Why can Wang Feng write so many high quality songs?

Wang Feng's words have a strong personal imprint, including his singing style. In the early days, many songs were top-notch in China. The further you go, the more sexual exploration and thinking seem to be stagnant, and more emphasis is placed on the thinking of humanities and society, and more emphasis is placed on the expressiveness of the lyrics.

I remember him himself saying that there are words first, and then there is melody and arrangement. But the reason why it is**, **sex must be put in the first place, otherwise everyone who can write poems and lyrics can do it**.

The most important thing is professionalism. Wang Feng seriously put 20 years on the classical ** (main violin) before his debut, and the background of **** Academy should not be the second among famous rock singers....Such professionalism keeps his works prolific, not afraid of running out of talent, writing even if it is not so classic, it can be kept on a horizontal line, at least not unpleasant, and the production is also serious and meticulous (this also has a lot of credit for recording Li Jun and arranger Jia Yinan).

In fact, this thing is very simple, two words: many people in the profession write songs by feeling, by touching the piano, and by playing. This can also produce works, but the ability to continue to output is poor.

And those who nod their heads a little bit are difficult to step down like a piano boy and practice the piano well, do harmony questions, and play basic skills. Mr. Wang Feng's basic skills are very solid, not stupid, and diligent, he has been pondering songwriting for so many years, and he can write a song in two hours above the average level of the Chinese music scene.

Wang Feng has been creating and has never stopped. This is rare in the mainland music scene. In addition to expressing the author's inner thoughts, the work should also consider the user experience.

Wang Feng is willing to accept the team's suggestions for his works, and will also be strict with every detail of his works. Strict requirements, but not intoxicated, this is rare in the mainland rock music scene.

Wang Feng's talent is quite good in the domestic circle, he can mix well in the mainstream is not just luck, may be a little less talented, but the accumulation from childhood to adulthood is beyond ordinary people, it is recommended to listen to the original sound he made for the movie "Seventeen-year-old Bicycle", it is more than enough to make that level of ** and make a hundred and ten pop songs of good quality.

In terms of quality, Wang Feng has always been good, especially under the premise that he has this output. But obviously, Wang Feng's problem is not the "** quality" itself, but the awkward position he is in: oscillating between the public aesthetic and the rock spirit, having said that, Wang Feng's creative ** quality has always been okay, and the domestic inferior popularity ** highlights Wang Feng's preciousness.

But in fact, for a ** person, Wang Feng is just "qualified", really, that's all.

Wang Feng has an average of one new brick every two years and a round of national tours every year, which can be described as diligent, that is, frequent iterations, continuous updates, and strive not to be forgotten by the public, which is to extend the active life cycle of the product as much as possible. In the end, I think Wang Feng has been thinking about himself and the various problems encountered in society, refining and summarizing them into songs. He is bound to impress a group of people who resonate with him in the same way.

My statement is: so many ** people can't find a few such Wang Feng, I think it's the top ** rock character, writing out, out of the hearts of many people,