Yu Qiuyu s prose looking for 5 contrast sentences, Yu Qiuyu s prose features?

Contrasting sentences: 1. The second paragraph of "Ruins" in Yu Qiuyu's prose "Cultural Journey" "is either full of nostalgia in winter, or pragmatic and trendy." Those who are nostalgic only want to use the past and the present, and those who tend to the times only want to destroy the past with the present. ”

2. Yu Qiuyu's essay "Night Sailing Boat" in the fifth "The waves at the bow of the ship can't splash in; The wind outside the ship can't blow in. ”

3. In Yu Qiuyu's essay "Dream of the West Lake", "I can no longer read the hand-me-down texts, only the couplets of dragons flying and phoenixes dancing on the pillars remain." There is no longer a generous grudge, only a few pavilions that can be hung and rested on, and there is no longer any expectation of the tremor of history, only the awe-inspiring Wangu Lake and Mountain. ”

4, Yu Qiuyu's prose "A Corner of Dongting".

First, the "mind is bigger, Dongting Lake is smaller." ”

5. Yu Qiuyu's prose "Dujiangyan" "He is stupid and wise." He is clumsy and clever. ”

6. In Yu Qiuyu's essay "White Lotus Cave", "soft fingers touch the hard fossils, and the fleeting life asks about the infinite history." ”

7. In Yu Qiuyu's essay "Mogao Grottoes", "Compared with the pyramids of Egypt, the Shanqi Tower of India, and the Colosseum ruins of ancient Rome, many cultural sites in China often have layers of history. ”

For example, when it is written about "white-haired Suzhou", Suzhou is "gentle words, beautiful faces, elegant gardens, and deep streets......"It expresses a soft emotion with a light rhythm and melody. In the face of the tragic destruction of the Mogao Grottoes in Dunhuang, it is to face the "miserable white walls, miserable white strange phenomena, and the brain is also a miserable white." In the same way, he expresses his grief and helplessness, which makes the color of the article more distinct.

Maturity is a bright but not dazzling brilliance, a mellow but not tired sound, a kind of calmness that no longer needs to be observed by others, a kind of atmosphere that finally stops complaining to the surroundings, a smile that ignores the commotion, a kind of indifference that washes away the extreme, a kind of thickness that does not need to be spoken, a height that can see far but is not steep.

Side: Growing up is understanding many things, and maturity is understanding many things but not saying them. Hope.

The busy people of the contemporary metropolis occasionally come to Gangnam Town on holidays or some other opportunity to make weekday administration.

The hustle and bustle, the clamor of personnel, the gushing fame and fortune, the deceit of the self is immediately purified, and the sound of his boots stepping on the street stone is empty.

I hear my own heartbeat in the sound, and soon, I will walk into a kind of empty enlightenment, and I will linger. It's a pity after all.

To return, to return to that hustle and bustle.

Fluency, profundity, sharpness, reality, the mixed use of rhetorical devices, the combination of argumentative and lyrical, the integration of national essence and culture.

The prose not only has a cultural research on the peaceful and prosperous era and the unification of the country, but also a historical reflection on the autumn of the troubled times and the misery of life; There is not only a retrospective analysis of the prosperity of European society after the Renaissance, but also a rational exploration of the complete collapse of several ancient human civilizations. With his extensive knowledge of both China and the West, and his ability to control the language, the author has narrated many major historical events and abstract cultural concepts like a number of treasures, exuding philosophical brilliance everywhere. Its excitement is heartwarming; When they are sad, they make people feel sad and give them knowledge, strength, wisdom, enlightenment, and the confidence and decision of national self-esteem and self-improvement.

This is the charm of Mr. Yu Qiuyu's prose, and this is also the reason why Qiu Yuyu's prose can be popular at home and abroad and endure for a long time.

In order to enable readers and friends to fully understand the essence and essence of Mr. Yu's articles, we have selected 56 articles from Mr. Yu's "Cultural Journey", "Notes on Mountain Residences", "The Long River of Coldness", "A Sigh for a Thousand Years" and "Walkers Without Borders", and compiled this book "College Students: Yu Qiuyu's Prose Appreciation". The purpose of the compilation is as follows: first, to expound the context of the rise and fall of several ancient human civilizations and the merits and demerits of traditional culture, and to contribute to the prosperity of the rejuvenation of Chinese civilization; second, to taste the author's life perception of the vicissitudes of life and the philosophy of life full of wisdom, with its future long life journey to avoid detours, climb high and look far; Third, summarize the author's writing characteristics and article layout, and explore the aesthetic connotation, so that people can broaden their horizons in the enjoyment of relaxation, pleasure and beauty, improve their literary quality, and learn the way of prose creation.

