What kind of local opera is Qin dialect?

The Qin cavity is also known as the random play, the random play originates from the West Qin cavity, and the Bangzi cavity is ** in the old Qin cavity (East Road Qin cavity, Tongzhou Bangzi), which is a very ancient traditional opera type. It is mainly popular in Shaanxi, Gansu, Qinghai, Ningxia, Xinjiang and other places in northwest China, and is also called because it uses jujube wood bangzi as a percussion instrument"Bangzi cavity", commonly known as"Mulberry"(It is issued when it is struck with a bang.)"Trance"sound). At the end of the Ming Dynasty, the legend of the anonymous "Lotus in the Bowl" used the song card of [the second offender of the Western Qin cavity], so it is known.

Now Shaanxi Baoji and Gansu Tianshui for the ancient West Qin land, through historical research, the West Qin cavity originated from Gansu Tianshui, and then brought into Chang'an by the merchants, so that it can grow and develop. During the Kangxi Dynasty of the Qing Dynasty, Zhang Dingwang, a native of Jingyang, Shaanxi, wrote "The Theory of Qin Cavity", which shows that Qin cavity has developed into a mature period at this time. During the Qianlong period, Wei Changsheng entered Beijing to perform the Qin dialect, which caused a sensation in Beijing.

It has a direct impact on the formation of the sound cavity of Bangzi in various places.

Due to the different areas where it is prevalent, the Qin cavity has evolved into different genres: the Qin cavity of the East Road (that is, the same state tie, also called the old Qin cavity, the East Road Bangzi) that is popular in the area of Dali and Pucheng in the Weinan region of eastern Guanzhong;It is popular in Fengxiang, Qishan, Longxian and Tianshui in Gansu Province in the Baoji area of central and western Guanzhong, and is called the West Road Qin Cavity (also known as the Xifu Qin Cavity, West Road Bangzi);Popular in the Hanzhong area of Yangxian, Chenggu, Hanzhong, and Chuxian in the Han tune trance (actually the South Road Qin dialect, also called the Han tune Qin dialect, 桄桄 opera);Popular in the area of Xi'an, it is called the middle road Qin cavity (that is, Xi'an random bomb).

One of the west roads became Bangzi after entering the river;East Road is Jin Opera in Shanxi, Henan is Henan Opera, and Bangzi in Hebei, so Qin Dialect can be regarded as the originator of Peking Opera, Henan Opera, Jin Opera, and Hebei Bangzi. Due to the influence of local dialects and folk dialects, the Qin dialects are slightly different in terms of pronunciation, singing, and other aspects. In the past 50 years, the development of the eastern, western, and southern Qin cavities has tended to stagnate, and there is a tendency to be replaced by the middle Qin cavity.

Qin dialect originated from the folk songs and dances of ancient Shaanxi and Gansu, which grew up in Chang'an, the political, economic and cultural center of ancient China, and gradually formed after the creation of generations of people, because since the Zhou Dynasty, the Guanzhong region was called "Qin", and the Qin dialect was named after this, and it is a fairly ancient drama. Because of the jujube wood bangzi as the percussion instrument, it is also called "bangzi cavity", because of the "trance" sound when hitting the knot, it is commonly known as "the pinnacle". Qing man Li Tiaoyuan's "Rain Village Drama" cloud:

It is commonly said that the Qian family is embellished with hundreds of Qiu outer sets, and there is a Qin dialect. Started in Shaanxi, with Bang as the board, the moon qin should be, there is also a tight and slow, commonly called Bangzi cavity, Shu is called the messy play. In the past, Kunqu opera and high-cavity operas other than the opera were called "random plays", and some Peking Opera was called "random plays", and some dramas were named after random plays, such as Wenzhou and Hebei, which are still more used in the general name of the Bangzi cavity system with the Qin cavity as the first and the mainstay.

Qin cavity "formed in Qin, refined in the Han Dynasty, Changming in the Tang Dynasty, complete in the Yuan, mature in the Ming, broadcast in the Qing Dynasty, after several evolutions, it is a grand view", is a very ancient opera, can be called the originator of Chinese opera, the Ming Dynasty Wanli (AD 1573-1620) "Lotus in the Bowl" legendary manuscript, there is a paragraph indicating that the lyrics sung in the singing voice of [Western Qin Dialect Two Criminals], and they are all seven words of the upper and lower sentences, indicating that the Qin dialect was not only formed at that time or before that, but also has been spread to other places.

