Qin dialect is one of the oldest dramas, what is the history of its development?

The history of development is relatively noteworthy, with a very far-reaching and long history. It is one of the oldest dramas of the Han nationality in China, which began in the Western Zhou Dynasty and gradually matured during the Qin Dynasty. Later, it was included in the first batch of national intangible cultural heritage lists.

It was very popular in ancient Shaanxi and Gansu. It's been a long time coming.

As early as the Western Zhou Dynasty, this art existed in the core area of Xifu, and finally reached its peak during the Qin Dynasty, and in the long process of development, it absorbed other miscellaneous operas and formed a unique artistic style.

The Qin cavity originally emerged in the northwest of China, originated in the Tang Dynasty, became mature in the Ming Dynasty, and reached its peak during the Qing Dynasty, and was the first batch of national intangible cultural heritage in China.

Qin dialect is the ancestor of Chinese opera in Chinese opera.

In ancient times, Shaanxi and Gansu belonged to the Qin State, so it was called "Qin Cavity". Because in the early Qin dialect performance, it was often accompanied by jujube wood bangzi percussion, so it was also called "bangzi cavity".

After the Qin cavity was formed, it spread throughout the country, and because of its complete set of mature and complete performance system, it had a different degree of influence on the opera genres in various places, and directly influenced the Bangzi cavity to become the ancestor of the Bangzi cavity opera. Qin's performance skills are simple, rough, bold, full of exaggeration, strong life atmosphere, and rich skills.

Qinqiang opera, one of the oldest dramas of the Han nationality in China. On May 20, 2006, it was approved to be included in the first batch of national intangible cultural heritage list.

There are different opinions on the origin of Qin opera, mainly the following points: "Began in Qin, entered the Han Dynasty, flourished in the Tang Dynasty, became the Yuan, matured in the Ming Dynasty, sowed in the Qing Dynasty, and evolved several times to become a grand view." "Known as the originator of Chinese opera.

The singing voice of the Qin dialect was developed in the Tang Dynasty, and with the stability and prosperity of society, people's spiritual needs became more and more abundant. Chang'an is also an international city, so there is naturally no problem in developing the Qin cavity. Every time there is a major celebration and festival in Tianshui, the locals will organize ** meetings and rallies.

Even if the house is built, it is necessary to invite Qin opera artists to come to the house to calm the nerves, the Qin dialect is mainly based on the pronunciation of the Guanzhong dialect, especially the language of the counties in the Jing River and Weihe River basins, since the Zhou Dynasty, the Guanzhong area is called "Qin", from which the Qin opera is named, is one of the very ancient operas.

For more than half a century, the Qin dialect has almost always been an important genre of opera on the Beijing stage, and it is also a genre that has swept many parts of the country. According to the statistics of relevant historical materials of the Qing Dynasty, except for Shanhaiguan, the three northeastern provinces did not have Qin Qiang's footprints at that time, and other provinces were popular. In the process of popularization, combined with other forms of opera and folk art, it gradually evolved into various Bangzi sound operas in various places.

By the end of the Qing Dynasty, it had become a popular local opera in the northwest region.

After the founding of the People's Republic of China, Shaanxi, Gansu, Ningxia, Qinghai and Xinjiang successively established professional Qin opera troupes at or above the county level. By the early 1980s, there were more than 300 troupes. The provincial troupe has the Qin Opera Troupe of the Shaanxi Theater.

Gansu Provincial Qin Opera Troupe, Ningxia Hui Autonomous Region Qin Opera Troupe, Qinghai Provincial Qin Opera Troupe (later changed to Xining Suo Opera Troupe), Xinjiang Uygur Autonomous Region Mengjin Opera Troupe.

The Shaanxi Yisu Society was established in Xi'an with the aim of changing customs. Some innovations have been made in Thai opera, singing, performing arts, directing, stage design, etc., and a large number of new dramas reflecting the bourgeois-democratic revolution have been created. Under this influence, Shandong, Hebei, Tianjin, Gansu, Ningxia, Shaanxi and other places successively established opera groups imitating the Shaanxi Yi Folk Society.

The time of formation is the Qin Dynasty, and then the Han Dynasty reached the effect of refinement, the gradually complete time was in the Yuan Dynasty, the time of gradual maturity was in the Ming Dynasty, the Qing Dynasty achieved the effect of widespread spread, the Qin dialect is popular in Shaanxi, Qinghai, Gansu and other places in China, is our country's intangible cultural heritage.

It is generally believed that the direct ** of the current Qin cavity is the opera troupe of the Ming and Qing dynasties, which was basically stereotyped at the end of the Qing Dynasty and the beginning of the Republic of China.

Qin cavity originated in the Tang Dynasty, in the performance process gradually formed the most unique characteristics, and more and more representative work, after thousands of years, the script has no freshness, so Qin cavity began to innovate the script, keep up with the trend of the times.

The Qin dialect was formed in the Tang Dynasty, finally completed in the Song Dynasty, and was more mature in the Ming Dynasty, and the Ming Dynasty was prosperous in the Qing Dynasty, and after several changes and developments, it finally formed an ancient drama culture.

What is the development process of the Qin dialect, the oldest drama of the Han nationality in China? Let's take a look at this problem**, I hope these contents can help friends in need.

The origins of Qin opera are different, and the key points are the following aspects: "Originated in Qin, entered in the Han Dynasty, flourished in the Tang Dynasty, became in the Yuan Dynasty, perfected in the Ming Dynasty, and sowed in the Qing Dynasty. "It is known as the originator of Chinese opera.

