction between the degree of ink used and the severity of ink that is burnt, thick, heavy, light, and dry, dry, thirsty, moist, and wet.
Introduction to Chinese painting: Originated in the Han Dynasty, it mainly refers to scroll paintings painted on silk, rice paper, and silk and framed. Traditional Chinese painting is a traditional form of Chinese painting, which is painted on silk or paper with a brush dipped in water, ink and color.
Tools and materials include brushes, ink, Chinese painting paints, rice paper, silk, etc., and the subject matter can be divided into figures, landscapes, flowers and birds, etc., and the techniques can be divided into figurative and freehand. In terms of content and artistic creation, Chinese painting embodies the ancients' cognition of nature, society and the related political, philosophical, religious, moral, literary and artistic aspects.
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The basic techniques of Chinese painting are as follows:
1. "Bending S" line composition method.
This type of composition is traditional. It is the opposite of the composition method of "zhi" in ancient Chinese art composition, and has strong dynamic characteristics, which can create beautiful and varied artistic effects. When composing, the image should be interspersed with size, front and back, respond to each other, and be coordinated.
2. Free-style composition.
The free-style composition method is similar to the scattered perspective composition method used in Chinese painting, which is free and flexible, rich and varied. When composing, it is necessary to reflect the dense and dense sparse fibers, the size is scattered and the overall coordination is achieved. Avoid equal distances between images.
3. Stacked composition method.
The images are layered on top of each other, and there is no difference between distance and size. The field of vision is infinite, the foreground does not block the background, and it is connected to each other, interspersed and contrasted with each other.
Ink painting: A form of painting is a form of painting made by mixing the concentration of water and ink, and more often, ink painting is regarded as a representative of traditional Chinese painting. It is also known as Chinese painting and Chinese painting. Ink painting is one of the traditional Chinese paintings.
Ink is the origin of Chinese painting, and it is based on the techniques used by brush and ink to form ink painting. Line center pen, side pen, forward and reverse front, dot dyeing, rubbing, breaking ink, plucking ink branch method. The variation of ink on water is divided into five colors.
Painted into a work, inscribed, stamped. It is a complete ink painting.
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