Qin dialect is a kind of art opera based on the pronunciation of the land of Sanqin, with the standard of the correct cavity of the word, the unique rural sound, the distinctive rhythm, the loud singing tone, the sound quality is crisp, pleasant to the ear, and the folk customs of the northwest are swayed freely.

Qin dialect is the root of Shaanxi people, is the spiritual food of Shaanxi people, the old Shaanxi was born to love Qin dialect, a day do not roar and panic.

Qin dialect is a local opera in Shaanxi and Gansu provinces.

Qinqiang opera, also known as "Bangzi Cavity" and "Shaanxi Bangzi", one of the oldest dramas of the Han nationality in China, originated in the Western Zhou Dynasty and originated in Xifu. Matured in Qin. It is one of the national intangible cultural heritages.

In ancient times, Shaanxi and Gansu belonged to the Qin State, so it was called "Qin Cavity". Because in the early Qin dialect performance, it was often accompanied by jujube wood bangzi percussion, so it was also called "bangzi cavity".

After the Qin cavity was formed, it spread throughout the country, and because of its complete set of mature and complete performance system, it had a different degree of influence on the opera genres in various places, and directly influenced the Bangzi cavity to become the ancestor of the Bangzi cavity opera. Qin's performance skills are simple, rough, bold, full of exaggeration, strong breath of life, and rich in skills.

Singing

The singing cavity of the Qin cavity is a plate variation, which means that the dissipation and infiltration is based on a tune, and a series of different plate styles are formed through changes in beat, rhythm, melody, speed, etc. The Qin cavity singing cavity includes two parts: "board road" and "color cavity", and the board road has six basic plate types, such as two six plates, slow boards, arrow boards, two inverted plates, belt plates, and rolling plates.

Color cavity, commonly known as the "second tone" of the Chong Brigade, has an octave of pitch, and is mostly used in the emotional turmoil of the characters and the ups and downs of the plot development. The Qin dialect is sung with a false voice, and the drag tone must be attributed to the "An" rhyme, which is full and hearty to listen to, and is extremely expressive, which is also the difference between the Qin dialect and other local operas.

Qinqiang opera, one of the oldest dramas of the Han nationality in China. On May 20, 2006, it was approved to be included in the first batch of national intangible cultural heritage list.

Origin: The Qin dialect originated from the folk songs and dances in ancient Shaanxi and Gansu, and developed around Chang'an, the political, economic and cultural center of ancient China.

The Qin cavity was formed in Qin, advanced in Han, prosperous in Tang, complete in Yuan, mature in Ming, and broadcast in Qing [1].

During the Kangxi period of the Qing Dynasty, Zhang Dingwang, a native of Jingyang, Shaanxi, wrote "The Theory of Qin Cavity", and the Qin cavity had already developed and matured at this time.

In the Qianlong period, Wei Changsheng entered Beijing to perform the Qin dialect, which caused a sensation in Beijing and directly affected the formation of the Bangzi vocal cavity in various places.

In 1912, the Yi Folk Society was founded in Xi'an, specializing in the Qin dialect, determined to reform, launched many new dramas, and absorbed the methods of Peking Opera and other operas, and the singing voice tended to be soft and gentle.

Features: Qin dialect singing is divided into two kinds: happy and bitter, the former expresses cheerful and joyful emotions, and the latter expresses sad and desolate emotions.

There are slow boards and two plates.

Sixth, the generation of plates, starting plates, sharp plates, rolling plates and flower cavities, among which the drag cavity is particularly distinctive.

The main instrument is the banhu, which has a sharp and crisp pronunciation.

Qin's performance is simple, rough, bold, and full of exaggeration, and he sings and roars" is known as one of the eight monsters in Guanzhong.

The role line is divided into four lives (old students, Xu students, small students, young students), six Dan (Lao Dan, Zhengdan, Xiao Dan, Hua Dan, Wu Dan, Matchmaker), two net (big purification, Mao Jing), one ugly, a total of thirteen doors, also known as Nazhi "thirteen nets".