The singing style of Qin opera developed in the Tang Dynasty, and with the stability and prosperity of the times, everyone's spiritual needs became more and more colorful. Beijing Chang'an is also a big global city, so there is certainly no problem with the development trend of Qin-style opera. Every time there is an important celebration and festival in Tianshui City, the locals will organize concerts and gatherings.

Even if the house is built, you also need to invite Qin opera stars to come to the house to calm the nerves, Qin opera is dominated by the pronunciation of Guanzhong's hometown dialect, especially the language expression of counties and cities in the Jinghe River and Weihe River sections, since the Zhou Dynasty, the Guanzhong region has been called "Qin", Qin opera has become famous, and it is one of the Chinese operas with a very long history.

For more than half a century, Qin-style opera has been the main school of Chinese opera on the stage of Beijing, and it is also a school that prevails in many parts of the country. According to the statistical analysis of the relevant historical data of the Qing Dynasty, at that time, except for the mountains and seas, there was no trace of Qin Qiang in the three northeastern provinces, and other areas were in vogue. In the course of fashion, the integration of other forms of Chinese opera and folk culture has slowly transformed into a variety of Bangzi vocal operas across the country.

By the end of the Qing Dynasty, it had become a popular local opera in the northwest region.

After the founding of the People's Republic of China, Shaanxi, Gansu, Ningxia, Qinghai and Xinjiang successively established Qin opera troupes at or above the county level. By the early 1980s, there were more than 300 troupes. The provincial troupe has the Qin Opera Troupe of the Shaanxi Theater.

Gansu Qin Opera Troupe, Ningxia Hui Autonomous Region Qin Opera Troupe, Qinghai Qin Opera Troupe (later changed to Xining Suo Opera Troupe), Xinjiang Uygur Autonomous Region Mengjin Opera Troupe.

Shaanxi Yisu Society was founded in Xi'an and is committed to changing customs and customs. He has carried out some independent innovations in the fields of Thai drama, song singing, art performance, film directing, stage decoration, etc., and has written a large number of new TV dramas that embody the bourgeois revolution and the new democratic revolution. Under the danger here, Shandong, Hebei, Tianjin, Gansu, Ningxia, Shaanxi and other places have successively established Chinese opera teams that emulate the Shaanxi Yi Folk Society.

Qin dialect is the oldest drama in China, and the development of Qin dialect has a long history, with national culture and charm. The history of the Qin dialect is even longer than that of Peking Opera.

The development process of the oldest Qin drama of the Han nationality is also very tortuous, with initial development in the Han Dynasty, and later only in the folk process.

It has a development history of 5,000 years, so such a process is very long and has a special sense of history.

The origin of the Qin cavity remains a mystery to this day, but it is known that it began to rise in northwestern China. Qin dialect is the ancestor of opera, which can be traced back to the pre-Qin period. In the Book of Songs, people use Qin music and Qin sound to sing Qin Feng, which is the earliest origin of Qin opera.

In ancient China, Shaanxi Province and Gansu Province belonged to the Qin State, so they were called "Qin Qiang". However, writing alone is not enough to form the theory of Qin opera in the pre-Qin period. Although there is no conclusive evidence, there is direct evidence that Qin opera was formed during the Tang Dynasty.

It is said that in the Tang Dynasty, Tang Xuanzong Li Longji established a pear orchard and sang court ** and folk songs. In the pear orchard, there is a ** home called Li Guinian. His song "King Qin's Breaking Array Music" is called Qin Wang Opera, referred to as "Qin Opera", which may be the earliest Qin Opera.

By the Song Dynasty, Song Ci had a profound impact on the Qin dialect, and the content of the Qin dialect became more and more perfect. The Qin cavity is quite ancient. At that time, it was also known as the "Bangzi Cavity" because it used the Bangzi as a festive instrument.

When voice-over, the beat makes a "vanishing" sound. During the Ming and Qing dynasties, the development of the Qin dialect was gradually completed. During the Wanli period of the Ming Dynasty, the Qin dialect was no longer limited to the performance of a certain region, but was reflected in all parts of the country and sung in China, worthy of its name.

With the art and culture of the Han nationality as the main body, the Qin dialect integrates the best of other ethnic groups, and is the crystallization of the cultural and artistic exchanges between the Silk Road and other ethnic groups in ancient Chinese history. Although the Qin cavity is only distributed in northern Shaanxi, China, in fact, the Qin cavity carries deep feelings and blood. It symbolizes the expression of Chinese people's feelings.

Chinese art is indigenous and deeply rooted in the heart of the Chinese nation.

In addition, known as the "ancestor of Chinese opera", the Qin dialect is a treasure of Chinese opera art and a living fossil of national culture, providing important clues for the study of Han culture and the pursuit of ancient art forms. As a representative of intangible cultural heritage, Qin dialect is the foundation for the development of traditional opera, and it is also the best interpretation of Chinese culture, which has been vividly promoted. However, we have to admit that the historical significance of the Qin dialect is very far-reaching, and the reform and innovation of the modern Qin dialect has gradually reappeared in front of the world in another way.

The Qin dialect can be traced back to the Tang Dynasty, when the people of the Qin Dynasty did not live particularly well with their backs to the loess, but they were very resolute, and they would sing the Qin dialect when they were doing farm work. In the Ming Dynasty, the Qin dialect was already relatively well developed and liked by many people, so it slowly grew.

It should be traced back to the pre-Qin era, the Qin dialect is known as the ancestor of a hundred operas, in the Qing Dynasty, the development was relatively fast, performed in other countries, there are many fans.

In the pre-Qin period, it was very popular in the northwest region at first, and then it was loved by the people, and later it was recognized by other places in the process of communication between the people.

Qin dialect is one of the opera arts in China, which first began in the Yuan Dynasty. This kind of opera art began to spread widely in all major regions of our country through continuous singing.