Brother, you are going to post a specific article, otherwise how will we evaluate it!

Yu Qiuyu's prose has a strong sense of cultural introspection, lamenting the rise and fall of civilization in the retrospective history, and thinking about the mission and destiny of intellectuals in the search for ancient traces. "Cultural Journey" is not only a contemporary Chinese intellectual's all-round and in-depth observation and identification of the outstanding cultural heritage of China and foreign countries, but also writes about the "cultural journey" of Chinese intellectuals in the process of more than 2,000 years of civilization - their suffering, struggles, achievements and failures, thus singing an endless elegy not only for the tragedy of the intellectual's life, but also for the tragedy of the entire national culture. From the establishment of the Tianyi Pavilion Library and its history passed down from generation to generation, we can see the unique and arduous way of transmission of Chinese culture and the tenacious cultural conscience of Chinese.

It was the wild land at that time that made "Liu Zongyuan a unique image". From its cultural personality, Yu Qiuyu thought of the soul of Chinese culture: "Only here can the literary and brilliant chapters be extracted from the folds of the court newspaper, re-condense people's hearts, and form a square circle", "Generations of literati have increased their arrogance and self-confidence, so that Chinese civilization will not be completely bleak."

The imperial court never thought that it was the imperial approval issued by the Southern Wilderness that ignited the spirit of the nation. In "Mogao Grottoes", Yu couldn't hold back his inner excitement, and poured out his heartfelt admiration for the charm of Tang Dynasty mural art in a large paragraph: "There is nothing here, only human life is steaming."

At the same time, he also profoundly criticized the "degrading official culture", "hidden culture" and "night sailing boat culture" of feudal society (see "Liuhou Temple", "Dream of West Lake", "Night Sailing Boat"); He sincerely admired the eloquence of the Kangxi Emperor and was angry at the incompetence of his successor ("The Back of a Dynasty"); He was surprised and admired by the rise of "commercial culture", a heterogeneous factor in Chinese culture, and sketched with regret the decline and extinction of this culture ("Jiangnan Town", "Shame on Shanxi"). Most of Yu Qiuyu's prose works reflect on culture in the form of travel. He always returns to a specific historical atmosphere and cultural situation, seeking the meeting between the literati and the landscape, so that his works are filled with a strong sense of heaviness and vicissitudes.

He called the landscapes with many ancient cultural accumulations, through time and space, and the intersection of ancient and modern landscapes, as "humanistic landscapes". In the text, what he makes is not an ordinary cultural commentary, but expresses the aesthetic humanistic meaning under the dual role of sensibility and intellectuality. Yu Qiuyu gave full play to the advantages of being a scholar and a writer, taking sensibility as his feelings and intellectuality as his learning, so that the humanistic connotation of the landscape and scenery poured out, giving people a strong shock.

Yu Qiuyu (1946), with the unique spiritual bearing and aesthetic demeanor of cultural prose, constitutes a landscape in the field of contemporary Chinese literature and even contemporary Chinese culture. It is jokingly called: walking through the cultural journey of history.

1. Yu Qiuyu's prose is based on the cultural trend of a hundred years or even thousands of years, recovering the major issues that have plagued several generations, avoiding the fetters of vulgar sociology and political science, and pointing directly to the depths of the national psyche. His prose is based on the deep affection for traditional culture, and is dominated by cold rationality, and painstakingly combs and highlights the inner vitality of traditional culture, and declares in an inspiring form: There are reasonable factors in cultural traditions, and in order to complete the creative transformation of national culture and the reshaping of national cultural personality, we cannot depart from the strong national cultural tradition.

Second, in the light of deep reason, he saw the helplessness and sorrow of the traditional literati who were mediocre from entering the office, illuminated the serious deviation between the official character and the literary style, and at the same time praised the cultural celebrities who created rich spiritual values due to being degraded with infinite affection. At the same time, he has always been sticking to his defense line as a cultural person, and has done a cultural journey in the way of a life journey

3. With the attitude of "sacrificing beauty", the traditional culture is selected in a cold and rational spirit.

Yu Qiuyu copied.

The prose is called "Autumn Rain Body". baiHis article Dadu mostly uses analogous sentences, zhi

The rhetoric is gorgeous, but read carefully